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題名 《看見台灣》,看見什麼? - 一個紀錄片閱聽人研究
A Case Study of Audience Perspectives on Screen Documentary
作者 葉子寧
貢獻者 黃葳威
葉子寧
關鍵詞 紀錄片
閱聽人
日期 2015
上傳時間 1-四月-2016 10:39:18 (UTC+8)
摘要 2013年紀錄片《看見台灣》創下台灣影史多項票房紀錄並引發社會迴響,讓紀錄片對於與觀眾溝通嚴肅公共議題的效力再度受到關注;然而,儘管學界對紀錄片的學術性趣有日漸興盛的趨勢,觀眾觀點卻仍舊是有待開發的領域。本文一方面意圖重新指陳這個重要的研究問題,一方面也意圖透過開展一個紀錄片閱聽人研究討論未來相關研究發展的可能。
參考文獻 王玉燕(2008)。《環境議題紀錄片的敘事策略研究:一個集體行動框架的觀點》。國立政治大學新聞研究所碩士論文。

王泰俐(2009)。〈八卦電視新聞的閱聽眾接收分析〉。《傳播與管理研究》八卷第二期。

立報(2013年12月11日)。社論:因為視而不見,所以「看見台灣」。取自http://history.n.yam.com/lihpao/arts/20131210/20131210975244.html

行政院(2013年12月25日)。江揆聽取「看見台灣」16項指標性議題之初步處理成效 並要求政府機關主動出擊,阻止不法破壞國土之行為。取自http://www.ey.gov.tw/News_Content.aspx?n=F8BAEBE9491FC830&s=CE3B1EF10260A948

李道明(2013)。《紀錄片:歷史、美學、製作、倫理》。台北:三民。

何庭歡(2013年11月24日)。「看見台灣」受金馬肯定 齊柏林發願票房破億。中時電子報。取自 http://www.chinatimes.com/realtimenews/20131124001036-260404

何自力(2013年12月9日)。正在發酵的“《看見台灣》現象”。亞太日報。取自http://old.apdnews.com/news/52728.html

辛幼安(2014年1月7日)。《築巢人》《看見台灣》紀錄片票房創佳績。大紀元。取自http://goo.gl/pJ68bN

林木材(2012)。《景框之外:台灣紀錄片群像》,台北:遠流。

林木材(2013年11月24日)。《看見台灣》,見與不見。電影 · 人生 · 夢。取自http://woodlindoc.blogspot.tw/2013/11/blog-post_24.html

洪浩唐(2013年12月21日)。焦點評論:《看見台灣》不是看透台灣。蘋果日報。取自http://www.appledaily.com.tw/appledaily/article/headline/20131221/35523791/

胡慕情(2013年11月7日)。胡慕情:鳥目台灣。獨立評論@天下。取自http://opinion.cw.com.tw/blog/profile/37/article/727

徐孟延、邱琬淇(2006)。〈紀實娛樂頻道魅力何在? 探析閱聽人的收視過程:選擇、接收與詮釋〉。「2006年中華傳播學會年會學術研討會」論文。

陳婷玉(2008)。 〈背叛!台灣女性如何解讀電影《斷背山》–一個接收分析研究〉,《電影欣賞學刊》,26(3),149-164。

陳明珠、黃勻祺(2010)。《台灣女導演研究2000-2010:她.劇情片.談話錄》。台北:秀威資訊。

陳義宗(2014)。《現聲顯影─原住民紀錄片導演之生命歷程、族群認同與影像實踐》。國立台灣大學新聞研究所碩士論文。

張雅萍譯(2001)。《大眾電影研究》。台北:遠流。(原書Hollows, J. & Jancovich, M. [1995]. Approaches to Popular Film. Manchester, UK: Manchester University Press.)

張玉佩(2002)。《當代閱聽人研究之理論重構:試論閱聽人的思辨能力》,國立政治大學新聞研究所博士論文。

張舒程(2014)。《弱勢者的呼喊與影像─ 紀錄片工作者的田野實踐與反省》。世新大學社會發展研究所碩士論文。

游一龍、程千芳(2014)。《細說研究:一條尋奇探秘的臨淵小徑》。台北:雙葉書廊。

游婷敬(2014)。《跨國移動、越界離散:台灣 / 東亞當代女性紀錄片研究》。輔仁大學跨文化研究所比較文學博士論文。

趙庭輝(2003)。〈質化閱聽眾分析的另類取向:口述歷史訪談〉, 《當代》,192: 94-107。

齊柏林(2013)。《我的心,我的眼,看見台灣:齊柏林空拍20年的堅持與深情》。台北:圓神。

郭力昕(2013年12月16日)。郭力昕:台灣符號、政治維穩、與國族性格──如此《看見台灣》。獨立評論@天下。取自http://opinion.cw.com.tw/blog/profile/213/article/840

戴子豪(2013)。《當傳統與現代相遇─論紀錄片中所再現的原住民歌舞「新」面貌》。國立中興大學台灣文學與跨國文化研究所論文。

簡毓群(2013)。《蘭嶼紀錄片的主體性建構與反思》。國立中興大學台灣文學與跨國文化研究所碩士論文。

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Ang, I. (1991). Desperately Seeking the Audience. London; New York: Routledge.

Arthur P.(2005). ’Extreme Makeover: The Changing Face of Documentary’, Cineaste, 30: 3, pp. 18-23.

Austin, T. (2005). Seeing, feeling, knowing: a case study of audience perspectives on screen documentary. Participations, 2 (1). Available at: www.participations.org

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描述 碩士
國立政治大學
新聞學系
101451020
資料來源 http://thesis.lib.nccu.edu.tw/record/#G1014510201
資料類型 thesis
dc.contributor.advisor 黃葳威zh_TW
dc.contributor.author (作者) 葉子寧zh_TW
dc.creator (作者) 葉子寧zh_TW
dc.date (日期) 2015en_US
dc.date.accessioned 1-四月-2016 10:39:18 (UTC+8)-
dc.date.available 1-四月-2016 10:39:18 (UTC+8)-
dc.date.issued (上傳時間) 1-四月-2016 10:39:18 (UTC+8)-
dc.identifier (其他 識別碼) G1014510201en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/83527-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 新聞學系zh_TW
dc.description (描述) 101451020zh_TW
dc.description.abstract (摘要) 2013年紀錄片《看見台灣》創下台灣影史多項票房紀錄並引發社會迴響,讓紀錄片對於與觀眾溝通嚴肅公共議題的效力再度受到關注;然而,儘管學界對紀錄片的學術性趣有日漸興盛的趨勢,觀眾觀點卻仍舊是有待開發的領域。本文一方面意圖重新指陳這個重要的研究問題,一方面也意圖透過開展一個紀錄片閱聽人研究討論未來相關研究發展的可能。zh_TW
dc.description.abstract (摘要) en_US
dc.description.tableofcontents 第壹章 緒論 2
第一節 研究動機與背景 2
第二節 問題意識與研究目的 6
第三節 研究問題12


第貳章 文獻探討 13
第一節 誰在看電影?–從「觀者」 到「閱聽人」 13
ㄧ、 電影理論之發展與「觀眾」概念之演變13
二、 研究電影觀眾18
第二節 紀錄片理論探討 22
ㄧ、 紀錄片是什麼?–文本、意義與觀眾22
(一)紀錄片的非虛構性 23
(二)再現的真實性 28
(三)紀錄片的修 31
(四)觀眾的期望水平 34
二、 理論化紀錄片觀眾 36
三、 接收分析模式與紀錄片研究 45

第参章 研究方法53
第一節 深度訪談法 53
第二節 訪談大綱設計 55
第三節 訪談對象選取 57
第四節 分析架構 59

第肆章 研究發現61
第一節 撕下「紀錄片」標籤:觀眾為何看《看見台灣》 61
第二節 理性與感性:觀眾如何涉入 67
第三節 「真實」的所在:觀眾的假設、信任與懷疑 75
第四節 「客觀性」與「真實宣稱」:觀眾的期望水平 83
第五節 小結 88

第伍章 結論與建議92

參考文獻97
附錄一 106
附錄二 108
zh_TW
dc.format.extent 1225856 bytes-
dc.format.mimetype application/pdf-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G1014510201en_US
dc.subject (關鍵詞) 紀錄片zh_TW
dc.subject (關鍵詞) 閱聽人zh_TW
dc.title (題名) 《看見台灣》,看見什麼? - 一個紀錄片閱聽人研究zh_TW
dc.title (題名) A Case Study of Audience Perspectives on Screen Documentaryen_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) 王玉燕(2008)。《環境議題紀錄片的敘事策略研究:一個集體行動框架的觀點》。國立政治大學新聞研究所碩士論文。

王泰俐(2009)。〈八卦電視新聞的閱聽眾接收分析〉。《傳播與管理研究》八卷第二期。

立報(2013年12月11日)。社論:因為視而不見,所以「看見台灣」。取自http://history.n.yam.com/lihpao/arts/20131210/20131210975244.html

行政院(2013年12月25日)。江揆聽取「看見台灣」16項指標性議題之初步處理成效 並要求政府機關主動出擊,阻止不法破壞國土之行為。取自http://www.ey.gov.tw/News_Content.aspx?n=F8BAEBE9491FC830&s=CE3B1EF10260A948

李道明(2013)。《紀錄片:歷史、美學、製作、倫理》。台北:三民。

何庭歡(2013年11月24日)。「看見台灣」受金馬肯定 齊柏林發願票房破億。中時電子報。取自 http://www.chinatimes.com/realtimenews/20131124001036-260404

何自力(2013年12月9日)。正在發酵的“《看見台灣》現象”。亞太日報。取自http://old.apdnews.com/news/52728.html

辛幼安(2014年1月7日)。《築巢人》《看見台灣》紀錄片票房創佳績。大紀元。取自http://goo.gl/pJ68bN

林木材(2012)。《景框之外:台灣紀錄片群像》,台北:遠流。

林木材(2013年11月24日)。《看見台灣》,見與不見。電影 · 人生 · 夢。取自http://woodlindoc.blogspot.tw/2013/11/blog-post_24.html

洪浩唐(2013年12月21日)。焦點評論:《看見台灣》不是看透台灣。蘋果日報。取自http://www.appledaily.com.tw/appledaily/article/headline/20131221/35523791/

胡慕情(2013年11月7日)。胡慕情:鳥目台灣。獨立評論@天下。取自http://opinion.cw.com.tw/blog/profile/37/article/727

徐孟延、邱琬淇(2006)。〈紀實娛樂頻道魅力何在? 探析閱聽人的收視過程:選擇、接收與詮釋〉。「2006年中華傳播學會年會學術研討會」論文。

陳婷玉(2008)。 〈背叛!台灣女性如何解讀電影《斷背山》–一個接收分析研究〉,《電影欣賞學刊》,26(3),149-164。

陳明珠、黃勻祺(2010)。《台灣女導演研究2000-2010:她.劇情片.談話錄》。台北:秀威資訊。

陳義宗(2014)。《現聲顯影─原住民紀錄片導演之生命歷程、族群認同與影像實踐》。國立台灣大學新聞研究所碩士論文。

張雅萍譯(2001)。《大眾電影研究》。台北:遠流。(原書Hollows, J. & Jancovich, M. [1995]. Approaches to Popular Film. Manchester, UK: Manchester University Press.)

張玉佩(2002)。《當代閱聽人研究之理論重構:試論閱聽人的思辨能力》,國立政治大學新聞研究所博士論文。

張舒程(2014)。《弱勢者的呼喊與影像─ 紀錄片工作者的田野實踐與反省》。世新大學社會發展研究所碩士論文。

游一龍、程千芳(2014)。《細說研究:一條尋奇探秘的臨淵小徑》。台北:雙葉書廊。

游婷敬(2014)。《跨國移動、越界離散:台灣 / 東亞當代女性紀錄片研究》。輔仁大學跨文化研究所比較文學博士論文。

趙庭輝(2003)。〈質化閱聽眾分析的另類取向:口述歷史訪談〉, 《當代》,192: 94-107。

齊柏林(2013)。《我的心,我的眼,看見台灣:齊柏林空拍20年的堅持與深情》。台北:圓神。

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