| 2007-10 |
Sexual/Textual Politics of Identity: the Invisible Flaneuse in T.S. Eliot`s \"Eeldrop and Appleplex\" |
conference |
|
| 2007-09 |
The City of Dreadful Night: the Fl?neur and Urban Spectacle |
conference |
|
| 2007-07 |
Translation/Adaptation Dramatic Text/Performance Text: The Matatheatrical Politics in Timberlake Wertenbaker`s Our Country`s Good |
conference |
|
| 2006-03 |
The Return of the Flaneur in T.S. Eliot`s Rhapsody on a Windy Night |
conference |
|
| 2000 |
二十世紀英國文學研究在台灣：理論旅行、西化影響、本土轉向 |
conference |
|
| 1999 |
The Carnivalistic Parody in T.S. Eliots The Love Song of St. Sebastian: A Meta-dialogics of Painting and Poetry |
conference |
|
| 1998 |
艾略特的《聖賽巴斯丁之戀歌》中的狂歡戲擬︰詩與繪畫之後設對話 |
conference |
|
| 1998 |
What the Thunder Said: An Unfinalizing Dialogue of The Waste Land |
conference |
|
| 1998 |
艾略特的《聖賽巴斯丁之戀歌》中的狂歡戲擬︰詩與繪畫之後設對話 |
conference |
|
| 1997 |
The Socratic Dialogue on Martyrdom & Love in T.S Eliot`s Religious Verse: the Eliotic Woman & New Poetic Drama |
conference |
|
| 1995 |
《哭泣的女孩》：多重聲音結構 |
conference |
|
