| 2009.05 |
The Waste Land Revisited: Urban Figuration, the World Demystified, and the Politics of Flânerie |
conference |
|
| 2008.11 |
The Flâneur, the City and Virtual Public Life in T.S. Eliot’s Works |
conference |
|
| 2008.1 |
身份認同之性別/文本權術策略：《解剖新義》中女性漫遊者之寰宇越界 |
conference |
|
| 2008.09 |
He Do the Police in Different Voices: Becket Agonistes in Murder in the Cathedral |
conference |
|
| 2008.08 |
Substitutes for Religion in Eliot’s ‘The Love Song of St. Sebastian |
conference |
|
| 2008.05 |
The Return of the Flâneur in“Eeldrop and Appleplex—I” |
conference |
|
| 2007-10 |
Sexual/Textual Politics of Identity: the Invisible Flaneuse in T.S. Eliot`s \"Eeldrop and Appleplex\" |
conference |
|
| 2007-09 |
The City of Dreadful Night: the Fl?neur and Urban Spectacle |
conference |
|
| 2007-07 |
Translation/Adaptation Dramatic Text/Performance Text: The Matatheatrical Politics in Timberlake Wertenbaker`s Our Country`s Good |
conference |
|
| 2006-03 |
The Return of the Flaneur in T.S. Eliot`s Rhapsody on a Windy Night |
conference |
|
| 2000 |
二十世紀英國文學研究在台灣：理論旅行、西化影響、本土轉向 |
conference |
|
| 1999.08 |
〈艾略特的《三智士朝聖行》中的末世論觀︰語言、文本、與後現代主義寫作模式〉 |
conference |
|
| 1999 |
The Carnivalistic Parody in T.S. Eliots The Love Song of St. Sebastian: A Meta-dialogics of Painting and Poetry |
conference |
|
| 1998 |
艾略特的《聖賽巴斯丁之戀歌》中的狂歡戲擬︰詩與繪畫之後設對話 |
conference |
|
| 1998 |
What the Thunder Said: An Unfinalizing Dialogue of The Waste Land |
conference |
|
| 1998 |
艾略特的《聖賽巴斯丁之戀歌》中的狂歡戲擬︰詩與繪畫之後設對話 |
conference |
|
| 1997 |
The Socratic Dialogue on Martyrdom & Love in T.S Eliot`s Religious Verse: the Eliotic Woman & New Poetic Drama |
conference |
|
| 1995 |
《哭泣的女孩》：多重聲音結構 |
conference |
|
