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The New Woman and the Witch: Medicine Women and Empire in Fin-de-Siécle Fiction |
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| 2024-12 |
Agentic Will or Natural Determinism: Conflicts in H. G. Wells’s The Time Machine |
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| 2024-12 |
“At Home to Science:” Scientific Soirees, Conspicuous Display and the Victorian Lady of Science |
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| 2022-01 |
The Adventure of Technology: Kipling, the Motorcar, and National Regeneration |
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| 2020-04 |
Pretty Women Don`t Drive`: Early Women Motorists and the Taming of the Motor Car |
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| 2019-07 |
Pretty Women Don`t Drive` : Early Women Motorists and the Taming of the Motor Car |
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| 2018-02 |
“The Hate that Changed:’ Cycling Romance and the Aestheticization of Women Cyclists in the 1890s.” |
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| 2017-12 |
Its Beauty, Danger and Feverish Thrill |
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| 2017-06 |
Freedom or Constraint: The Speeding Bicycle and the Industrial Subject in H. G. Wells’s The Wheels of Chance |
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| 2016-12 |
Power Femininity’ and Popular Women’s Magazine in China. |
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| 2016-08 |
Rather Above Her Station’: Dress and Mass Fashion in George Gissing’s In the Year of Jubilee. |
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| 2016 |
Its Prohibitive Cost: The Bicycle, the New Woman and Conspicuous Display. |
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| 2015-05 |
Its Prohibitive Cost: The Bicycle, the New Woman and Conspicuous Display. |
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| 2012-06 |
霍克斯莫教堂:辛克萊和艾克若德作品中的神話和建築 |
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| 2012-06 |
Hawksmoor`s Churches: Myth and Architecture in the Works of Iain Sinclair and Peter Ackroyd |
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| 2012-01 |
「影像消費與通俗文化」總結 |
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| 2010-03 |
Neoliberal Governance and Popular Postfeminism in Contemporary Anglo-American Chick Lit |
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| 2006-05 |
盯梢東區──伊安辛克萊的《白教堂、紅血跡》、《騰出疆域》 |
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| 2005-07 |
百貨公司夢想曲:女性展示、消費政治和世紀末倫敦小說 |
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| 2004-05 |
共謀、抵抗或是幻想:快感和通俗浪漫小說 |
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| 2004-04 |
回歸完整和渲染空缺:福爾摩斯偵探故事的雙向敘述驅力 |
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| 2003-06 |
軋馬路、消費景觀和女性的現代市景:吉辛筆下世紀之交的倫敦城市小說 |
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| 2002-07 |
原始人做為男性化抑或女性化的象徵?──論D. H. 勞倫斯原始主義觀之性別政治 |
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| 2002-02 |
羞恥、身體和(女性)他者的凝視:論D.H.勞倫斯的戀愛中的女人 |
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