| 2026-12 |
Asian Popular Culture and the Gothic |
book |
|
| 2026-07 |
Coastal Commons and the Transpacific Uncanny in the Littoral Writings of Syaman Rapongan |
article |
說明頁(12) |
| 2026-01 |
＂None but the Nut – October fit –＂: Dickinson’s Ecological Queering of Kinship |
conference |
說明頁(25) |
| 2026-01 |
荻瑾蓀國際會議在島上：「艾蜜莉・荻瑾蓀與生態」之跨文化生態人文實踐 |
other |
pdf(5) |
| 2025-12 |
Sericultural Imagination and Queer Kinship in Chinese Mythologies: Yuan Ke’s Silk Garden and Mulan’s Camel |
conference |
pdf(1) |
| 2025-12 |
Olfactory interruptions: malodor, atmospheric invasion, and eco-Gothic in A. S. Byatt's "The Thing in the Forest" and Hayao Miyazaki's Spirited Away |
book/chapter |
說明頁(255) |
| 2025-12 |
“Nature is a Haunted House -”: Emily Dickinson’s Environmental Gothicism |
article |
說明頁(489) |
| 2025-11 |
Romantic Extraction: Silk Imagination and Multi-species Haunting |
conference |
pdf(0) |
| 2025-11 |
Between the Decorative and the Deviant: Chinoiserie Liminality in Pictures of Old Chinatown (1909) by Arnold Genthe and Will Irwin |
conference |
pdf(8) |
| 2025-10 |
Emily Dickinson's Multiverse & Ecological Imagination |
multimedia |
pdf(16) |
| 2025-10 |
Romantic Reverie as Ecological Imagination |
conference |
pdf(15) |
| 2025-09 |
Coastal Commons and the Pacific Uncanny in the Littoral Writings of Chen Li and Syaman Rapongan |
conference |
pdf(13) |
| 2025-08 |
Wetland Aesthetics and Chi Po Lin’s Aerial Gaze: the Ecological Other and the Anthropocene Futurity in In focus, Chi Po Lin and Taiwan’s Four-Dimensional Spacetime |
conference |
pdf(6) |
| 2025-07 |
Ariel Views, Island Aesthetics, and Archipelagic Futurity |
conference |
說明頁(31) |
| 2025-06 |
On the Edge of Nostalgia: Island Feelings and Cold War Narrative in ‘Nostalgia’ (1972) by Yu Guangzhong and ‘The Love Song of Buffet the Clown’ (1978) by Chen Li |
conference |
pdf(9) |
| 2025-06 |
“Chrysalis of Blonde – or Umber –”: Dickinson’s Asiatic Leopard and the Silk Utopia |
conference |
pdf(9) |
| 2025-03 |
Sericultural Mobility and Multi-species Imageries in the 19th Century Atlantic World |
conference |
pdf(17) |
| 2025-02 |
蠶女故事：生態鬼魅與絲路物質文化下的人類世寓言 |
book/chapter |
說明頁(383) |
| 2024-12 |
The Silkworm Girl, Sericultural EcoGothic, and the Anthropocene |
article |
說明頁(274) |
| 2024-12 |
Garden Futurity Roundtable Colloquium |
conference |
pdf(18) |
| 2024-12 |
San Francisco Chinatown as a Romantic Gateway: Transpacific (Dis)continuity in Bret Harte’s “Wan Lee, the Pagan” |
book/chapter |
說明頁(331) |
| 2024-12 |
危機與批判：細讀、機器學習與大學知識生產之反思 |
book/chapter |
說明頁(365) |
| 2024-11 |
Wetland Aesthetics and the Anthropocene Crisis/Futurity in In focus, Chi Po Lin and Taiwan’s Four-Dimensional Spacetime (2019) |
conference |
|
| 2024-10 |
‘Sweet on You’: Gothic Romance and Cold War Narratives in S. Leo Chiang’s ‘Island in Between' |
conference |
|
| 2024-08 |
「張開我的細微雙手／聚集天堂樂園」：蘇格蘭與安赫斯特的山水詩夢——兼回應田宇宏文 |
other |
pdf(125) |
