| 2026-12 |
Asian Popular Culture and the Gothic |
book |
說明頁(9) |
| 2026-10 |
Sericultural Imagination and Queer Kinship in Chinese Mythologies |
book/chapter |
|
| 2026-10 |
Taiwan Folklore and Transmedial Haunting: Liām-kua and the Gothic Story-teller in The Bold, the Corrupt, and the Beautiful |
book/chapter |
|
| 2026-07 |
Coastal Commons and the Transpacific Uncanny in the Littoral Writings of Syaman Rapongan |
article |
說明頁(90) |
| 2026-07 |
‘Is it romantic…?’: Dickinson’s and Swift’s Conversation with Wordsworth |
conference |
pdf(0) |
| 2026-07 |
Romantic Reverie as World-Making Practice |
conference |
說明頁(5) |
| 2026-07 |
“Tian Mimi” (Sweet Like Honey): Critical Nostalgia, Hauntological Melancholia, and Cold War Narratives in S. Leo Chiang’s Island in Between |
article |
說明頁(104) |
| 2026-06 |
Silk culture, Utopian Experiment, and Anthropocene Imagination in Mid-Nineteenth-Century New England |
conference |
pdf(0) |
| 2026-04 |
Smell as method: Hsuan L. Hsu’s Olfactory Worldmaking and multimodal environmental humanities |
article |
說明頁(74) |
| 2026-01 |
荻瑾蓀國際會議在島上：「艾蜜莉・荻瑾蓀與生態」之跨文化生態人文實踐 |
other |
pdf(10) |
| 2026-01 |
＂None but the Nut – October fit –＂: Dickinson’s Ecological Queering of Kinship |
conference |
說明頁(45) |
| 2025-12 |
“Nature is a Haunted House -”: Emily Dickinson’s Environmental Gothicism |
article |
說明頁(513) |
| 2025-12 |
Olfactory interruptions: malodor, atmospheric invasion, and eco-Gothic in A. S. Byatt's "The Thing in the Forest" and Hayao Miyazaki's Spirited Away |
book/chapter |
說明頁(273) |
| 2025-12 |
Sericultural Imagination and Queer Kinship in Chinese Mythologies: Yuan Ke’s Silk Garden and Mulan’s Camel |
conference |
pdf(3) |
| 2025-11 |
Romantic Extraction: Silk Imagination and Multi-species Haunting |
conference |
pdf(0) |
| 2025-11 |
Between the Decorative and the Deviant: Chinoiserie Liminality in Pictures of Old Chinatown (1909) by Arnold Genthe and Will Irwin |
conference |
pdf(9) |
| 2025-10 |
Emily Dickinson's Multiverse & Ecological Imagination |
multimedia |
pdf(17) |
| 2025-10 |
Romantic Reverie as Ecological Imagination |
conference |
pdf(16) |
| 2025-09 |
Coastal Commons and the Pacific Uncanny in the Littoral Writings of Chen Li and Syaman Rapongan |
conference |
pdf(17) |
| 2025-08 |
Wetland Aesthetics and Chi Po Lin’s Aerial Gaze: the Ecological Other and the Anthropocene Futurity in In focus, Chi Po Lin and Taiwan’s Four-Dimensional Spacetime |
conference |
pdf(8) |
| 2025-07 |
Ariel Views, Island Aesthetics, and Archipelagic Futurity |
conference |
說明頁(48) |
| 2025-06 |
On the Edge of Nostalgia: Island Feelings and Cold War Narrative in ‘Nostalgia’ (1972) by Yu Guangzhong and ‘The Love Song of Buffet the Clown’ (1978) by Chen Li |
conference |
pdf(10) |
| 2025-06 |
“Chrysalis of Blonde – or Umber –”: Dickinson’s Asiatic Leopard and the Silk Utopia |
conference |
pdf(12) |
| 2025-03 |
Sericultural Mobility and Multi-species Imageries in the 19th Century Atlantic World |
conference |
pdf(18) |
| 2025-02 |
蠶女故事：生態鬼魅與絲路物質文化下的人類世寓言 |
book/chapter |
說明頁(403) |
