| 2026-12 |
Asian Popular Culture and the Gothic |
book |
|
| 2025-12 |
Olfactory interruptions: malodor, atmospheric invasion, and eco-Gothic in A. S. Byatt's "The Thing in the Forest" and Hayao Miyazaki's Spirited Away |
book/chapter |
說明頁(255) |
| 2025-02 |
蠶女故事：生態鬼魅與絲路物質文化下的人類世寓言 |
book/chapter |
說明頁(382) |
| 2024-12 |
San Francisco Chinatown as a Romantic Gateway: Transpacific (Dis)continuity in Bret Harte’s “Wan Lee, the Pagan” |
book/chapter |
說明頁(331) |
| 2024-12 |
危機與批判：細讀、機器學習與大學知識生產之反思 |
book/chapter |
說明頁(365) |
| 2024-04 |
“My head like a mushroom below”: Chen Kehua’s Vegetal Gothic and the Anthropocene |
book/chapter |
說明頁(482)說明頁(433) |
| 2023-11 |
“I’ve always thought that we are living on the cowhide”: Chen Li’s Edge as Method and Border-Queering in The Edge of the Island |
book/chapter |
說明頁(560) |
| 2021-11 |
Ecogothic Chinatown |
book/chapter |
說明頁(765) |
| 2021-05 |
The `Phantasmatic` Chinatown in Helen Hunt Jackson`s `The Chinese Empire` and Mark Twain`s Roughing It |
book/chapter |
pdf(449) |
| 2021 |
The ‘Phantasmatic’ Chinatown in Helen Hunt Jackson’s ‘The Chinese Empire’ and Mark Twain’s Roughing It |
book/chapter |
pdf(448) |
| 2020-12 |
Ecogothic Chinatown |
book/chapter |
|
| 2011-09 |
Asia, Animals and Apocalypse: The Narcotic Tour of Emily Dickinson and Thomas De Quincey |
book/chapter |
說明頁(1116) |
