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| 2026-07 |
“Tian Mimi” (Sweet Like Honey): Critical Nostalgia, Hauntological Melancholia, and Cold War Narratives in S. Leo Chiang’s Island in Between |
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| 2026-04 |
Smell as method: Hsuan L. Hsu’s Olfactory Worldmaking and multimodal environmental humanities |
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| 2025-12 |
“Nature is a Haunted House -”: Emily Dickinson’s Environmental Gothicism |
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| 2024-12 |
The Silkworm Girl, Sericultural EcoGothic, and the Anthropocene |
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| 2024-03 |
“Because the bees buzz underground, /we have earthquakes”: Chen Li’s The Edge of the Island at the Brink of the Anthropocene Ruin |
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| 2023-12 |
38期前言 |
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| 2023-09 |
Settler Colonialism and Harte’s Frontier EcoGothic in “Three Vagabonds of Trinidad” |
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| 2023-09 |
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| 2023-06 |
Introduction: Why Do We Need Asian Gothic? |
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| 2022-07 |
Introduction: Syaman Rapongan’s Littoral Gothic and EcoGothic Asia |
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| 2022-06 |
Mechanical Precision and the Cosmic Sublime in Thomas De Quincey’s Writing |
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| 2022-03 |
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| 2022-03 |
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| 2021-04 |
To make a prairie it takes a clover and one bee : Dickinson`s Manufacturing of the Wild West |
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| 2020-11 |
Voices outside the US (editorial note) |
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| 2020-11 |
Editorial Introduction: Testing our Horizons |
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| 2020-10 |
Keats, Higginson, and Snakes: Yang Mu’s Transcultural "Courtship |
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| 2019-12 |
Foreword for A Special Issue on “Sir Walter Scott: His Worlds and Legacies” |
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| 2018-07 |
The Romance of Transportation in Wordsworth, Emerson, De Quincey, and Dickinson |
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| 2018-06 |
Foreword for A Special Issue on “Transatlantic Literary and Cultural Relations, 1776 to the Present” |
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| 2016-11 |
`The light that never was on sea or land`: William Wordsworth in America and Emily Dickinson`s `Frostier` Style` |
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| 2015-01 |
“As Trade Had Suddenly Encroached”: Emily Dickinson, William Wordsworth and China |
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| 2014-04 |
Thomas De Quincey``s ``Serpentine`` Writing and Emily Dickinson``s Reptiles |
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