| 2024-11 |
Cycles and Turns: Steve Reich and De Keersmaeker's Violin Phase |
conference |
pdf(165) |
| 2022-07 |
The Ghost of Writing: On the Correlation between Music Notation and Phonography from the Perspectives of Media and Culture Studies |
conference |
web page(518) |
| 2022-06 |
Notation as the “Culture Technique” |
conference |
web page(451) |
| 2022-06 |
The Body That Counts: On the Digital Techniques of the Chinese Modern Dance |
conference |
web page(407) |
| 2021-08 |
Sinogram: Writing of Ancient China with Modern Dance |
conference |
web page(595) |
| 2021-06 |
The Unnotated Beat: On the Emergence of the Rhythm |
conference |
web page(477) |
| 2020-12 |
動—物—慾：在現代舞蹈的情慾之間 |
conference |
web page(356) |
| 2019 |
The Performing Writing: Some Reflections on the Writings of Ch’i in the Contemporary Dance |
conference |
web page(685) |
| 2018 |
Figure of Force: The Concept and (Non-)Notation of Rhythm in the Chinese Traditional Nan-kuan Music |
conference |
|
| 2018 |
Figuration under the Forces: On the Rhythm in the Chinese Traditional Music |
conference |
pdf(457) |
| 2017 |
Weight of Time: The Empathic Perception of the Rhythm of Chinese Traditional Nan-kuan Music |
conference |
web page(613) |
| 2017 |
Dance as the Figure of Music: The Dynamics of Nan-kuan Music and Dance in Chen Mei-e’s Work |
conference |
web page(678) |
| 2016 |
Citation of Imagery: Chen Mei-e’s Representation of the Chinese Ancient Dance-Music Scenes |
conference |
|
| 2016 |
Sense of Rhythm, Sense of Weight: The Empathic Perception of the Dynamics of Chinese Traditional Nan-kuan Music |
conference |
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