2021-12 |
校園刊物的文藝流動與民國文學--兼述史料的補闕 |
周志煌 |
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說明頁(156) |
2022-03 |
"Tao-Being" and "Mind": An Observation of the Deepening and Derivation of Zhu Studies in Cai Qing`s Primary Introduction to the Four Books |
陳逢源、Chen, Feng-yuan |
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說明頁(144) |
2022-03 |
On the Concept and Background of "Xing Zhi Wu She" in "Chengren" in the Qinghua Manuscripts and the "Five Punishments" in the Shangshu Dazhuan |
古育安、Ku, Yu-an |
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說明頁(130) |
2022-06 |
Ancient Chinese Traditions of Ritual and Music and Cultural Orientation: From the Perspective of Sacrificial Rites |
林啓屏、Lin, Chi-ping |
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說明頁(200) |
2022-09 |
The Concept of "the Great Age of Tang Poetry": From Late Song Dynasty to Early Ming Dynasty |
陳英傑、Chen, Ying-chieh |
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說明頁(138) |
2022-06 |
Investigation and Thinking: Fu Guang in the Encyclopedia of the Four Books (Sishu Daquan) |
陳逢源、Chen, Feng-yuan |
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說明頁(174) |
2022-06 |
An Analysis of the Integration of Yi-Diagrams and Hongfan in the Song Dynasty |
陳睿宏、Chen, Rui-hong |
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說明頁(131) |
2022-03 |
The Origins of Biographic Narratives of Chan School Patriarchs and Miraculous Legends in the Dunhuang Version of Lidai Fabao Ji |
楊明璋、Yang, Ming-chang |
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說明頁(137) |
2020-02 |
鷹歸梵林墩——致尉天驄老師 |
陳碩文 |
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2021-12 |
The Legacy of Performance of Taiwanese Gezixi in Singapore in the 1960s |
蔡欣欣、Tsai, Hsin-hsin |
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說明頁(182) |
2022-06 |
Secularism in Monastic Life: Implicit Acceptance of Secularism in The Biographies of Eminent Monks |
涂艷秋、Tu, Yen-chiu |
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說明頁(118) |
2022-06 |
經學講會「雙溪繼刱」暨蔣秋華教授榮退誌慶特輯--關於特輯 |
車行健 |
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說明頁(91) |
2022-06 |
蔣公,在文哲所的歲月 |
車行健 |
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2022-01 |
關於何定生著作集的整理與出版 |
車行健 |
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說明頁(84) |
2022-01 |
顧頡剛與戰後臺灣經學暨何定生著作重刊發佈會專輯前言 |
車行健 |
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說明頁(65) |
2021-11 |
Forum on the Fortieth Anniversary of the Death of Gu Jiegang |
車行健 |
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說明頁(99) |
2022-03 |
Mysterious Sights and Instincts`, `Extensive and Harmonious`: Thomé H. Fang`s Critique on Chinese Art--Also on the Philosophical Interest in Poems by Thomé H. Fang and Nan Huai-Chin |
周志煌、Chou, Chih-Huang |
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說明頁(88) |
2021-12 |
On Liu Chenweng`s Poetry Criticism: Influencing the Transformation of "Uncanny" Poetics and Its Significance in the Southern-Song Dynasty`s History of Poetry |
侯雅文、Hou, Ya-wen |
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說明頁(132) |
2020-12 |
A Study of Folk Deity Scriptures in Taoism in Ming and Qing Dynasties |
高振宏、Kao, Chen-hung |
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說明頁(57) |
2022-09 |
Performing the Competition of Monastic and Demons and Staging Interaction between the Dao and Exorcism: Re-interpretation of Fengshen Yanyi through the Exorcism in Song and Yuan Dynasties |
高振宏、Kao, Chen-hung |
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說明頁(131) |
2021-06 |
A Spectral Critique of Hong Kong Films: A Reading of the Urban Spectre: Dr. Esther MK Cheung’s Essays in Hong Kong Film Studies |
黃國華、Ng, Kok Hwa |
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說明頁(122) |
2017-07 |
The Gaze of Modernism: The Modern Layout Arrangement of The Young Companion |
黃國華、Ng, Kok-hwa |
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說明頁(139) |
2021-12 |
民國的南洋:上海《良友》畫報的「南洋群島」想像 |
黃國華、Ng, Kok-hwa |
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說明頁(120) |
2016-07 |
Anti-Incorporation: "Post-03" Ghostly Writing in Lee Pik-wah`s Film Tie-in Edition Novels |
黃國華、Ng, Kok-hwa |
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說明頁(73) |
2022-09 |
The Rise of Nanyang Studies: Topography Writings in Nanyang Yanjiu and Nanyang Qingbao (1928-1944) |
黃國華、Ng, Kok-hwa |
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說明頁(160) |