| 1990 |
The double in Peter Shaffer and Sam Shepard`s plays |
蘇子中 |
thesis |
說明頁(515) |
| 1990 |
Walker Percy`s The Moviegoer: The endless wayfaring in Limbo |
黃雅菁 |
thesis |
說明頁(473) |
| 1990 |
Connectives in Chinese narrative discourse |
尤雪瑛 |
thesis |
說明頁(540) |
| 1996 |
Mise en Abyme in Sam Shepard`s Family Trilogy |
楊惠君、Yang, Huei-chun |
thesis |
說明頁(435) |
| 1998 |
The Power of Gaze: The Seeing/Seen Relationships in Toni Morrison`s The Bluest Eye |
沈怡箴、Shen, Yi Jan |
thesis |
說明頁(445) |
| 1999 |
Zero Anaphora in Written and Conversational Texts in Modern Mandarin |
朱素貞、Chu, Su Chen |
thesis |
說明頁(495) |
| 1998 |
Forms, Usage, and Meanings of Command in Mandarin Chinese: A Sociolinguistic Approach |
時雪煒、Shih, Hsueh Wei |
thesis |
說明頁(492) |
| 1998 |
Developmental Dysphasia of Mandarin-Speaking Monozygotic Twins: A Case Study |
尹承俊、Grace Yin, Cheng Jun |
thesis |
說明頁(588) |
| 1996 |
Reflexivity and Cultural Anesthetization : Reading Donald Barthelme`s Snow White |
郭俊銘 |
thesis |
說明頁(470) |
