| 2018-04 |
The Outsider of the Ancient Capital: An Analysis of the Daily Writing of Zhong Li-He in 1940s Beijing |
羅詩雲、Lo, Shih-Yun |
article |
說明頁(113) |
| 2011-10 |
The Anxiety of Becoming an Empire: An Analysis of Narrative of Mori Ogai`s Kosei-Nikki and Sosei-Nikki |
羅詩雲、Lo, Shih-Yun |
article |
說明頁(107) |
| 2013-12 |
The Possibility of Taiwan`s Modern Knowledge Construction: Focusing on Translation Articles from The Taiwan Youth |
羅詩雲、Lo, Shih-Yun |
article |
說明頁(134) |
| 2014-02 |
Second Only to the Original: Rhetoric and Practice in the Photographic Reproduction of Art in Early Twentieth-Century China |
劉宇珍、Liu, Yu-jen |
article |
說明頁(40) |
| 2018-10 |
Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century |
劉宇珍、Liu, Yu-jen |
article |
說明頁(34) |
| 2018-06 |
書評：Chinese Painting and Its Audiences／Craig Clunas |
劉宇珍、Liu, Yu-jen |
article |
說明頁(43) |
