Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/100426
DC Field | Value | Language |
---|---|---|
dc.creator | 阮文雅 | zh_TW |
dc.creator | Juan, Uen-ia | |
dc.date | 2010-03 | |
dc.date.accessioned | 2016-08-18T09:31:04Z | - |
dc.date.available | 2016-08-18T09:31:04Z | - |
dc.date.issued | 2016-08-18T09:31:04Z | - |
dc.identifier.uri | http://nccur.lib.nccu.edu.tw/handle/140.119/100426 | - |
dc.description.abstract | 高畑勳執導的動畫《螢火蟲之墓》其影響與知名度甚至超過了原作野坂昭如的小說《螢火蟲之墓》。每年八月接近終戰的日本全國暑假期間,這部動畫便透過電視媒體重複放映,一為紀念戰爭結束,二來也企圖喚起人們對戰爭的記憶與省思。 | |
dc.description.abstract | The animation movie Grave of the Fireflies directed by TAKAHATA ISAO, is no doubt a worldwide famous representative work. The first motivation of which is, first, in memory of the ending of war; second, to recall people’s memory and thinking of the war. | |
dc.format.extent | 860560 bytes | - |
dc.format.mimetype | application/pdf | - |
dc.relation | 文化越界,1(3),95-116 | |
dc.relation | Cross-cultural Studies | |
dc.subject | 螢火蟲之墓 ; 野坂昭如 ; 高畑勳; 井上由美子; 集體記憶 | |
dc.subject | Grave of the Fireflies;Takahata Isao; Nosaka Akiyuki; Inoue yumiko ;group memory | |
dc.title | 《螢火蟲之墓》的多重書寫:戰爭記憶的重塑與轉化 | zh_TW |
dc.title.alternative | Various Adoption of Grave of the Fireflies | |
dc.type | article | |
item.fulltext | With Fulltext | - |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
item.cerifentitytype | Publications | - |
item.grantfulltext | open | - |
item.openairetype | article | - |
Appears in Collections: | 期刊論文 |
Files in This Item:
File | Description | Size | Format | |
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1(3)p95-116.pdf | 840.39 kB | Adobe PDF2 | View/Open |
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