Please use this identifier to cite or link to this item:
https://ah.lib.nccu.edu.tw/handle/140.119/118103
DC Field | Value | Language |
---|---|---|
dc.contributor | 台文所 | zh_TW |
dc.creator | 蔡欣欣 | zh_TW |
dc.date | 2015 | |
dc.date.accessioned | 2018-06-28T05:57:07Z | - |
dc.date.available | 2018-06-28T05:57:07Z | - |
dc.date.issued | 2018-06-28T05:57:07Z | - |
dc.identifier.uri | http://nccur.lib.nccu.edu.tw/handle/140.119/118103 | - |
dc.description.abstract | 前言縱橫明清劇壇數百余載的昆曲,從古代延伸到近代,由大陸地區流播到寶島,從有清以來,在臺灣地區歷經不同的歷史發展階段,以抒情典麗的文學詩意與細膩優雅的表演藝術,確立"戲曲美典"的傳統身姿。近年來更在政府部門、學界、藝文界、劇團與觀眾的協心合作下,型塑且穩固了對傳統經典的美學熏陶與文化深耕,昆曲的臺灣 | zh_TW |
dc.format.extent | 2988041 bytes | - |
dc.format.mimetype | application/pdf | - |
dc.relation | 戲曲研究, 2015年04期 No.96, pp.71-103 | zh_TW |
dc.title | 20世紀90年代以來兩岸崑壇的交流現象 | zh_TW |
dc.type | article | |
item.fulltext | With Fulltext | - |
item.grantfulltext | restricted | - |
item.cerifentitytype | Publications | - |
item.openairetype | article | - |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
Appears in Collections: | 期刊論文 |
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