數位音樂的社會學悖論及其想像

Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/143421

DC Field	Value	Language
dc.contributor	廣播與電視
dc.creator	趙景
dc.creator	Zhao, Jing
dc.date	2021-01
dc.date.accessioned	2023-02-14T08:06:29Z	-
dc.date.available	2023-02-14T08:06:29Z	-
dc.date.issued	2023-02-14T08:06:29Z	-
dc.identifier.uri	http://nccur.lib.nccu.edu.tw/handle/140.119/143421	-
dc.format.extent	106 bytes	-
dc.format.mimetype	text/html	-
dc.relation	廣播與電視, 41, 125-134
dc.subject	數位音樂; 音樂社會學; 盜版文化; 挪威; 音樂福利國家
dc.subject	Digital music; Music sociology; Norwegian; Music welfare state
dc.title	數位音樂的社會學悖論及其想像
dc.title	The Sociological Paradox and Imagination of Digital Music
dc.type	article
dc.identifier.doi	10.30385/JRTS.202101_(41).0004
dc.doi.uri	https://doi.org/10.30385/JRTS.202101_(41).0004
item.grantfulltext	open	-
item.openairecristype	http://purl.org/coar/resource_type/c_18cf	-
item.openairetype	article	-
item.fulltext	With Fulltext	-
item.cerifentitytype	Publications	-
Appears in Collections:	期刊論文

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