Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/51129
DC FieldValueLanguage
dc.contributor.advisor劉小蘭zh_TW
dc.contributor.advisorLiu, Hsiao Lanen_US
dc.contributor.author吳蕙君zh_TW
dc.contributor.authorWu, Huei Jiunen_US
dc.creator吳蕙君zh_TW
dc.creatorWu, Huei Jiunen_US
dc.date2010en_US
dc.date.accessioned2011-09-29T10:57:05Z-
dc.date.available2011-09-29T10:57:05Z-
dc.date.issued2011-09-29T10:57:05Z-
dc.identifierG0098926012en_US
dc.identifier.urihttp://nccur.lib.nccu.edu.tw/handle/140.119/51129-
dc.description碩士zh_TW
dc.description國立政治大學zh_TW
dc.description亞太研究英語碩士學位學程(IMAS)zh_TW
dc.description98926012zh_TW
dc.description99zh_TW
dc.description.abstractWith respect to the investment on cultural infrastructure, more attention has always been paid to the Northern than to the Southern area of Taiwan. The aim of this study is to examine the factors that led to the differences in development of the performing arts environments in Taipei and Kaohsiung by reviewing the historical background and analyze specific cultural statistics. The results show that there are indeed some disparities in the performing arts environments between Taipei and Kaohsiung. However, while the demands for upgrading the respective performing arts environments in Taipei and Kaohsiung both continue to exist, future sustainability of their operation is as important as the establishment of new hardware in order to create a better environment for cultivating a cultural creative industry in Taiwan.en_US
dc.description.tableofcontentsChapter One Introduction………………………………7\r\n1.1Motivation................................7\r\n1.2 Research questions and purposes..... 9\r\n1.3 Research method......................10\r\n\r\nChapter Two Literature review..................11\r\n2.1 The demand for performing arts facilities..11\r\n2.1.2 Studies related to the demand for \r\nthe development of cultural facilities.........12\r\n2.1.3 The Development of \r\nCultural Facilities environment................14\r\n2.1.4. The improvement of \r\nthe existing performing arts facilities .......15\r\n2.1.5 The future demand \r\nfor the performing arts facilities.............16\r\n2.2 Major cultural infrastructure developments..17\r\n2.2.1 Overview of Cultural Construction.........17\r\n2.2.2 The evaluation of cultural facilities \r\nconstruction from 1949-2000 ....................19\r\n2.2.3 Software construction for \r\ncultural construction ..........................20\r\n2.2.4 Chronology of major events regarding the \r\nconstruction of cultural facilities ............21\r\n2.3 Factors Influence Participation \r\nof performing arts..............................22\r\n\r\nChapter Three The development status of performing arts environment in Taipei and Kaohsiung city..................27\r\n\r\n3.1 The historical background of Taipei and Kaohsiung and their present performing arts facilities..................27\r\n\r\n3.2 Demand factors for cultural facilities and participation in Taipei and Kaohsiung…………………………………………………………………………30\r\n\r\n3.3 The existing performance venues \r\nin Taipei and Kaohsiung city..............................34\r\n\r\n3.4 Statistics of the number of performance events and participation (from 2006-2010)............................42\r\n\r\n3.5 The same performance with different ticket price......49\r\n\r\nChapter Four- Results.....................................50\r\n\r\nChapter Five Conclusion...................................56\r\nThe limitations of this study.............................58\r\nThe further research......................................59\r\nReference.................................................60zh_TW
dc.language.isoen_US-
dc.source.urihttp://thesis.lib.nccu.edu.tw/record/#G0098926012en_US
dc.subject文化建設zh_TW
dc.subject高雄zh_TW
dc.subject表演藝術環境zh_TW
dc.subject表演設施zh_TW
dc.subject台北zh_TW
dc.subjectculture constructionen_US
dc.subjectKaohsiungen_US
dc.subjectperforming arts environmenten_US
dc.subjectperformance venueen_US
dc.subjectTaipeien_US
dc.title台北與高雄的表演藝術環境—以表演設施為例zh_TW
dc.titleThe performing arts environment in Taipei and Kaohsiung - A case study of performance venuesen_US
dc.typethesisen
dc.relation.referenceEnglishzh_TW
dc.relation.referenceE1. Bradshaw, Nichols.2004. 2002 survey of public participation in artszh_TW
dc.relation.referenceE2. Bruce Alan Seaman.2005. Attendance and Public Participation in the Performing Arts: A Review of the Empirical Literature, Andrew Young School of Policy Studies Research Paper Series No. 06-25zh_TW
dc.relation.referenceE3. Fenn, Clare; Bridgwood, Ann; Dust, Karen; Hutton, Lucy; Jobson, Michelle; Skinner, Megan 2004. Arts in England 2003: attendance, participation and attitudes, London: Arts Council England.zh_TW
dc.relation.referenceE4. Kevin F. McCarthy, Arthur Brooks, Laura Zakaras, Julia Lowell.2001. The Performing Arts in a New era. RAND Corporationzh_TW
dc.relation.referenceE5. Henderson, J. Vernon. 1991. Urban development : theory, fact, and illusion. New York : Oxford University Presszh_TW
dc.relation.referenceE6. Lee A. Kirkpatrick, Brooke C. Feeney 2009. A simple guide to SPSS, Cengage Learningzh_TW
dc.relation.referenceE7. Liz Hill, Catherine O`Sullivan and Terry O`Sullivan.2003. Creative arts marketing Amsterdam, The Netherlands ; Boston, Mass. : Butterworth-Heinemann,zh_TW
dc.relation.referenceE8. Nichols, B. (2003). Demographic Characteristics of Arts Attendance. Washington, D.C: National Endowment for the Arts.zh_TW
dc.relation.referenceE9. P. Kotler, Joanne Scheff ,1997, Standing room only: strategies for marketing the performing arts , Harvard Business Presszh_TW
dc.relation.referenceE10.Pierre Bourdieu,1984.The Market of Symbolic Goods , Columbia University Presszh_TW
dc.relation.referencePierre Bourdieu.1984. Distinction: A Social Critique of the Judgment of Tastezh_TW
dc.relation.referenceE11.Radbourne, Jennifer.2001. Full house theory: A new theory for assessing demand for arts centers, Journal of arts management, law, and society, vol. 30, no. 4, Winter, pp. 254-267.zh_TW
dc.relation.referenceE12.Stephen L. J. Smith, (1983) Recreation geography, London: Longman.zh_TW
dc.relation.referenceChinesezh_TW
dc.relation.referenceC1.古宜靈.2000.國立台北大學 都市計劃研究所博士論文 都市藝文活動參與選擇行為之研究zh_TW
dc.relation.referenceC2.古宜靈;辛晚教.1997.文化生活圈與文化設施發展之研究, 都市與計劃 第二十四卷 第一期 第43-68 頁zh_TW
dc.relation.referenceC3.林東佑.2007.逢甲大學都市計畫所碩士學位論文 區域型文化設施發展需求之研究zh_TW
dc.relation.referenceC4.胡采蘋.2001.國立政治大學新聞碩士論文台灣古典音樂文化工業之政治經濟分析zh_TW
dc.relation.referenceC5.謝宏仁、謝玉玲、賴榮平.2006.高高屏地區民眾參與展演藝術活動現況與設施需求分析。藝術教育研究,第11 期,77-111zh_TW
dc.relation.referenceC6.謝宏仁、賴榮平,2005,大高雄地區文化展演設施民眾參與現況與需求分析,永續與文化創意設計國際研討會論文集,zh_TW
dc.relation.referenceC7.謝旭洲 2008.社會統計與資料分析 威仕曼文化事業公司zh_TW
dc.relation.referenceC8.謝玉玲.2004.國立成功大學建築學系碩士學位論文 \"文化展演設施建設需求評估指標之研究\"zh_TW
dc.relation.referenceC9.謝玉玲.2007.國立成功大學建築學系博士學位論文 \"表演藝術設施觀眾現況及設施需求之研究\"zh_TW
dc.relation.referenceC10.謝育穎.2003.國立成功大學建築學系博士學位論文台灣地區文化中心演藝廳用後評估之研究zh_TW
dc.relation.referenceC11.辛晚教、古宜靈2005.《文化生活圈與文化產業》。詹氏書局zh_TW
dc.relation.referenceC12.吳連賞 2005.高雄市港埠發展史。高市文獻會,zh_TW
dc.relation.referenceC13.陳正祥1997.臺北市誌。南天zh_TW
dc.relation.referenceC14.黃富三 1995.臺北建城百年史。北市文獻會zh_TW
dc.relation.referenceC15.夏學理等編著2003.文化市場與藝術票房。五南zh_TW
dc.relation.referenceWebsitezh_TW
dc.relation.referenceDirectorate-General of Budget, Accounting & Statistics, Executive Yuanzh_TW
dc.relation.referenceYearbook of Manpower Survey Statistics, Taiwan Area, R.O.C.zh_TW
dc.relation.referenceNational Taiwan Arts Educationzh_TW
dc.relation.referenceCultural statistics from Council for Cultural Affairs, Taiwanzh_TW
dc.relation.referenceUrban and Regional Development statistics from 2006-2010zh_TW
dc.relation.referenceNTCH Ticketing Systemzh_TW
dc.relation.referenceCultural statistics on auditorium by CCA 2011zh_TW
item.languageiso639-1en_US-
item.openairecristypehttp://purl.org/coar/resource_type/c_46ec-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.fulltextWith Fulltext-
item.openairetypethesis-
Appears in Collections:學位論文
Files in This Item:
File SizeFormat
index.html115 BHTML2View/Open
Show simple item record

Google ScholarTM

Check


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.