2005-05 |
An Ethic Perspective of Global Cultural Flows: Nadine Gordimer`s The Pickup |
CHIEN-CHI LIU |
conference |
|
2004-12 |
談傅一勤的《新譯魯拜集─人生智慧小詩》 |
CHIEN-CHI LIU |
conference |
|
2004-01 |
從「文化翻譯」與「全球文化流動」論台灣英(外)文系「文學、文化教學」的方向:以《中外文學 》的二本專輯為例 |
CHIEN-CHI LIU |
conference |
|
2004-03 |
從全球倫理論異域文化的邊緣議題 ─以黃錦樹《由島至島─刻背》為例 |
CHIEN-CHI LIU |
conference |
|
2004-03 |
大眾文化的全球性 |
CHIEN-CHI LIU |
conference |
|
2003-11 |
從文學/文化角度探討全球溝通與文化認同 |
CHIEN-CHI LIU |
conference |
|
1999-06 |
Famine and the Eclipse of the Goddess |
何艾克 |
conference |
|
2003-01 |
從文化的觀點論台灣的英語教學:由「全球在地化」談起 |
CHIEN-CHI LIU |
conference |
|
2002-11 |
全球文化流動中的論述暴力與邊緣議題─以張煒的《外省書》及譚恩美的《百種神秘感覺》為例 |
CHIEN-CHI LIU |
conference |
|
2002-06 |
Discursive Violence in Global-Cultural Flows: A Study of Ethnoscape andIdeoscape in Amy Tan’s The Hundred Secret Senses |
CHIEN-CHI LIU |
conference |
|
2002-03 |
譚恩美小說《百種神秘感覺》中的「他性」與「文化屬性」 |
CHIEN-CHI LIU |
conference |
|
2001-05 |
從批評倫理學論網路文本 |
CHIEN-CHI LIU |
conference |
|
2000-06 |
Dialogic Imagination: The Rubaiyat |
CHIEN-CHI LIU |
conference |
|
2007-10 |
Sexual/Textual Politics of Identity: the Invisible Flaneuse in T.S. Eliot`s \"Eeldrop and Appleplex\" |
LI-MIN YANG |
conference |
|
2007-07 |
Translation/Adaptation Dramatic Text/Performance Text: The Matatheatrical Politics in Timberlake Wertenbaker`s Our Country`s Good |
LI-MIN YANG |
conference |
|
2006-03 |
The Return of the Flaneur in T.S. Eliot`s Rhapsody on a Windy Night |
LI-MIN YANG |
conference |
|
2000 |
二十世紀英國文學研究在台灣:理論旅行、西化影響、本土轉向 |
LI-MIN YANG |
conference |
|
2004-04 |
Pleasure and the Reading of Popular Romance |
YIN-I CHEN |
conference |
|
1999 |
The Carnivalistic Parody in T.S. Eliots The Love Song of St. Sebastian: A Meta-dialogics of Painting and Poetry |
LI-MIN YANG |
conference |
|
1998 |
艾略特的《聖賽巴斯丁之戀歌》中的狂歡戲擬︰詩與繪畫之後設對話 |
LI-MIN YANG |
conference |
|
1998 |
What the Thunder Said: An Unfinalizing Dialogue of The Waste Land |
LI-MIN YANG |
conference |
|
1998 |
艾略特的《聖賽巴斯丁之戀歌》中的狂歡戲擬︰詩與繪畫之後設對話 |
LI-MIN YANG |
conference |
|
2007-09 |
The City of Dreadful Night: the Fl?neur and Urban Spectacle |
LI-MIN YANG |
conference |
|
1997 |
The Socratic Dialogue on Martyrdom & Love in T.S Eliot`s Religious Verse: the Eliotic Woman & New Poetic Drama |
LI-MIN YANG |
conference |
|
1995 |
《哭泣的女孩》:多重聲音結構 |
LI-MIN YANG |
conference |
|