詞史光華的再現－論渡海詞人江絜生（1903-1983）《瀛邊片羽》的書寫意義

Abstract

江絜生（1903-1983）曾師事晚清民初詞界大師朱祖謀，1952年來臺之後，他深耕詞學，講論詞作，成就當時臺北城南一則重要的古典人文風景。《瀛邊片羽》是他1983年結集的詩詞作品，內容雖多以臺瀛地方的人事見聞做為起興之筆，但情感思致的核心卻是緬懷、追憶故國的鄉愁。本文擬從時代遷移、朋輩交游、舊日地景、故鄉之思等面向分析作品的內容，並考察江絜生在臺灣發揚、延伸滬上朱門詞學的意義，以重構他在臺灣詞史的文化地位，再現1950-1980年代臺北動人的古典光華。

Jiang Jiesheng（江絜生）has been a pupil of Zhu Zhumou（朱祖謀）, a famous Ci-poet of Late Qing and Early Republic, and after his arrival at Taiwan in 1952, he immersed himself in the art of writing Ci, and lectured on Ci works. All these activities achieved an immortal cultural landscape in the city of southern Taipei. A Glimpse of Side Stories of Penglai 《瀛邊片羽》is his collected works of poetry and Ci published in 1983,. While being mainly inspired by what happened in Taiwan and to Taiwanese, the core of its poetic heart focused on the nostalgia for the homeland mainland China, the remembrances of things past. This essay aims to analyze the collection of these Ci works from the perspectives of his times, friendships, landscapes, homeland and homesickness.