Please use this identifier to cite or link to this item: https://ah.lib.nccu.edu.tw/handle/140.119/36809
DC FieldValueLanguage
dc.contributor.advisor郭貞zh_TW
dc.contributor.advisorKuo, Chengen_US
dc.contributor.author文詩安zh_TW
dc.contributor.authorMildred Ann Vicenteen_US
dc.creator文詩安zh_TW
dc.creatorMildred Ann Vicenteen_US
dc.date2008en_US
dc.date.accessioned2009-09-18T11:46:16Z-
dc.date.available2009-09-18T11:46:16Z-
dc.date.issued2009-09-18T11:46:16Z-
dc.identifierG0095461015en_US
dc.identifier.urihttps://nccur.lib.nccu.edu.tw/handle/140.119/36809-
dc.description碩士zh_TW
dc.description國立政治大學zh_TW
dc.description國際傳播英語碩士學程(IMICS)zh_TW
dc.description95461015zh_TW
dc.description97zh_TW
dc.description.abstractzh_TW
dc.description.abstractAs an emotional appeal to reach the target audience, humor is a creative tool that uses laughter and entertainment to disarm the cynical viewer to deliver the advertising pitch. In this manner, a funny advertisement would capture audience attention and would have a greater chance of increasing the recall of the brand and the general marketing message. The presence of humor in advertisements spices up the content; thus, making it more interesting and amusing. However, due to the influence of culture to both individual and collective tastes in humor, the universality of humor may not apply to advertising, particularly to international advertising campaigns, at all times. Cultural differences challenge local and international campaigns to understand what the audience would understand, appreciate and buy in the long run. \n\nAdapting the Berger’s humor categories (1993), this thesis identified the prevalent humor categories in American and Filipino advertisements from January 2001 to March 2008 through content analysis. Although some categories are similarly prevalent in both samples, they are used portrayed in different ways. The various uses of these humor techniques are noticeable based on subtlety, physicality, intentions, nature and implied and latent definitions. Also, some humor techniques were combined with others to send the marketing message across effectively. This required the understanding of the overall picture and interaction of audio and visual elements in the advertisement. Therefore, this revealed that even both American and Filipino humor are characterized by their obvious, physical and sometimes vulgar expressions, there are still some differences between the two. American humor has a blunt, straightforward nature, whereas Filipino humor is subtle, conservative and visually goofy. Inferential statistics, on the other hand, revealed that only a few humor categories (four in the audio element, 1 in the visual element), showed the significant difference between American and Filipino advertisements. \n\nTo further see the meaning beneath the similarities and differences between the funny American and Filipino advertisements, this thesis provided a textual analysis of the prevalent humor categories that appeared in the content analysis. The humor categories both reflect and challenge the cultural values of both countries. What is present in the society could be seen in the humor content of the advertisements, which may be a validation of the mirroring function of advertising. However, poking fun at the cultural value system in the United States and the Philippines gives them a taste of freedom and a feeling of relief from rules and constraints.en_US
dc.description.tableofcontentsIntroduction - page 1\nLiterature Review - page 4\nMethod - 24\nResults - 30\nConclusion - 74\nReferences - 77\nAppendices - 86zh_TW
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dc.language.isoen_US-
dc.source.urihttp://thesis.lib.nccu.edu.tw/record/#G0095461015en_US
dc.subjectinternational communicationen_US
dc.subjectinternational advertisingen_US
dc.subjecthumoren_US
dc.subjectcultureen_US
dc.titleLaughter is the Best Pitch: A Research on the Presence of Humor in American and Filipino Advertisementsen_US
dc.typethesisen
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