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題名 Arts in Taipei: use of heritage sites and old buildings as public arts venues
作者 康翠蘭
Woods, Constance
貢獻者 卜道
Blundell, David
康翠蘭
Woods, Constance
關鍵詞 Heritage
Culture
Conservation
Meanings
Values
Benefits
comparison of public art spaces
volunteerism
City of Taipei
日期 2009
上傳時間 9-May-2016 15:44:44 (UTC+8)
摘要 Culture is an active process. It does not lie dormant in things (that is, any commodity, object or event that can be made to signify), waiting patiently to be awoken by an appropriate consumer. It is the practice and making of meanings. Culture is not in the object but in the experience of the object: how we make it meaningful, what we do with it, how we value it.
      John Storey (2003) Inventing Popular Culture, page viii
     The traditional arts, dance theater, music, visual arts and multi media are all accepted as being part of culture. In the same way that culture can be defined by the perceptions and feelings of each individual the arts belong to everyone. Bruno Frey (2003) in his book Arts and Economics: Analysis and Cultural policy considers the ways in which the arts are funded and supported and argues that a decision making system involving the diverse participants, audience, experts, artists and administrators is best equipped to establish and safeguard the constitutional rights to artistic expression (Frey, 2003:17). Can the experience of the arts be protected in the same way? This is an examination of the process, physical, historical and emotional issues that all play a part in the definition of the arts in Taipei. Entering the experience as a mother, artist, foreigner and long time resident of Taipei gave the researcher the opportunity to use many lenses simultaneously. This multifaceted view informed the choice of this topic. Can heritage sites and old buildings be successfully made into public arts venues? Do the underlying elements of history and conservation contribute to the venue’s ability to reach a large audience? Can free access be in part supported by in these sites through the use volunteers instead of paid staff? In order to better understand the role of the arts in contemporary Taipei life, the researcher, under the parameters of the Volunteer Services Act of Taiwan, conducted her research while a volunteer in the venues.
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     Blundell, D. (1996). Aesthetic ethos. Bulletin of the Department of Anthropology National Taiwan University, 58:43-58.
     ________. (2003). Designating world heritage sites in Taiwan. Department of Anthropology [New research on Taiwan prehistory and ethnology: Celebrating the eightieth birth anniversary of emeritus professor Sung Wen-hsun: Department of Anthropology, National Taiwan University], Sec. 12. Retrieved July 10th, 2009, from http://ejournal.anu.edu.au/index.php/bippa/
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     Hohn, D. (2008). Through the open door: Searching for deadly toys in China’s Pearl River Delta. Haper’s. September, p. 52.
     Hsu, Y. (ed.). (1996). 100 years of hotsprings in Beitou. Beitou Community Magazine. November 5th, pp. 4, 6.
     Lowman, A. E. (1971). Some striking proportions in the music of Bela Bartok. Fibonacci Quarterly: 9:527-528.
     Maquet, J. (n.d.). Expressive space and Theravada values: A meditation monastery in Sri Lanka. Ethos, 3:1-21.
     Moreno, M. J. (2004). Art museums and socioeconomic forces: The case of a community museum. Review of Radical Political Economics, 36(4):506-527.
     
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     Thorsby, D. (2003). Economics and Culture. Cambridge: Cambridge University. (Original work published 2001). Pp. 74,76,77,84,86,112.
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描述 碩士
國立政治大學
臺灣研究英語碩士學程(IMTS)
929240162
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0929240162
資料類型 thesis
dc.contributor.advisor 卜道zh_TW
dc.contributor.advisor Blundell, Daviden_US
dc.contributor.author (Authors) 康翠蘭zh_TW
dc.contributor.author (Authors) Woods, Constanceen_US
dc.creator (作者) 康翠蘭zh_TW
dc.creator (作者) Woods, Constanceen_US
dc.date (日期) 2009en_US
dc.date.accessioned 9-May-2016 15:44:44 (UTC+8)-
dc.date.available 9-May-2016 15:44:44 (UTC+8)-
dc.date.issued (上傳時間) 9-May-2016 15:44:44 (UTC+8)-
dc.identifier (Other Identifiers) G0929240162en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/95342-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 臺灣研究英語碩士學程(IMTS)zh_TW
dc.description (描述) 929240162zh_TW
dc.description.abstract (摘要) Culture is an active process. It does not lie dormant in things (that is, any commodity, object or event that can be made to signify), waiting patiently to be awoken by an appropriate consumer. It is the practice and making of meanings. Culture is not in the object but in the experience of the object: how we make it meaningful, what we do with it, how we value it.
      John Storey (2003) Inventing Popular Culture, page viii
     The traditional arts, dance theater, music, visual arts and multi media are all accepted as being part of culture. In the same way that culture can be defined by the perceptions and feelings of each individual the arts belong to everyone. Bruno Frey (2003) in his book Arts and Economics: Analysis and Cultural policy considers the ways in which the arts are funded and supported and argues that a decision making system involving the diverse participants, audience, experts, artists and administrators is best equipped to establish and safeguard the constitutional rights to artistic expression (Frey, 2003:17). Can the experience of the arts be protected in the same way? This is an examination of the process, physical, historical and emotional issues that all play a part in the definition of the arts in Taipei. Entering the experience as a mother, artist, foreigner and long time resident of Taipei gave the researcher the opportunity to use many lenses simultaneously. This multifaceted view informed the choice of this topic. Can heritage sites and old buildings be successfully made into public arts venues? Do the underlying elements of history and conservation contribute to the venue’s ability to reach a large audience? Can free access be in part supported by in these sites through the use volunteers instead of paid staff? In order to better understand the role of the arts in contemporary Taipei life, the researcher, under the parameters of the Volunteer Services Act of Taiwan, conducted her research while a volunteer in the venues.		en_US
dc.description.tableofcontents 1 Introduction 1
     
     1.1 Preamble to the Study 1
     
     1.2 Purpose of Study 3
     
     1.3 Definition of Terms 3
     
     1.4 Assumption 5
     
     1.5 Methodology 5
     
     1.6 Research Questions 6
     
     1.7 Significance of Study 6
     
     2 Literature Review 8
     
     2.1 Cultural and Creative Industries 8
     
     2.2 Heritage Meanings, Values and Benefits 9
     
     2.3 Administration of the Arts 13
     
     2.4 Arts Centers and Museums 14
     
     2.5 Volunteers 18
     
     2.6 The Environment 21
     
     2.7 The Cultural Policy White Paper 22
     
      2.7.1 Cultural and Creative Industries 23
     
      2.7.2 Volunteer Services Act 26
     
     3 Fieldwork 29
     
     3.1 Research Procedure 30
     
     3.2 The Venues 30
     
     3.3 Beitou Hot Springs Museum 32
     
      3.3.1 Management 36
     
      3.3.2 Volunteers 38
     
     3.4 Taipei Artist Village and Grass Mountain Artist Village 45
     
      3.4.1 Management 51
     
      3.4.2 Volunteers 52
     
      3.4.3 Seedling Volunteer Training 55
     
     3.5 Interviews with Artists and Art Managers 59
     
      3.5.1 Mia Hseih 59
     
      3.5.2 Hsiuwei Lin 61
     
      3.5.3 Allia Hu 62
     
     3.6 Interviews with Policy Researchers and Policy Framers 63
     
      3.6.1 Szuyun Chang 63
     
      3.6.2 Bin Li 64
     
      3.6.3 Yomgping Lee 66
     
     
     4 Results and Discussion 68
     
     5 Conclusions 73
     
     5.1 Assessment of Criteria 73
     
     5.2 Research Limitations 75
     
     5. 3 Recommendations for Future Research 76
     
      Bibliography 77
     
     Appendix 83
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     List of Figures:
     Figure 1. Research Procedure 30
     Figure 2. South Face of Beitou Hot Springs Museum 33
     Figure 3. Taipei Artist Village Beiping East Road 47
     Figure 4. Grass Mountain Artist Village, Gallery and Office 50
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     Key words:
     Culture, heritage, conservation, meanings, values, benefits, volunteerism, comparison of public art spaces, City of Taipei		zh_TW
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0929240162en_US
dc.subject (關鍵詞) Heritageen_US
dc.subject (關鍵詞) Cultureen_US
dc.subject (關鍵詞) Conservationen_US
dc.subject (關鍵詞) Meaningsen_US
dc.subject (關鍵詞) Valuesen_US
dc.subject (關鍵詞) Benefitsen_US
dc.subject (關鍵詞) comparison of public art spacesen_US
dc.subject (關鍵詞) volunteerismen_US
dc.subject (關鍵詞) City of Taipeien_US
dc.title (題名) Arts in Taipei: use of heritage sites and old buildings as public arts venuesen_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Periodicals
     Allen, J. R. (2007). Taipei parks: Signs of occupation. The Journal of Asian Studies, 66(1):63.
     Blundell, D. (1996). Aesthetic ethos. Bulletin of the Department of Anthropology National Taiwan University, 58:43-58.
     ________. (2003). Designating world heritage sites in Taiwan. Department of Anthropology [New research on Taiwan prehistory and ethnology: Celebrating the eightieth birth anniversary of emeritus professor Sung Wen-hsun: Department of Anthropology, National Taiwan University], Sec. 12. Retrieved July 10th, 2009, from http://ejournal.anu.edu.au/index.php/bippa/
     Cooper, D. (2008). Beautiful people, beautiful things. The British Journal of Aesthetics, 48(3): 247-260.
     Hohn, D. (2008). Through the open door: Searching for deadly toys in China’s Pearl River Delta. Haper’s. September, p. 52.
     Hsu, Y. (ed.). (1996). 100 years of hotsprings in Beitou. Beitou Community Magazine. November 5th, pp. 4, 6.
     Lowman, A. E. (1971). Some striking proportions in the music of Bela Bartok. Fibonacci Quarterly: 9:527-528.
     Maquet, J. (n.d.). Expressive space and Theravada values: A meditation monastery in Sri Lanka. Ethos, 3:1-21.
     Moreno, M. J. (2004). Art museums and socioeconomic forces: The case of a community museum. Review of Radical Political Economics, 36(4):506-527.
     
     Nonperiodicals
     Adamson, W. L. (1980). Hegemony and revolution: A study of Antonio Gramsci’s political and cultural theory. Berkeley: University of California Press.
     AIR Taipei - Arco Renz. (2008). [Brochure]. Taipei: Taipei Artist Village.
     AIR Taipei - arts in residence. (2008). [Brochure]. Taipei: Taipei Artist Village. Pp. 9, 14, 22.
     AIR Taipei object: East meets west objects of desire and microcosm. (2008). [Brochure]. Taipei: Taipei Artist Village.
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     Berman, M. (1988). All that is solid melts into air: The experience of modernity. 2nd Edition. New York: Penguin. (Original work published 1982). Pp. 336-337.
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