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題名 Arts in Taipei: use of heritage sites and old buildings as public arts venues
作者 康翠蘭
Woods, Constance
貢獻者 卜道
Blundell, David
康翠蘭
Woods, Constance
關鍵詞 Heritage
Culture
Conservation
Meanings
Values
Benefits
comparison of public art spaces
volunteerism
City of Taipei
日期 2009
上傳時間 9-May-2016 15:44:44 (UTC+8)
摘要 Culture is an active process. It does not lie dormant in things (that is, any commodity, object or event that can be made to signify), waiting patiently to be awoken by an appropriate consumer. It is the practice and making of meanings. Culture is not in the object but in the experience of the object: how we make it meaningful, what we do with it, how we value it.
      John Storey (2003) Inventing Popular Culture, page viii
     The traditional arts, dance theater, music, visual arts and multi media are all accepted as being part of culture. In the same way that culture can be defined by the perceptions and feelings of each individual the arts belong to everyone. Bruno Frey (2003) in his book Arts and Economics: Analysis and Cultural policy considers the ways in which the arts are funded and supported and argues that a decision making system involving the diverse participants, audience, experts, artists and administrators is best equipped to establish and safeguard the constitutional rights to artistic expression (Frey, 2003:17). Can the experience of the arts be protected in the same way? This is an examination of the process, physical, historical and emotional issues that all play a part in the definition of the arts in Taipei. Entering the experience as a mother, artist, foreigner and long time resident of Taipei gave the researcher the opportunity to use many lenses simultaneously. This multifaceted view informed the choice of this topic. Can heritage sites and old buildings be successfully made into public arts venues? Do the underlying elements of history and conservation contribute to the venue’s ability to reach a large audience? Can free access be in part supported by in these sites through the use volunteers instead of paid staff? In order to better understand the role of the arts in contemporary Taipei life, the researcher, under the parameters of the Volunteer Services Act of Taiwan, conducted her research while a volunteer in the venues.
參考文獻 Periodicals
     Allen, J. R. (2007). Taipei parks: Signs of occupation. The Journal of Asian Studies, 66(1):63.
     Blundell, D. (1996). Aesthetic ethos. Bulletin of the Department of Anthropology National Taiwan University, 58:43-58.
     ________. (2003). Designating world heritage sites in Taiwan. Department of Anthropology [New research on Taiwan prehistory and ethnology: Celebrating the eightieth birth anniversary of emeritus professor Sung Wen-hsun: Department of Anthropology, National Taiwan University], Sec. 12. Retrieved July 10th, 2009, from http://ejournal.anu.edu.au/index.php/bippa/
     Cooper, D. (2008). Beautiful people, beautiful things. The British Journal of Aesthetics, 48(3): 247-260.
     Hohn, D. (2008). Through the open door: Searching for deadly toys in China’s Pearl River Delta. Haper’s. September, p. 52.
     Hsu, Y. (ed.). (1996). 100 years of hotsprings in Beitou. Beitou Community Magazine. November 5th, pp. 4, 6.
     Lowman, A. E. (1971). Some striking proportions in the music of Bela Bartok. Fibonacci Quarterly: 9:527-528.
     Maquet, J. (n.d.). Expressive space and Theravada values: A meditation monastery in Sri Lanka. Ethos, 3:1-21.
     Moreno, M. J. (2004). Art museums and socioeconomic forces: The case of a community museum. Review of Radical Political Economics, 36(4):506-527.
     
     Nonperiodicals
     Adamson, W. L. (1980). Hegemony and revolution: A study of Antonio Gramsci’s political and cultural theory. Berkeley: University of California Press.
     AIR Taipei - Arco Renz. (2008). [Brochure]. Taipei: Taipei Artist Village.
     AIR Taipei - arts in residence. (2008). [Brochure]. Taipei: Taipei Artist Village. Pp. 9, 14, 22.
     AIR Taipei object: East meets west objects of desire and microcosm. (2008). [Brochure]. Taipei: Taipei Artist Village.
     Anderson, B. (1998). Imagined communities. New York: Verso. P. 179.
     Berman, M. (1988). All that is solid melts into air: The experience of modernity. 2nd Edition. New York: Penguin. (Original work published 1982). Pp. 336-337.
     Bray, F. (1997). House form and meaning. In Technology and gender: Fabrics of power in late imperial China. Taipei: SMC Publishing in arrangement with the University of California Press. (Original work published 1997). Pp. 59-62.
     Brown, M. J. (2004). Is Taiwan Chinese? The impact of culture, power and migration on changing identities. Berkeley: University of California Press. Pp.134-65.
     Buckland, M. K. (2004). Histories, heritages, and the past: The case of Emmanuel Goldberg. In The history and heritage of scientific and technological information systems. W. Rayward and M. Bowden, ed. Medford, NJ: Information Today. Pp. 39-45.
     Chiang, S. (2000). Preface. In Culture museums: An introduction to the specialized museums of Taiwan’s counties and cities. Taipei: The Council for Cultural Affairs Executive Yuan. Pp. 2- 7.
     Crane, S. A. (ed.). Museums and memory. Palo Alto, CA: Stanford University Press. (Original work published 2000).
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     Eaton, M. M. (2008). The beauty that requires health. In Nature, aesthetics, and environment: From beauty to duty. A. Carlson & S. Lintott, eds. New York: Columbia University Press. P. 340.
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     The Fife Group new immigrant project-immigrants art workshop: “Come dine with us.” (2008). [Brochure]. Taipei: Taipei Artist Village. Organizers: Taipei Artist Village, AIR Taipei/Taishin Bank Foundation for Arts and Culture Co-organizers: The Pearl Buck Foundation, Taipei / Yi Hsing Elementary School, Taoyuan County New Immigrants Learning Center.
     Frey, B. S. (2003). Arts and economics: Analysis and cultural policy. Berlin, Heidelberg, New York: Springer. 2nd Edition. (Original work published 2000).
     Goodlad, S. and McIvor, S. (1998) Museum volunteers: good practices in the management of volunteers(pp. 3, 7,76,77). London New York: Routledge.
     Grass Mountain Artist Village. (2008). [Brochure]. Taipei: Taipei Artist Village.
     Haas, R. (1989). Santa Barbara road. In Human wishes. New York: Ecco. P. 54.
     Harrell, S., and C. C. Huang (eds.) (1994). Cultural change in post war Taiwan. Taipei: SMC Publishing.
     Hauser, A. (1951). The social history of art: Naturalism, impressionism, the film age. Vol. 4. New York: Vintage Books.
     Hayden, D. (1999). The Power of place: Urban landscapes as public history. Cambridge, MA: The MIT Press.
     Hooper-Greenhill, E. (1994). Museums and their visitors. London, New York: Routledge.
     Horkheimer, M., & Adorno, T. (2002). Dialectic of enlightenment. Palo Alto, CA: Stanford University.
     Jenks, C. (2005). Culture. New York: Routledge. (Original work published 1993).
     Karp, I. (1992). On civil society and social identity. In Museums and communities: The politics of public culture. I. Karp, C. M. Kreamer, and S. D. Levine, eds. Washington, DC: Smithsonian Institution Press.
     Katz, P. R. (2004). Chicken beheading rituals and dispute resolution in Taiwan. In The minor arts of daily life: Popular culture in Taiwan. D. K. Jordan, A. D. Morris, and M. L. Moskowitz, eds. Honolulu: University of Hawai‘i Press. Pp. 35-50.
     Koo, H. (1999). The middle classes in East Asian newly industrialized societies: Issues, preliminary findings and further questions. In East Asian middle class in comparative perspective. In H. H. M. Hsiao, ed. Nankang, Taiwan. P. 90.
     Kuo, J. C. (2000). Art and cultural politics in post war Taiwan. Taipei: SMC Publishing.
     Lamley, H. J. (1997). Sub-ethnic rivalry in the Ch’ing period. In The anthropology of Taiwanese society. E. M. Ahern and H. Gates, eds. Taipei: SMC Publishing. (Original work published 1981). Pp. 282-318.
     Levine, S. D. (1999). Audience, ownership and authority: Relations between museums and communities. In Museums and communities: The politics of public culture. I. Karp, C. M. Kreamer, and S. D. Levine, eds. Washington, DC: Smithsonian Institution. Pp. 136-143.
     Levi, P. (1984). The Periodic Table. New York: Penguin.
     Lynch, K. (1982). What time is this place? Cambridge, MA: The MIT Press. P.121.
     MacDonald, G. F. (1992). Change and challenge: Museums in the information society. In Museums and Communities: The politics of public culture. I. Karp, C. M. Kreamer, and S. D. Levine eds. Washington, DC: Smithsonian Institution Press. P. 165.
     Maquet, J. (1986). The aesthetic experience: An anthropologist looks at the visual arts. New York: Yale University Press.
     McLean, F. (1997). Marketing the museum. London: Routledge.
     Media Tek International lecture series: Speaker Julian Nida-Ruemelin, Democracy: Normative constituents, present challenges and future prospects (2007). [Brochure]. Taipei: Long Yingtai Cultural Foundation. P. 2.
     Mitchell, J. T., Ed. (1992). Utopia and critique. In Art and the public sphere [Introduction]. Chicago: University of Chicago Press. P. 3.
     Moore, K. (1997). Museums and popular culture. London: Leicester University Press.
     Muñoz Viñas, S. (2005). Contemporary theory of conservation. London: Elsevier Butterworth-Heinemann. Pp. 27, 55,59.
     National CKS Memorial Administrative Office. (2004). Museums and intangible heritage-social education organizations training day 2004 [Brochure]. Taipei: Bureau of Education.
     Numazaki, I. (1999). The real community under imagined states: The socio-economic transformation and rise of the new Taiwan consciousness in contemporary Taiwan. In Imagining China: Regional division and national unity. S. M. Huang and C. K. Hsu, eds. Nankang, Taipei Taiwan: Institute of Ethnology Academia Sinica Pp. 254,255.
     Roy, D. (2003). Taiwan A political history. Ithaca, PA: Cornell University Press.
     Spare room-installations by Jayne Dryer, Sue Pedley and Susan Andrews. (2007). [Brochure]. 7 Onslow Avenue, Elizabeth Bay: Elizabeth Bay House.
     Stiles, K. (1996). Language and concepts. In Theories and documents of contemporary art .K. Stiles and P. Selz eds. Berkeley: University of California Press.
     Storey, J. (2003). Inventing popular culture. Malden, MA: Blackwell Publishing.
     Taipei Artist Village. (n.d.). [Brochure]. Taipei Artist Village.
     Taipei’s museums: The doors are open (2001). Taipei: Department of Information, Taipei City Government. P. 36.
     Thorsby, D. (2003). Economics and Culture. Cambridge: Cambridge University. (Original work published 2001). Pp. 74,76,77,84,86,112.
     A Tour of hotsprings: Beitou hot springs tour map. (n.d.). [Brochure]. Taipei: Urban Development Department, Taipei City Government.
     Traveling through Beitou’s 400 year history. (n.d.). [Brochure]. Taipei: Beitou Hot Springs Museum.
     Tuan, Y. F. (1974). Topophilia: A study of environmental perception, attitudes and values. Englewood Cliffs, NJ: Prentice Hall.
     Tuan, Y. F. (1982). Segmented worlds and self: Group life and individual consciousness. Minneapolis: University of Minneapolis Press.
     2008 Winter open studio. (2008). [Brochure]. Taipei: Taipei Artist Village / Grass Mountain Artist Village.
     Wartenberg, T. E. (2007). What makes “art” such a problematic concept? In The nature of art (pp.3,8, 9)[Introduction]. Belmont, CA: Thomson Wadsworth.
     Wartenburg, T. E. (2007). Art as an institution: George Dickie. In The nature of art(p.219). Belmont, CA: Thomson Wadsworth.
     Wong, R. B. (1997). Confucian agendas for material and ideological control in modern China(pp.303,304, 305). In Culture and State in Chinese history: Conventions, accomodations and critiques. T. Huters, R. B. Wong, and P. Yu, eds. Taipei: SMC Publishing.
     Wu, C. T. (2002). The changing role of government in the arts. In privatizing culture: corporate intervention since the 1980s(pp.17,21,48)..London: Verso.
     Wu, H. F., and H. S. Chang (2008). Beitou hot spring museum volunteer training handbook [Brochure]. Taipei: Taipei City Government Department of Cultural Affairs.
     Yin, A. C.-C. (1997). Voluntary associations and rural-urban migration. In The anthropology of Taiwanese society. E. M. Ahern and H. Gates, eds. Taipei: SMC Publishing. (Original work published 1981). Pp. 319-337.
     Ze hui lai - come dine with us. Joint exhibition by Prilla Tania &Julie Chou. (2008). [Brochure]. Taipei: Taipei Artist Village. Supervisor: Taipei City Government Department of Cultural Affairs, Taipei Culture Foundation Organizer: Taipei Artist Village.
     
     Websites, e-sources
     Alliance of Artists Communities [Mission-Objectives]. (n.d.). Retrieved July 1st, 2009, from http://www.artistcommunities.org
     Badawi, I. M. (2003, Spring). Globalization of the B.O.T. system and its taxation problems. In Entrepreneur magazine (p 3.) [article]. Retrieved June 17th, 2009, from http://www.entrepreneur.com/tradejournals/article/102270936
     The challenge of policy in Taiwan: The governance of the new right. (n .d.). National policy foundation research reports [article]. Retrieved June 21st, 2009, from http://old.hpf.org.tw/PUBLICATION/cl/095/cl-R-095-024.htm
     Chang, B. Y. (2004, November / December). From Taiwanisation to de sinification: Culture construction since the 1990s. In Taiwan: New government and old themes, or the persistance of continuity (pp. 2, 10,4) [article]. Retrieved July 20th, 2009, from China Perspective, no. 56 Website: http://chinaperspectives.revues.org/document438.html
     Chen, K. N. (n.d.). The onward marching of museums in Taiwan. In Chinese association of museums [article]. Retrieved July 23rd, 2008, from http://www.cam.org.tw/english/about.htm
     Chu, J. C.-J. (n.d.). Museums and creative industries: A myth in Taiwan. In International Council of Museums intercom international committee on management (pp.1-7) [article]. Retrieved April 29th, 2008, from Department of Cultural Affairs, Taipei City Government Web site: http://media.rcip-chin.gc/ac/intercom/chu.html
     Commissioner profile. (n.d.). Department of Cultural Affairs [web site]. Retrieved June 16th, 2009, from http://www.culture.gov.tw/frontsite/english/contentAction.do
     Coote, J. (1992). The marvels of everyday vision: The anthropology of aesthetics and the cattle keeping Nilotes [Article]. Retrieved July 23rd, 2009, from http://ssl.brookes.ac.uk/anthro-art/papers/coote.pdf
     Cultural Policy White Paper [Document]. (2004). Retrieved April 6th, 2009, from http://english.cca.gov.tw/ct.asp?item=12114&CtNode+4133
     Cunningham, S. (2002). From cultural to creative industries: Theory, industry and policy implications [article]. Retrieved July 7th, 2009, from Creative industries task force mapping document(CITF(1998) 2001) database: http://Media International Australia-test.eprints.qut.edu.au
     Definition of museums. (n.d.). ICOM International Council of Museums [Statutes]. Retrieved July 12th, 2009, from http://icom.museum/definition.html
     Domanski, B. (2003). pp.133-153. In Economic trajectory, path dependency and strategic intervention in an old industrial region: The case of Upper Silesia [Article in Recent Advances in urban and regional studies, Polish Academy of Sciences]. Retrieved June 4th, 2008, from http://econlab.uom.grl-move/images/stories/articles/trajectory.pdf
     Exhibition figures 2007:Single work by Leonardo attracts over 10,000 a day. (2008, March). The arts newspaper. no.189 [article]. Retrieved June 28th, 2008, from http://www.kunstbeeldinl/artnewspaper_museums.pdf
     Galloway, S. (2006). Deconstructing the concept of ‘creative industries’ [Article]. Retrieved July 5th, 2009, from Humboldt University Web site: http://edoc.hu_berlin.de.ISBN 978-3-86004-203-8
     Galloway, S., & Dunlop, S. (2007). What’s cultural about the creative industries?(pp.7,9,12) [Article]. Retrieved December 7th, 2008, from http://www.regional-studies-assoc.ac.uk/events/lisbon.Galloway.pdf
     Habermas, J., Lennox, S., & Lennox, F. (1974, Fall). The Public Sphere: An Encyclopedia Article (1964). In Justor [article]. Retrieved July 3rd, 2009, from http://links.justor.org/sici?sici=0094-033x%28197423%290%3A3%3C49%3ATPSAEA%3E2.0.CO%3B2-Z
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     Loosening the Purse Strings. (2004, February 1). Taiwan Review [Article]. Retrieved June 18th, 2008, from http://taiwanreview.nat.gov.tw/Tr/ct.asp?xitem=9288node=119
     New York Museum Experience. (2004, December 20). EastSouthWestNorth [article]. Retrieved June 18th, 2008, from http://zonaeuropa.com/20041220_1.htm
     Symbolic ‘goods’ or ‘symbolic meaning’, page 4. (2007). What’s Cultural About Creative Industries? [Article]. Retrieved December 5th, 2008, from http://www.regional-studies-assoc.ac.uk/events/lisbon07/.../Gallaway.pdf
     The Himalaya Foundation. (2002, December 19). Overview of Taiwan’s Third Sector-Art and Culture. In Taiwan Philanthropic Information Center [article]. Retrieved December 7th, 2008, http://www,tpic.org.tw/Reports/Show Report.asp?Report_ID=6
     
     Legal sources
     Cultural Heritage Preservation Act, Article 60, Article 38, Article 76 Fed. Reg. 1 (2001), http://law.moj.gov.tw/Eng/fnewsContent.asp?msgid=138&msgType=en&keyword=undefined.
     Volunteer Services Act, 1 Fed. Reg. 1-3 (1-20-2001), http://law.moj.gov.tw/eng/Fnews/FNQueryList.asp. Laws and Regulations Database of the Republic of China.
描述 碩士
國立政治大學
臺灣研究英語碩士學程(IMTS)
929240162
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0929240162
資料類型 thesis
dc.contributor.advisor 卜道zh_TW
dc.contributor.advisor Blundell, Daviden_US
dc.contributor.author (Authors) 康翠蘭zh_TW
dc.contributor.author (Authors) Woods, Constanceen_US
dc.creator (作者) 康翠蘭zh_TW
dc.creator (作者) Woods, Constanceen_US
dc.date (日期) 2009en_US
dc.date.accessioned 9-May-2016 15:44:44 (UTC+8)-
dc.date.available 9-May-2016 15:44:44 (UTC+8)-
dc.date.issued (上傳時間) 9-May-2016 15:44:44 (UTC+8)-
dc.identifier (Other Identifiers) G0929240162en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/95342-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 臺灣研究英語碩士學程(IMTS)zh_TW
dc.description (描述) 929240162zh_TW
dc.description.abstract (摘要) Culture is an active process. It does not lie dormant in things (that is, any commodity, object or event that can be made to signify), waiting patiently to be awoken by an appropriate consumer. It is the practice and making of meanings. Culture is not in the object but in the experience of the object: how we make it meaningful, what we do with it, how we value it.
      John Storey (2003) Inventing Popular Culture, page viii
     The traditional arts, dance theater, music, visual arts and multi media are all accepted as being part of culture. In the same way that culture can be defined by the perceptions and feelings of each individual the arts belong to everyone. Bruno Frey (2003) in his book Arts and Economics: Analysis and Cultural policy considers the ways in which the arts are funded and supported and argues that a decision making system involving the diverse participants, audience, experts, artists and administrators is best equipped to establish and safeguard the constitutional rights to artistic expression (Frey, 2003:17). Can the experience of the arts be protected in the same way? This is an examination of the process, physical, historical and emotional issues that all play a part in the definition of the arts in Taipei. Entering the experience as a mother, artist, foreigner and long time resident of Taipei gave the researcher the opportunity to use many lenses simultaneously. This multifaceted view informed the choice of this topic. Can heritage sites and old buildings be successfully made into public arts venues? Do the underlying elements of history and conservation contribute to the venue’s ability to reach a large audience? Can free access be in part supported by in these sites through the use volunteers instead of paid staff? In order to better understand the role of the arts in contemporary Taipei life, the researcher, under the parameters of the Volunteer Services Act of Taiwan, conducted her research while a volunteer in the venues.		en_US
dc.description.tableofcontents 1 Introduction 1
     
     1.1 Preamble to the Study 1
     
     1.2 Purpose of Study 3
     
     1.3 Definition of Terms 3
     
     1.4 Assumption 5
     
     1.5 Methodology 5
     
     1.6 Research Questions 6
     
     1.7 Significance of Study 6
     
     2 Literature Review 8
     
     2.1 Cultural and Creative Industries 8
     
     2.2 Heritage Meanings, Values and Benefits 9
     
     2.3 Administration of the Arts 13
     
     2.4 Arts Centers and Museums 14
     
     2.5 Volunteers 18
     
     2.6 The Environment 21
     
     2.7 The Cultural Policy White Paper 22
     
      2.7.1 Cultural and Creative Industries 23
     
      2.7.2 Volunteer Services Act 26
     
     3 Fieldwork 29
     
     3.1 Research Procedure 30
     
     3.2 The Venues 30
     
     3.3 Beitou Hot Springs Museum 32
     
      3.3.1 Management 36
     
      3.3.2 Volunteers 38
     
     3.4 Taipei Artist Village and Grass Mountain Artist Village 45
     
      3.4.1 Management 51
     
      3.4.2 Volunteers 52
     
      3.4.3 Seedling Volunteer Training 55
     
     3.5 Interviews with Artists and Art Managers 59
     
      3.5.1 Mia Hseih 59
     
      3.5.2 Hsiuwei Lin 61
     
      3.5.3 Allia Hu 62
     
     3.6 Interviews with Policy Researchers and Policy Framers 63
     
      3.6.1 Szuyun Chang 63
     
      3.6.2 Bin Li 64
     
      3.6.3 Yomgping Lee 66
     
     
     4 Results and Discussion 68
     
     5 Conclusions 73
     
     5.1 Assessment of Criteria 73
     
     5.2 Research Limitations 75
     
     5. 3 Recommendations for Future Research 76
     
      Bibliography 77
     
     Appendix 83
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     List of Figures:
     Figure 1. Research Procedure 30
     Figure 2. South Face of Beitou Hot Springs Museum 33
     Figure 3. Taipei Artist Village Beiping East Road 47
     Figure 4. Grass Mountain Artist Village, Gallery and Office 50
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     Key words:
     Culture, heritage, conservation, meanings, values, benefits, volunteerism, comparison of public art spaces, City of Taipei		zh_TW
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0929240162en_US
dc.subject (關鍵詞) Heritageen_US
dc.subject (關鍵詞) Cultureen_US
dc.subject (關鍵詞) Conservationen_US
dc.subject (關鍵詞) Meaningsen_US
dc.subject (關鍵詞) Valuesen_US
dc.subject (關鍵詞) Benefitsen_US
dc.subject (關鍵詞) comparison of public art spacesen_US
dc.subject (關鍵詞) volunteerismen_US
dc.subject (關鍵詞) City of Taipeien_US
dc.title (題名) Arts in Taipei: use of heritage sites and old buildings as public arts venuesen_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Periodicals
     Allen, J. R. (2007). Taipei parks: Signs of occupation. The Journal of Asian Studies, 66(1):63.
     Blundell, D. (1996). Aesthetic ethos. Bulletin of the Department of Anthropology National Taiwan University, 58:43-58.
     ________. (2003). Designating world heritage sites in Taiwan. Department of Anthropology [New research on Taiwan prehistory and ethnology: Celebrating the eightieth birth anniversary of emeritus professor Sung Wen-hsun: Department of Anthropology, National Taiwan University], Sec. 12. Retrieved July 10th, 2009, from http://ejournal.anu.edu.au/index.php/bippa/
     Cooper, D. (2008). Beautiful people, beautiful things. The British Journal of Aesthetics, 48(3): 247-260.
     Hohn, D. (2008). Through the open door: Searching for deadly toys in China’s Pearl River Delta. Haper’s. September, p. 52.
     Hsu, Y. (ed.). (1996). 100 years of hotsprings in Beitou. Beitou Community Magazine. November 5th, pp. 4, 6.
     Lowman, A. E. (1971). Some striking proportions in the music of Bela Bartok. Fibonacci Quarterly: 9:527-528.
     Maquet, J. (n.d.). Expressive space and Theravada values: A meditation monastery in Sri Lanka. Ethos, 3:1-21.
     Moreno, M. J. (2004). Art museums and socioeconomic forces: The case of a community museum. Review of Radical Political Economics, 36(4):506-527.
     
     Nonperiodicals
     Adamson, W. L. (1980). Hegemony and revolution: A study of Antonio Gramsci’s political and cultural theory. Berkeley: University of California Press.
     AIR Taipei - Arco Renz. (2008). [Brochure]. Taipei: Taipei Artist Village.
     AIR Taipei - arts in residence. (2008). [Brochure]. Taipei: Taipei Artist Village. Pp. 9, 14, 22.
     AIR Taipei object: East meets west objects of desire and microcosm. (2008). [Brochure]. Taipei: Taipei Artist Village.
     Anderson, B. (1998). Imagined communities. New York: Verso. P. 179.
     Berman, M. (1988). All that is solid melts into air: The experience of modernity. 2nd Edition. New York: Penguin. (Original work published 1982). Pp. 336-337.
     Bray, F. (1997). House form and meaning. In Technology and gender: Fabrics of power in late imperial China. Taipei: SMC Publishing in arrangement with the University of California Press. (Original work published 1997). Pp. 59-62.
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