| dc.creator (作者) | 中村三春 | zh_TW |
| dc.creator (作者) | Nakamura, Miharu | |
| dc.date (日期) | 2013-06 | |
| dc.date.accessioned | 13-May-2016 14:40:48 (UTC+8) | - |
| dc.date.available | 13-May-2016 14:40:48 (UTC+8) | - |
| dc.date.issued (上傳時間) | 13-May-2016 14:40:48 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/96639 | - |
| dc.description.abstract (摘要) | 有關村上春樹文學男女間的脆弱性（vulnerability）（容易受傷），將延續在《層》第4號（2011年3月）期刊中的敘述，我將討論面對自然與社會危機之村上文學的樣式特徵進行討論。\\r 自確立其作家地位的《尋羊冒險記》（1982）以降，村上的文本敘事，可以說長期以來一以貫之地經常由意外的事故所引發的地震、激進宗教犯罪、戰爭等暴力性的危機，於其中交織著幻想性與歷史，描繪出其威脅到個人的生存的各樣局面。\\r 由這個意涵而言，村上正是一個「危機的作家」。本演講嘗試將村上文學其危機之位階，尤其以《列克星敦的幽霊》（1996）、《神的孩子都在跳舞》（1999）、《東京奇譚集》（2005）等短篇作品為題材進行解讀。 | |
| dc.description.abstract (摘要) | Since the publication of Wild Sheep Chase, a work in which Murakami Haruki established his position as an literary author, the depiction of various conditions of crisis has become one of the writer`s primary concerns. Characteristic of his texts are the portrayal of the violent and life-threatening crises, which include unexpected accidents, crimes committed by cults or wars, to name but a few. Since his stories are consistent in narrating of crisis blended with fantasy or history, it is no exaggeration to call him the Author of Crisis. In this article, I will analyze and estimate the place of crisis in Murakami`s literature, especially in some of his short story collections such as The Ghost of Lexington, After the Quake, and Tokyo Strange Stories. | |
| dc.format.extent | 1373622 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation (關聯) | 文山評論：文學與文化, 6(2),35-51 | |
| dc.relation (關聯) | The Wenshan Review of Literature and Culture | |
| dc.subject (關鍵詞) | 危機文學; 村上春樹; 《尋羊冒險記》; 《萊辛頓的幽靈》; 《神的孩子都在跳舞》; 《東京奇譚集》 | |
| dc.subject (關鍵詞) | literature of crisis; Murakami Haruki; Wild Sheep Chase; The Ghost of Lexington; After the Quake; Tokyo Strange Stories | |
| dc.title (題名) | 作為「危機作家」的村上春樹 | zh_TW |
| dc.type (資料類型) | article | |
