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題名 當流動科技闖進藝術殿堂:從博物館視聽導覽之使用談其對藝文消費之介入
其他題名 When Mobile Technology Enters the Temple of Art: Incorporating Museum Audio Guides into the Consumption of Art
作者 賴嘉玲
Lai, Chia-ling
關鍵詞 人機組裝體; 展覽複合體; 媒介科技與流動性; 視聽導覽; 藝文消費
art consumption;audio guide;exhibitionary complex;hybrid;mobile media technology
日期 2014-04
上傳時間 9-Sep-2016 14:44:26 (UTC+8)
摘要 如同手機流動科技展現了社會的流動現代性,博物館的視聽導覽同樣展演了物質文化、流動科技與社會性的複雜交織。援引行動者網絡理論,本研究將使用視聽導覽的參觀者當作人機組裝體,並探討引入「影音」時間性如何轉變了空間式的博物館「展覽複合體」與藝文參觀的速度政治。最後討論使用導覽所需的文化、經濟與社會資本,思考流動科技中介對藝文接收實踐之影響。透過田野觀察與深度訪談法,本研究以2007-8年台北故宮的「華麗巴洛克:偉大的哈布斯堡收藏家—來自維也納藝術史博物館之鉅作」展為展覽個案。
As mobile technologies are applied to perform the fluid mobility of the social, museum audio guides facilitate the complex interaction among material culture, mobility, and society. Based on actor-network theory, this study considered the user of audio guides to be both a human and a nonhuman hybrid assembly. I examined the process of how an audio guide combines narrated text with a temporal rhythm to transform the museum as a spatial ‘exhibitionary complex’. Thus, audio guides introduce a new speed politics in museum visiting. Finally, I analyzed the cultural, economic, and social capital of users employing audio guides as a mobile technology. This research was based on the observation and in-depth interviews of visitors to the “Splendour of the Baroque and Beyond” exhibition at the National Palace Museum in Taipei between October 2007 and February 2008.
關聯 新聞學研究, 119, 121-159
Mass Communication Research
資料類型 article
dc.creator (作者) 賴嘉玲zh_TW
dc.creator (作者) Lai, Chia-ling-
dc.date (日期) 2014-04-
dc.date.accessioned 9-Sep-2016 14:44:26 (UTC+8)-
dc.date.available 9-Sep-2016 14:44:26 (UTC+8)-
dc.date.issued (上傳時間) 9-Sep-2016 14:44:26 (UTC+8)-
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/101781-
dc.description.abstract (摘要) 如同手機流動科技展現了社會的流動現代性,博物館的視聽導覽同樣展演了物質文化、流動科技與社會性的複雜交織。援引行動者網絡理論,本研究將使用視聽導覽的參觀者當作人機組裝體,並探討引入「影音」時間性如何轉變了空間式的博物館「展覽複合體」與藝文參觀的速度政治。最後討論使用導覽所需的文化、經濟與社會資本,思考流動科技中介對藝文接收實踐之影響。透過田野觀察與深度訪談法,本研究以2007-8年台北故宮的「華麗巴洛克:偉大的哈布斯堡收藏家—來自維也納藝術史博物館之鉅作」展為展覽個案。-
dc.description.abstract (摘要) As mobile technologies are applied to perform the fluid mobility of the social, museum audio guides facilitate the complex interaction among material culture, mobility, and society. Based on actor-network theory, this study considered the user of audio guides to be both a human and a nonhuman hybrid assembly. I examined the process of how an audio guide combines narrated text with a temporal rhythm to transform the museum as a spatial ‘exhibitionary complex’. Thus, audio guides introduce a new speed politics in museum visiting. Finally, I analyzed the cultural, economic, and social capital of users employing audio guides as a mobile technology. This research was based on the observation and in-depth interviews of visitors to the “Splendour of the Baroque and Beyond” exhibition at the National Palace Museum in Taipei between October 2007 and February 2008.-
dc.format.extent 887726 bytes-
dc.format.mimetype application/pdf-
dc.relation (關聯) 新聞學研究, 119, 121-159-
dc.relation (關聯) Mass Communication Research-
dc.subject (關鍵詞) 人機組裝體; 展覽複合體; 媒介科技與流動性; 視聽導覽; 藝文消費-
dc.subject (關鍵詞) art consumption;audio guide;exhibitionary complex;hybrid;mobile media technology-
dc.title (題名) 當流動科技闖進藝術殿堂:從博物館視聽導覽之使用談其對藝文消費之介入zh_TW
dc.title.alternative (其他題名) When Mobile Technology Enters the Temple of Art: Incorporating Museum Audio Guides into the Consumption of Art-
dc.type (資料類型) articleen