| dc.creator (作者) | 小俣喜久雄 | zh_TW |
| dc.creator (作者) | Kikuo, OMATA | |
| dc.date (日期) | 2006-01 | |
| dc.date.accessioned | 10-Sep-2016 11:58:43 (UTC+8) | - |
| dc.date.available | 10-Sep-2016 11:58:43 (UTC+8) | - |
| dc.date.issued (上傳時間) | 10-Sep-2016 11:58:43 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/101851 | - |
| dc.description.abstract (摘要) | 初世一中所創造的「一中節」，為江戶時代元祿年間流傳的淨瑠璃流派之一。它受到古淨瑠璃的「角太夫節」流派之影響，成為後來豐後節．常磐津節．富本節．清元節等之流派。同時它亦是「強硬派」淨瑠璃相反之｢溫和派｣淨瑠璃之鼻祖。因此｢一中節｣在近世淨瑠璃中扮演重要角色。本論文根據明福寺之亡魂名冊．演員評論．文學記載等資料，探討他的為人與品德。 | |
| dc.description.abstract (摘要) | ICCHUU-BUSHI, which is one of the schools of joruri (a dramatic narrative chanted to a samisen accompaniment) started to be transmitted from EDO Era. It became the original school of BUNGO-BUSHI, TOKIWAZU-BUSHI, TOMIMOTO-BUSHI and KIYOMOTO-BUSHI after being influenced by KAKUDAYUU-BUSHI of ancient joruri. ICCHUU-BUSHI had an important position recently. The essay is about ICCHUU-BUSHI’s inaugurator—Miyako Tayu Icchuu (I), who left monks to invest lots of time in literature. I investigate the left description about Miyako Tayu Icchuu (I) from his birthplace—MYOFUKU-JI temple’s register, evaluation of performers at that time, literature and so on, and discuss his portrait. | |
| dc.format.extent | 593923 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation (關聯) | 外國語文研究, 3, 38-60 | |
| dc.relation (關聯) | Foreign language studies | |
| dc.subject (關鍵詞) | 一中節; 都太夫一中; 近松門左衛門; 紀海音; 浄瑠璃 | |
| dc.subject (關鍵詞) | Icchuu-Bushi; Miyako Tayu Icchuu; Chikamatsu Monzaemon; Kino Kaion; Joruri | |
| dc.title (題名) | 初世都太夫一中的人物像 | zh_TW |
| dc.title.alternative (其他題名) | The Essay about the Miyako Tayu Icchuu (I)’s | |
| dc.type (資料類型) | article | |
