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題名 《冬天的故事》中辯才、私通、與陽剛身分
Rhetorics, Cuckoldry, and Masculinity in The Winter`s Tale
作者 李珮寧
Lee, Pei-Ning
貢獻者 姜翠芬
Jiang, Tsui-Fen
李珮寧
Lee, Pei-Ning
關鍵詞 莎士比亞
《冬天的故事》
私通
妒忌
辯才
陽剛身份
Shakespeare
The Winter`s Tale
Cuckoldry
Jealousy
Rhetorics
Masculinity
日期 2016
上傳時間 1-Mar-2017 16:59:49 (UTC+8)
摘要 此論文檢視莎士比亞《冬天的故事》中里昂提斯的妒忌,辯證其顯示出了英國文藝復興時期,陽剛身分建構本身的問題性。在誘勸波西米亞國王延長拜訪的結果中,里昂提斯敗給了他的妻子赫美溫妮,他雄辯技巧上的弱勢也讓他的男性尊嚴受損;而赫美溫妮當初對於里昂提斯求婚的延遲回覆,以及本劇中的語言的模糊性引發了他的猜忌,進而帶來了陽剛身分的崩解。除了辯才外,此論文也探討私通的焦慮,其為英國近代早期陽剛身分建構下所暗藏的隱憂。這樣的焦慮引發他不理性的行為以及對妻子貞潔的誤判。為了重建他的聲望,里昂提斯擅用審判來保留駕馭妻子的絕對權力,並恢復他受損的名聲。儘管本劇稍後轉向以年輕一代為主軸,似乎象徵著新的轉變,然而在赫美溫妮復甦後,里昂提斯機智卻又令人感到不安的沉默,反映出他始終無法接受私通焦慮所帶來的汙名。此論文以辯才與私通來檢視莎士比亞《冬天的故事》中的陽剛特質,並以歷史與文化的文獻來佐證。期許能夠闡明英國文藝復興時期所困擾男性的陽剛焦慮,並且辯證主角里昂提斯的妒忌並不是無從解釋的情緒爆發,而是文藝復興陽剛身分建構下不可避免的集體產物。
This thesis argues that Leontes’ jealousy manifests the problematic construction of masculine identity in Renaissance England. Leontes’ rhetorical inferiority to Hermione in the persuasion work resulted in his injured masculinity, which is exacerbated by the ambiguity of language in the play and Leontes’ sour memories of Hermione’s late acceptance to his marriage proposal, all of which sparkle Leontes’ jealousy and stimulate the collapse of his masculinity. Aside from rhetorics, this thesis also examines the anxiety of cuckoldry, a pre-existent, latent apprehension inherent in the construction of masculinity in early modern England. This anxiety leads to his unreasonable behavior and misjudgment. In order to rebuild his reputation, Leontes appropriates the public trial to retain absolute dominance over his wife and restore his stained honor. While the shift of the play’s focus to the younger generation signals a revision, Leontes’ tactful yet disturbing silence after Hermione’s resurrection reflects his resurfaced masculinity in the context of marriage and his inability to come to terms with the stigma of cuckoldry anxiety. Leontes’ jealousy is triggered by his lack of rhetorical skills essential to male confidence, a lack which is brutally magnified by his wife’s impeccable eloquence; his following accusation of Hermione’s adultery is precipitated and irrevocably executed by his fear of rumor and cuckoldry prevalent in his time. This thesis aims to shed light on the issue of Renaissance masculine anxiety and prove that Leontes’ jealousy is not just an unexplainable outburst of emotion, but rather an inevitably collective product of the construction of Renaissance masculine identity.
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Fantasy: Selected Essays from the Second International Conference on the Fantastic in Literature and Film. Westport, Conn.: Greenwood Press, 1986. 155-162. Rpt. in Shakespearean Criticism. Ed. Michelle Lee. Vol. 81. Gale, 2004. Literature Resource Center. Web. 20 Apr. 2016.
Alfar, Cristina León. Fantasies of Female Evil: The Dynamics of Gender and Power
in Shakespearean Tragedy. London: University of Delaware Press, 2003.
Aristotle, Rhetoric. Translated by W. Rhys Roberts. New York: Dover Publications, 2004. Print.
Auden, Wystan Hugh. Lectures on Shakespeare. Ed. Arthur Kirsch. New Jersey: Princeton University Press, 2002. Print.
Balizet, Ariane M. Blood and Home in Early Modern Drama. Domestic Identity on the Renaissance Stage. New York: Routledge, 2014. Print.
Bates, Catherine. The Rhetoric of Courtship in Elizabethan Language and Literature. Cambridge: Peterhouse, 2006. Print.
Belsey, Catherine. The Subject of Tragedy: Identity and Difference in Renaissance
Drama. London and New York: Methuen, 1985. Print.
Berger, Harry, Jr. “Against the Sink-a-Pace: Sexual and Family Politics in Much Ado About Nothing.” Shakespeare Quarterly 33 (1982): 302-13. Print.
Bieman, Elizabeth. William Shakespeare: The Romances. Boston: Twayne Publishers, 1990.
Brathwait, Richard. The English Gentleman, and The English Gentlevvoman: both in
one volume couched, and in one modell portrayed : to the living glory of their
sexe, the lasting story of their wort. London: Iohn Dawson, 1641. Print.
Breitenberg, Mark. Anxious Masculinity in Early Modern England. New York: Cambridge Press, 1996. Print.
Burton, Robert. Anatomy of Melancholy. New York: The New York Review of Books, 2001. Print.
Calderwood, James L. “The Properties of Othello.” Amherst: University of Massachusetts Press, 1989. Print.
Charlton, H. B. Shakespearean Comedy. London: Routledge, 2005. Print.
Cloud, Amanda. "Gender Roles of Women in the Renaissance." Gender Roles of Women in the Renaissance. Cedar Crest College, n.d. Web. 15 Nov. 2016. .
Coleridge, Samuel Taylor. The Complete Works of Samuel Taylor Coleridge: Notes
and Lectures upon Shakespeare and Other Dramatists. London; Elibron Classics, 2005. Print.
Collington, Philip David. “O Word of Fear”: Imaginary Cuckoldry in Shakespeare’s
Plays. Dissertation. U of Toronto, 1998. Ottawa: University of Toronto, 1998.
Cutts, John P. “Boy Eternal.” Rich and Strange: A Study of Shakespeare`s Last Plays. Pullman: Washington State University Press, 1968. 54-83. Rpt. in Shakespearean Criticism. Ed. Lynn M. Zott. Vol. 68. Gale, 2003. Literature Resource Center. Web. 20 Apr. 2016.
Diehl, Huston. “‘Does not the stone rebuke me?’: The Paulina Rebuke and Paulina’s Lawful Magic in The Winter`s Tale.” Shakespeare and the Cultures of Performance. Ed. Paul Yachnin and Patricia Badir. Burlington: Ashgate, 2008. 69-82. Print.
Dod, John, and Robert Clever. A Godly Forme of Household Government: For the Ordering of Private Families, according to the direction of God’s Word. London: Thomas Creede,1612.
Dusinberre, Juliet. Shakespeare and the Nature of Women. New York: Palgrave Macmillan, 1996. Print.
Enterline, Lynn. “You speak a language that I understand not: The Rhetoric of Animation in The Winter’s Tale.” The Rhetoric of the Body from Ovid to Shakespeare. Cambridge: Cambridge University Press, 2004. Print.
Erickson, Peter. Patriarchal Structures in Shakespeare’s Drama. New York: University of California Press, 1985. Print.
Espinosa, Ruben. Masculinity and Marian Efficacy in Shakespeare`s England. Burlington: Ashgate Pub., 2011. Print.
Fiedler, Leslie A. The Stranger in Shakespeare. New York: Stein and Day, 1973.
Foyster, Elizabeth A. Manhood in Early Modern England. London: Longman, 1996. Print.
French, Marilyn. Shakespeare’s Division of Experience. 1981. New York: Ballantine,1983. Print.
Frey, Charles. “Shakespeare’s Imperiled and Chastening Daughters of Romance.” South Atlantic Bulletin 43.4 (1978): 125-140. Print.
Friedman, Alice T. “Portrait of a Marriage: The Willoughby Letters of 1585-1586.” Signs 11.3 (1986): 542-55. Print.
Georgopoulou, Xenia. The Body as Text in Shakespeare’s Plays: The Fashioning of
the Sexes. New York: Edwin Mellen Press, 2011. Print.
Goddard, Harold C. The Meaning of Shakespeare. Volume 2. London: University of Chicago Press, 1951. Print.
Gourlay, Patricia Southard. “‘O my most sacred lady’: Female Metaphor in TheWinter’s Tale”. English Literary Renaissance 5 (1975): 375-95. Print.
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Habermann, Ira. Staging Slander and Gender in Early Modern England. Aldershot:Ashgate, 2003. Print.
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描述 碩士
國立政治大學
英國語文學系
100551004
資料來源 http://thesis.lib.nccu.edu.tw/record/#G1005510042
資料類型 thesis
dc.contributor.advisor 姜翠芬zh_TW
dc.contributor.advisor Jiang, Tsui-Fenen_US
dc.contributor.author (Authors) 李珮寧zh_TW
dc.contributor.author (Authors) Lee, Pei-Ningen_US
dc.creator (作者) 李珮寧zh_TW
dc.creator (作者) Lee, Pei-Ningen_US
dc.date (日期) 2016en_US
dc.date.accessioned 1-Mar-2017 16:59:49 (UTC+8)-
dc.date.available 1-Mar-2017 16:59:49 (UTC+8)-
dc.date.issued (上傳時間) 1-Mar-2017 16:59:49 (UTC+8)-
dc.identifier (Other Identifiers) G1005510042en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/106800-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學系zh_TW
dc.description (描述) 100551004zh_TW
dc.description.abstract (摘要) 此論文檢視莎士比亞《冬天的故事》中里昂提斯的妒忌,辯證其顯示出了英國文藝復興時期,陽剛身分建構本身的問題性。在誘勸波西米亞國王延長拜訪的結果中,里昂提斯敗給了他的妻子赫美溫妮,他雄辯技巧上的弱勢也讓他的男性尊嚴受損;而赫美溫妮當初對於里昂提斯求婚的延遲回覆,以及本劇中的語言的模糊性引發了他的猜忌,進而帶來了陽剛身分的崩解。除了辯才外,此論文也探討私通的焦慮,其為英國近代早期陽剛身分建構下所暗藏的隱憂。這樣的焦慮引發他不理性的行為以及對妻子貞潔的誤判。為了重建他的聲望,里昂提斯擅用審判來保留駕馭妻子的絕對權力,並恢復他受損的名聲。儘管本劇稍後轉向以年輕一代為主軸,似乎象徵著新的轉變,然而在赫美溫妮復甦後,里昂提斯機智卻又令人感到不安的沉默,反映出他始終無法接受私通焦慮所帶來的汙名。此論文以辯才與私通來檢視莎士比亞《冬天的故事》中的陽剛特質,並以歷史與文化的文獻來佐證。期許能夠闡明英國文藝復興時期所困擾男性的陽剛焦慮,並且辯證主角里昂提斯的妒忌並不是無從解釋的情緒爆發,而是文藝復興陽剛身分建構下不可避免的集體產物。zh_TW
dc.description.abstract (摘要) This thesis argues that Leontes’ jealousy manifests the problematic construction of masculine identity in Renaissance England. Leontes’ rhetorical inferiority to Hermione in the persuasion work resulted in his injured masculinity, which is exacerbated by the ambiguity of language in the play and Leontes’ sour memories of Hermione’s late acceptance to his marriage proposal, all of which sparkle Leontes’ jealousy and stimulate the collapse of his masculinity. Aside from rhetorics, this thesis also examines the anxiety of cuckoldry, a pre-existent, latent apprehension inherent in the construction of masculinity in early modern England. This anxiety leads to his unreasonable behavior and misjudgment. In order to rebuild his reputation, Leontes appropriates the public trial to retain absolute dominance over his wife and restore his stained honor. While the shift of the play’s focus to the younger generation signals a revision, Leontes’ tactful yet disturbing silence after Hermione’s resurrection reflects his resurfaced masculinity in the context of marriage and his inability to come to terms with the stigma of cuckoldry anxiety. Leontes’ jealousy is triggered by his lack of rhetorical skills essential to male confidence, a lack which is brutally magnified by his wife’s impeccable eloquence; his following accusation of Hermione’s adultery is precipitated and irrevocably executed by his fear of rumor and cuckoldry prevalent in his time. This thesis aims to shed light on the issue of Renaissance masculine anxiety and prove that Leontes’ jealousy is not just an unexplainable outburst of emotion, but rather an inevitably collective product of the construction of Renaissance masculine identity.en_US
dc.description.tableofcontents Chapter 1 Introduction ……………………1
1.1 Critical Background ………………1
1.2 Cuckoldry and Adultery in the Renaissance …………6
1.3 Shakespeare’s Other Plays That Deal with Defamation Regarding Adultery ……………………………10

Chapter 2 Rhetorical Contest, Wounded Masculinity, Jealousy ……………19
2.1 Verbal Performance as a Confirmation of Masculine Authority………19
2.2 Delayed Acceptance to Marriage Proposal …………………………29
2.3 Willful Perception of the Ambiguity of Language………33

Chapter 3 Cuckoldry Anxiety, Public Trial, Masculinity Restored ……………39
3.1 Obsession with the Imagined Horn of Cuckoldry……………39
3.2 The Function of the Public Trial ……………………………50

Chapter 4 Silenced Masculine Authority, Rising Young Generation, Tactful Acquiescence …………………………63
4.1 Silenced Masculine Authority …………64
4.2 Rising Young Generation ………………67
4.3 Tactful Acquiescence ………………………71

Chapter 5 Conclusion …………………………85
Works Cited ……91
zh_TW
dc.format.extent 1046953 bytes-
dc.format.mimetype application/pdf-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G1005510042en_US
dc.subject (關鍵詞) 莎士比亞zh_TW
dc.subject (關鍵詞) 《冬天的故事》zh_TW
dc.subject (關鍵詞) 私通zh_TW
dc.subject (關鍵詞) 妒忌zh_TW
dc.subject (關鍵詞) 辯才zh_TW
dc.subject (關鍵詞) 陽剛身份zh_TW
dc.subject (關鍵詞) Shakespeareen_US
dc.subject (關鍵詞) The Winter`s Taleen_US
dc.subject (關鍵詞) Cuckoldryen_US
dc.subject (關鍵詞) Jealousyen_US
dc.subject (關鍵詞) Rhetoricsen_US
dc.subject (關鍵詞) Masculinityen_US
dc.title (題名) 《冬天的故事》中辯才、私通、與陽剛身分zh_TW
dc.title (題名) Rhetorics, Cuckoldry, and Masculinity in The Winter`s Taleen_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Works Cited

Abrams, Richard H. “Leontes`s Enemy: Madness in The Winter`s Tale.” Aspects of
Fantasy: Selected Essays from the Second International Conference on the Fantastic in Literature and Film. Westport, Conn.: Greenwood Press, 1986. 155-162. Rpt. in Shakespearean Criticism. Ed. Michelle Lee. Vol. 81. Gale, 2004. Literature Resource Center. Web. 20 Apr. 2016.
Alfar, Cristina León. Fantasies of Female Evil: The Dynamics of Gender and Power
in Shakespearean Tragedy. London: University of Delaware Press, 2003.
Aristotle, Rhetoric. Translated by W. Rhys Roberts. New York: Dover Publications, 2004. Print.
Auden, Wystan Hugh. Lectures on Shakespeare. Ed. Arthur Kirsch. New Jersey: Princeton University Press, 2002. Print.
Balizet, Ariane M. Blood and Home in Early Modern Drama. Domestic Identity on the Renaissance Stage. New York: Routledge, 2014. Print.
Bates, Catherine. The Rhetoric of Courtship in Elizabethan Language and Literature. Cambridge: Peterhouse, 2006. Print.
Belsey, Catherine. The Subject of Tragedy: Identity and Difference in Renaissance
Drama. London and New York: Methuen, 1985. Print.
Berger, Harry, Jr. “Against the Sink-a-Pace: Sexual and Family Politics in Much Ado About Nothing.” Shakespeare Quarterly 33 (1982): 302-13. Print.
Bieman, Elizabeth. William Shakespeare: The Romances. Boston: Twayne Publishers, 1990.
Brathwait, Richard. The English Gentleman, and The English Gentlevvoman: both in
one volume couched, and in one modell portrayed : to the living glory of their
sexe, the lasting story of their wort. London: Iohn Dawson, 1641. Print.
Breitenberg, Mark. Anxious Masculinity in Early Modern England. New York: Cambridge Press, 1996. Print.
Burton, Robert. Anatomy of Melancholy. New York: The New York Review of Books, 2001. Print.
Calderwood, James L. “The Properties of Othello.” Amherst: University of Massachusetts Press, 1989. Print.
Charlton, H. B. Shakespearean Comedy. London: Routledge, 2005. Print.
Cloud, Amanda. "Gender Roles of Women in the Renaissance." Gender Roles of Women in the Renaissance. Cedar Crest College, n.d. Web. 15 Nov. 2016. .
Coleridge, Samuel Taylor. The Complete Works of Samuel Taylor Coleridge: Notes
and Lectures upon Shakespeare and Other Dramatists. London; Elibron Classics, 2005. Print.
Collington, Philip David. “O Word of Fear”: Imaginary Cuckoldry in Shakespeare’s
Plays. Dissertation. U of Toronto, 1998. Ottawa: University of Toronto, 1998.
Cutts, John P. “Boy Eternal.” Rich and Strange: A Study of Shakespeare`s Last Plays. Pullman: Washington State University Press, 1968. 54-83. Rpt. in Shakespearean Criticism. Ed. Lynn M. Zott. Vol. 68. Gale, 2003. Literature Resource Center. Web. 20 Apr. 2016.
Diehl, Huston. “‘Does not the stone rebuke me?’: The Paulina Rebuke and Paulina’s Lawful Magic in The Winter`s Tale.” Shakespeare and the Cultures of Performance. Ed. Paul Yachnin and Patricia Badir. Burlington: Ashgate, 2008. 69-82. Print.
Dod, John, and Robert Clever. A Godly Forme of Household Government: For the Ordering of Private Families, according to the direction of God’s Word. London: Thomas Creede,1612.
Dusinberre, Juliet. Shakespeare and the Nature of Women. New York: Palgrave Macmillan, 1996. Print.
Enterline, Lynn. “You speak a language that I understand not: The Rhetoric of Animation in The Winter’s Tale.” The Rhetoric of the Body from Ovid to Shakespeare. Cambridge: Cambridge University Press, 2004. Print.
Erickson, Peter. Patriarchal Structures in Shakespeare’s Drama. New York: University of California Press, 1985. Print.
Espinosa, Ruben. Masculinity and Marian Efficacy in Shakespeare`s England. Burlington: Ashgate Pub., 2011. Print.
Fiedler, Leslie A. The Stranger in Shakespeare. New York: Stein and Day, 1973.
Foyster, Elizabeth A. Manhood in Early Modern England. London: Longman, 1996. Print.
French, Marilyn. Shakespeare’s Division of Experience. 1981. New York: Ballantine,1983. Print.
Frey, Charles. “Shakespeare’s Imperiled and Chastening Daughters of Romance.” South Atlantic Bulletin 43.4 (1978): 125-140. Print.
Friedman, Alice T. “Portrait of a Marriage: The Willoughby Letters of 1585-1586.” Signs 11.3 (1986): 542-55. Print.
Georgopoulou, Xenia. The Body as Text in Shakespeare’s Plays: The Fashioning of
the Sexes. New York: Edwin Mellen Press, 2011. Print.
Goddard, Harold C. The Meaning of Shakespeare. Volume 2. London: University of Chicago Press, 1951. Print.
Gourlay, Patricia Southard. “‘O my most sacred lady’: Female Metaphor in TheWinter’s Tale”. English Literary Renaissance 5 (1975): 375-95. Print.
Greene, Gayle.“‘This that you call Love’: Sexual and Social Tragedy in Othello.”
Shakespeare and Gender. Ed. Deborah Barker, Ivan Kamps. 1995. Rpt. In Shakespeare: An Anthology of Criticism and Theory 1945-2000. Ed. Russ McDonald. Malden: Blackwell, 2004. Print.
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