| dc.creator (作者) | Čerče, Danica | en_US |
| dc.date (日期) | 2017-06 | |
| dc.date.accessioned | 3-Oct-2017 12:30:10 (UTC+8) | - |
| dc.date.available | 3-Oct-2017 12:30:10 (UTC+8) | - |
| dc.date.issued (上傳時間) | 3-Oct-2017 12:30:10 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/113383 | - |
| dc.description.abstract (摘要) | Drawing on George Levine and Hillis Miller among other contemporary theorists discussing the changed conception of ＂what constitutes the literary＂ and the ＂assimilation of literature to ideology,＂ Letitia Guran notes that works of art are able to produce critical disruptions and help to create a desirable community. In light of these views, this article aims to show that the verse of Romaine Moreton and Alf Taylor, in its overt objection to exclusion, dispossession, and subordination of Australian indigenous peoples, mobilizes various strategies to encourage national self-reflection and destabilize the assumptions about the authority and entitlement of the white colonizers. | |
| dc.format.extent | 662190 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation (關聯) | 文山評論：文學與文化, 10(2),33-49 | zh_TW |
| dc.subject (關鍵詞) | Australian indigenous poetry ; Romaine Moreton ; Alf Taylor ; socio-economic and political critique ; destabilizing whiteness | en_US |
| dc.title (題名) | Forced Belonging: The Indictment of Colonization in Australia in the Poetry of Romaine Moreton and Alf Taylor | en_US |
| dc.type (資料類型) | article | |
