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題名 蘇軾及楊萬里詩中山水的擬人化
On Personified Nature in Poems of Su Shi and Yang Wan-Li
作者 淺見洋二
Yoji, Asami
關鍵詞 山水 ;擬人化 ;蘇軾 ;楊萬里
Nature ; personification ; Su Shi ;Yang Wan-Li
日期 2016-12
上傳時間 3-Nov-2017 11:23:46 (UTC+8)
摘要 中國詩歌中的自然(山水、風物)擬人化已見於《詩經》,可謂歷史悠久。其中,宋代是自然擬人化取得跨越性發展的時代。就宋詩的自然擬人化而言,最重要的詩人應是北宋的蘇軾和南宋的楊萬里。本文主要結合「詩眼」、「詩債」等宋代詩學中的獨特概念,對蘇軾和楊萬里詩歌中自然擬人化的表現樣態加以探討,進而闡明他們的自然認識及詩學認識的特質。
Personified natural scenery can be seen in Chinese poetry as early as in Shijing; it later becomes a distinct characteristic in Song poetry. This paper aims to examine the personified landscape in poems by Su Shi in the Northern Song and by Yang Wan-Li in the Southern Song in terms of "poetic eye" and "poetic debt" so as to showcase their outlook on nature and poetic aesthetics.
關聯 政大中文學報, 26,5-25
資料類型 article
dc.creator (作者) 淺見洋二zh_TW
dc.creator (作者) Yoji, Asamien_US
dc.date (日期) 2016-12-
dc.date.accessioned 3-Nov-2017 11:23:46 (UTC+8)-
dc.date.available 3-Nov-2017 11:23:46 (UTC+8)-
dc.date.issued (上傳時間) 3-Nov-2017 11:23:46 (UTC+8)-
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/114361-
dc.description.abstract (摘要) 中國詩歌中的自然(山水、風物)擬人化已見於《詩經》,可謂歷史悠久。其中,宋代是自然擬人化取得跨越性發展的時代。就宋詩的自然擬人化而言,最重要的詩人應是北宋的蘇軾和南宋的楊萬里。本文主要結合「詩眼」、「詩債」等宋代詩學中的獨特概念,對蘇軾和楊萬里詩歌中自然擬人化的表現樣態加以探討,進而闡明他們的自然認識及詩學認識的特質。zh_TW
dc.description.abstract (摘要) Personified natural scenery can be seen in Chinese poetry as early as in Shijing; it later becomes a distinct characteristic in Song poetry. This paper aims to examine the personified landscape in poems by Su Shi in the Northern Song and by Yang Wan-Li in the Southern Song in terms of "poetic eye" and "poetic debt" so as to showcase their outlook on nature and poetic aesthetics.en_US
dc.format.extent 3245450 bytes-
dc.format.mimetype application/pdf-
dc.relation (關聯) 政大中文學報, 26,5-25zh_TW
dc.subject (關鍵詞) 山水 ;擬人化 ;蘇軾 ;楊萬里zh_TW
dc.subject (關鍵詞) Nature ; personification ; Su Shi ;Yang Wan-Lien_US
dc.title (題名) 蘇軾及楊萬里詩中山水的擬人化zh_TW
dc.title (題名) On Personified Nature in Poems of Su Shi and Yang Wan-Lien_US
dc.type (資料類型) article-