| dc.contributor | 英文系 | zh_TW |
| dc.creator (作者) | 趙順良 | zh_TW |
| dc.creator (作者) | Chao, Shun-liang | en_US |
| dc.date (日期) | 2017 | - |
| dc.date.accessioned | 25-Jun-2018 17:34:29 (UTC+8) | - |
| dc.date.available | 25-Jun-2018 17:34:29 (UTC+8) | - |
| dc.date.issued (上傳時間) | 25-Jun-2018 17:34:29 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/118002 | - |
| dc.format.extent | 99 bytes | - |
| dc.format.extent | 119 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | Criticism: A Quarterly for Literature and the Arts, Vol.59, No.2, pp. 301-328 | zh_TW |
| dc.title (題名) | The Alchemy of Photography: Hybridity, Nature, and "Grotesque Realism" in Jerry Uelsmann`s Photomontages | zh_TW |
| dc.type (資料類型) | article | - |
| dc.identifier.doi (DOI) | 10.13110/criticism.59.2.0301 | - |
| dc.doi.uri (DOI) | https://doi.org/10.13110/criticism.59.2.0301 | - |
