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題名 從媒體影像觀照自己:觀展/表演典範之初探
Reflecting Self Images in the Media Mirror: A Study Based on the Spectacle/Performance Paradigm
作者 張玉佩
Chang, Yu-Pei
貢獻者 新聞學研究
關鍵詞 觀展;顧影自憐;影像;觀展/表演典範;閱聽人研究
spectacle ; narcissism ; images ; spectacle/performance paradigm ; audience research
日期 2005-01
上傳時間 28-Jun-2019 10:57:22 (UTC+8)
摘要 本研究以觀展/表演典範為理論框架,輔以網際網路的實證經驗資料分析,試圖探討閱聽人透過媒介影像投射而進行自我主體建構的過程。研究場域以文學網站《村上春樹的網路森林》為主,連續觀察該網站四年所蒐集的1,815篇文章。研究結果有二:首先,村上迷群透過觀展/顧影自憐循環的過程,與村上文本產生視野融合,並藉由重複謹慎閱讀文本,主動填補偶像文本的意義縫隙,建構以自我為中心的獨特理解圖像;再者,迷群的「自戀vs.自恨」情結與當代流行文化之「把普為任何人的結構,當作是特為自己的結構」(for-anyone-as-someone-structures)結合,迷群試圖藉由獨佔偶像作家以便突顯自己的獨特風格。
This paper explores the subjectivity of audience grounded on the spectacle/performance paradigm proposed by Abercrombie & Longhurst (1998). Based on my four years of working as an ethnographer for an online fan community, ”Murakami Haruki`s Woods”, two conclusions are advanced. Firstly, through the circle of spectacle-narcissism-spectacle, audiences converge their visions with idolatrous texts while reading deliberately and develop specific significance that centers on their egos, not texts. Secondly, although texts of popular culture are for-anyone-structure, they are decoded .by audiences in for-someone-structure; thus, wrapping in for-anyone-as-someone structures, audiences exploit ”self-love vs. self-hate” complexes while hoping to monopolize the idolatrous author for impressing others with unique lifestyles.
關聯 新聞學研究, 82, 41-85
資料類型 article
dc.contributor 新聞學研究-
dc.creator (作者) 張玉佩-
dc.creator (作者) Chang, Yu-Pei-
dc.date (日期) 2005-01-
dc.date.accessioned 28-Jun-2019 10:57:22 (UTC+8)-
dc.date.available 28-Jun-2019 10:57:22 (UTC+8)-
dc.date.issued (上傳時間) 28-Jun-2019 10:57:22 (UTC+8)-
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/124066-
dc.description.abstract (摘要) 本研究以觀展/表演典範為理論框架,輔以網際網路的實證經驗資料分析,試圖探討閱聽人透過媒介影像投射而進行自我主體建構的過程。研究場域以文學網站《村上春樹的網路森林》為主,連續觀察該網站四年所蒐集的1,815篇文章。研究結果有二:首先,村上迷群透過觀展/顧影自憐循環的過程,與村上文本產生視野融合,並藉由重複謹慎閱讀文本,主動填補偶像文本的意義縫隙,建構以自我為中心的獨特理解圖像;再者,迷群的「自戀vs.自恨」情結與當代流行文化之「把普為任何人的結構,當作是特為自己的結構」(for-anyone-as-someone-structures)結合,迷群試圖藉由獨佔偶像作家以便突顯自己的獨特風格。-
dc.description.abstract (摘要) This paper explores the subjectivity of audience grounded on the spectacle/performance paradigm proposed by Abercrombie & Longhurst (1998). Based on my four years of working as an ethnographer for an online fan community, ”Murakami Haruki`s Woods”, two conclusions are advanced. Firstly, through the circle of spectacle-narcissism-spectacle, audiences converge their visions with idolatrous texts while reading deliberately and develop specific significance that centers on their egos, not texts. Secondly, although texts of popular culture are for-anyone-structure, they are decoded .by audiences in for-someone-structure; thus, wrapping in for-anyone-as-someone structures, audiences exploit ”self-love vs. self-hate” complexes while hoping to monopolize the idolatrous author for impressing others with unique lifestyles.-
dc.format.extent 2407252 bytes-
dc.format.mimetype application/pdf-
dc.relation (關聯) 新聞學研究, 82, 41-85-
dc.subject (關鍵詞) 觀展;顧影自憐;影像;觀展/表演典範;閱聽人研究-
dc.subject (關鍵詞) spectacle ; narcissism ; images ; spectacle/performance paradigm ; audience research-
dc.title (題名) 從媒體影像觀照自己:觀展/表演典範之初探-
dc.title (題名) Reflecting Self Images in the Media Mirror: A Study Based on the Spectacle/Performance Paradigm-
dc.type (資料類型) article-