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題名 上海創意中心：中國文創商業化現象
Shanghai creative hub : the culture commercialization phenomenon in China作者 賴愛黎
Laval, Alice貢獻者 冷則剛
Leng, Tse-Kang
賴愛黎
Alice Laval關鍵詞 創意
持續成長
社會包容
上海
城市規劃
Creativity
Sustainable growth
Social inclusion
Shanghai
Urban development日期 2019 上傳時間 7-Aug-2019 16:22:06 (UTC+8) 摘要 無
This paper studies the culture commercialization phenomenon in China, through the analysis of the region of Shanghai as a creative hub. While this paper contributes to a large body of literature focusing on creative clusters, it is providing a new integrated economic vision of China, as the country is advancing from a developing economy to a more mature state.Between urban regeneration, social inclusion and economic growth, the present study aims to explore the precise processes and consequences of modern Chinese cultural initiatives. In order to do so, this paper first includes a review of previous literature allowing the establishment of a cultural analytic framework. This is then used to analyze Shanghai, first as a creative city and then as the origin point for the creation of a network effect impacting its entire direct regional environment.This research finds that Shanghai, similarly to many of its western cultural equivalents, is at the forefront of cultural innovation. The establishment of the city as a creative and cultural capital reflects China’s potential appetite for a softer economy. However, while this indicates an interesting political direction, it is also another cause for increased social tensions, and has produced a vast array of undesired outcomes. While these consequences are not as present as they were in the past, they still constitute an important challenge for government officials and potential foreign investors.參考文獻 Acs, Z. (2006). How is entrepreneuship good for economic growth ? . Innovations, technology, governance, globalization. 1(1), 97-107.Bosworth, D., & Yang, D. (2000). Intellectual property law, technology flow and licensing opportunities in the People`s Republic of China. International Business Review, 9(4), 453-477.CGTN (Director). (2017). Episode 6 of Bird’s-eye China: Shanghai, a gateway to the world [Motion Picture].Chakravartty, P., & Sarikakis, K. (2006). Media policy and globalization. New York: Palgrave Macmillan.Changwook, K. (2017). Locating creative city policy in East Asia: neoliberalism, developmental state and assemblage of East Asian cities. International Journal of Cultural Policy, 23(3), 312-330.Chen, C. (1992). Modernization in mainland China: self-reliance and dependence. American Journal of Economics and Sociology, 51 (1), 57-68.Chen, H. (2017, December 15). Shanghai to boost cultural and creative industries. Retrieved from SHINE - Beyond a single story: https://www.shine.cn/news/metro/1712157845/Comunian, R. (2010). Rethinking the creative city: the role of complexity, networks and interactions in the urban creative economy. Urban studies, 10, 1-23.Ding, S., & Saunders, R. (2006). Talking up China: An analysis of China`s rising cultural power and global promotion of the Chinese language. East Asia, 23(2), 3-33.Engberg, J. (2017, September 6). What makes a creative city ? Retrieved from The Guardian: https://www.theguardian.com/artanddesign/2017/sep/06/what-makes-a-creative-cityEU SME Centre. (2014). Culture and Creative Industries in China. Online: EU SME Centre.Evans, G. (2009). Creative cities, creative spaces and urban policy. Urban Studies, 46(5-6), 1003-1040.Florida, R. (2002). The rise of the creative class (Vol. 9). New York: Basic books.Florida, R. (2003). Cities and the creative class. City & community, 2(1), 3-19.Florida, R. (2006). The flight of the creative class: the new global competition for talent. Liberal Education, 92 (3), 22-29.Garcia, B. (2004). Cultural policy and urban regeneration in Western European cities: lessons from experience, prospects for the future. Local Economy, 19(4), 312-326.Gentleman in China. (2018, April 26). The Art Market Analysis of China. Retrieved from Marketing to China: https://www.marketingtochina.com/art-market-analysis-china/Guibourg, C. (2015, July 23). This chart shows just how many startups are launched worldwide every second. Retrieved from City A.M: http://www.cityam.com/220819/graphic-shows-just-how-many-startups-are-launched-worldwide-every-secondHall, C. (2018, October 10). Shanghai’s Hotbed of Entrepreneurship. Retrieved from Business of fashion (BoF): https://www.businessoffashion.com/articles/global-currents/big-business-behind-the-scenes-in-shanghaiHarvey, D. (2007). A brief history of neoliberalism. USA: Oxford University Press.Hill, R., & Kim, J. (2000). Global cities and developmental states: New York, Tokyo and Seoul. Urban Studies, 37(12), 2167-2195.Jacobs, L., Guopei, G., & Herbig, P. (1995). Confucian roots in China: a force for today`s business. Management Decision, 33(10), 29-34.Keane, M. (2009). Creative industries in China: four perspectives on social transformation. International Journal of Cultural Policy, 15(4), 431-443.Keane, M. (2013). China`s new creative clusters: Governance, human capital and investement. Routledge, 1-21.Landry, C. (2012). The creative city: A toolkit for urban innovators. Routledge.Lee, J., & Zhu, Y. (2006). Urban governance, neoliberalism and housing reform in China. The Pacific Review, 19(1), 39-61.Lin, Y. (1979). The Crisis of Chinese Consciousness. Madison: University of Wisconsin Press.Mälkki, T. (2019). Global Business Cities 2025 - Statistica City Reports. Online: Statistica.MacCulloch. (2014). Culture, Beliefs and Economic Performance. Motu Economic and Public Policy Research.Miller, T. (2010). Culture+Labour=Precariat. Communication and critical/cultural studies, 7 (1), 96-99.Mommaas, H. (2004). Cultural clusters and the post-industrial city: towards the remapping of urban cultural policy. Urban studies, 41 (3), 507-532.Mooney, G. (2004). Cultural policy as urban transformation ? Critical reflections on Glasgow, European city of culture 1990. Local economy, 19(4), 327-340.Niu , W., & Kaufman, J. (2013). Creativity of Chinese and American cultures: A synthetic analysis. The Journal of Creative Behavior, 47(1), 77-87.O`Connor, J. (2009). Shanghai Moderne: Creative economy in a creative city ? Creative Economies, Creative Cities, 175-193.O`Connor, J., & Xin, G. (2006). A new modernity? The arrival of "creative industries in China. international Journal of Cultural Studies, 9(3), 271-283.OECD. (2018). Entrepreneuship at a Glance - 2018 Highlights. online: SDD.Olivia Bensimon. (2017, December 18). Intersections: Art and Space in Shanghai. Retrieved from olivia-bensimon.com: https://olivia-bensimon.com/writing/2017/12/18/intersections-art-and-space-in-shanghaiPonzini, D., & Rossi, U. (2010). Becoming a creative city: The entrepreneurial mayor, network politics and the promise of an urban renaissance. Urban Studies, 47(5), 1037-1057.Scott, A. (2004). Cultural-products industries and urban economic development: prospects for growth and market contestation in globla context. Urban affairs review, 39 (4), 461-490.Shanghai Municipal Administration of Culture, Radio, Film & TV and Shanghai Municipal Administration of Cultural Heritage. (2017). Museums in Shanghai. Online: Shanghai Municipal Administration of Culture, Radio, Film & TV and Shanghai Municipal Administration of Cultural Heritage.Shen, X., Zhong, Y., & Zheng, Q. (2018, July 2). Fast statistics: expats in Shanghai. Retrieved from Shine - Beyond a single story: https://www.shine.cn/feature/lifestyle/1807027797/Shi, J. (2017, December 22). Cultural sector poised for a boost . Retrieved from China Daily : http://www.chinadaily.com.cn/a/201712/22/WS5a3ccd13a31008cf16da2f28.htmlSofield, T. H., & Li, F. M. (1998). Tourism development and cultural policies in China. Annals of tourism research, 25(2), 362-392.Theofilou, P. (2013). Quality of Life: Definition and Measurement. Europe`s journal of psychology, 9(1).UHY. (2017). The increasing pace of business creation around the world - International study, measuring the agility of developed vs. emerging economies. Online: UHY.UNESCO. (2017). Report 2013-2016 - SHANGHAI: UNESCO CITY OF DESIGN. Online: UNESCO.Wu, F. (2000). The global and local dimensions of place-making: remaking Shanghai as a world city. Urban Studies, 37(8), 1359-1377.XERFI Global. (2019). Chine: Tendances et Prévisions Macroéconomiques. Paris (France): XERFI reports.XNT. (2016, November). Shanghai’s Quickly Becoming The Next Startup & Innovation Hub. Retrieved from The X Node: http://www.thexnode.com/blog/shanghai-s-quickly-becoming-the-next-startup-innovation-hubYang, L. (2007). East Meets West. Hermann Schmidt Verlag. Retrieved from bsix12: http://bsix12.com/east-meets-west/Young, D., & Chipman Koty, A. (2019, June 21). The US-China Trade War: A Timeline. Retrieved from China Briefing: https://www.china-briefing.com/news/the-us-china-trade-war-a-timeline/Zheng, J. (2011). `Creative industry clusters` and the entrepreneurial city` of Shanghai. Urban Studies 48(16), 3561-3582.Zheng, J., & Chan, R. (2014). The impact of `creative industry clusters` on cultural and creative industry development in Shanghai. City, Culture and Society. 5(1), 9-22.Zuo, M. (2018, January 28). Shanghai wants you ... but can it really be as attractive to foreigners as Hong Kong. Retrieved from South China Morning Post: https://www.scmp.com/news/china/society/article/2130871/shanghai-wants-you-can-it-really-be-attractive-foreigners-hong 描述 碩士
國立政治大學
國際經營管理英語碩士學位學程(IMBA)
107933061資料來源 http://thesis.lib.nccu.edu.tw/record/#G0107933061 資料類型 thesis dc.contributor.advisor 冷則剛 zh_TW dc.contributor.advisor Leng, Tse-Kang en_US dc.contributor.author (Authors) 賴愛黎 zh_TW dc.contributor.author (Authors) Alice Laval en_US dc.creator (作者) 賴愛黎 zh_TW dc.creator (作者) Laval, Alice en_US dc.date (日期) 2019 en_US dc.date.accessioned 7-Aug-2019 16:22:06 (UTC+8) - dc.date.available 7-Aug-2019 16:22:06 (UTC+8) - dc.date.issued (上傳時間) 7-Aug-2019 16:22:06 (UTC+8) - dc.identifier (Other Identifiers) G0107933061 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/124805 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 國際經營管理英語碩士學位學程(IMBA) zh_TW dc.description (描述) 107933061 zh_TW dc.description.abstract (摘要) 無 zh_TW dc.description.abstract (摘要) This paper studies the culture commercialization phenomenon in China, through the analysis of the region of Shanghai as a creative hub. While this paper contributes to a large body of literature focusing on creative clusters, it is providing a new integrated economic vision of China, as the country is advancing from a developing economy to a more mature state.Between urban regeneration, social inclusion and economic growth, the present study aims to explore the precise processes and consequences of modern Chinese cultural initiatives. In order to do so, this paper first includes a review of previous literature allowing the establishment of a cultural analytic framework. This is then used to analyze Shanghai, first as a creative city and then as the origin point for the creation of a network effect impacting its entire direct regional environment.This research finds that Shanghai, similarly to many of its western cultural equivalents, is at the forefront of cultural innovation. The establishment of the city as a creative and cultural capital reflects China’s potential appetite for a softer economy. However, while this indicates an interesting political direction, it is also another cause for increased social tensions, and has produced a vast array of undesired outcomes. While these consequences are not as present as they were in the past, they still constitute an important challenge for government officials and potential foreign investors. en_US dc.description.tableofcontents 1. Introduction 12. Literature Review 62.1. The Chinese context – a comparison with its American liberal counterpart 62.2. The emergence of a cultural economy and a creative class 112.3. From creative clusters to creative cities: a modern urbanism tell-tale 152.4. Creative Cities: the origin of a complex web of network effects 192.5. Literature Review Summary 243. Research Methodology 263.1. Shanghai: a breath of modernity in China 273.2. An integrated conceptual framework 294. The case of Shanghai 334.1. The emergence of Shanghai as a creative city 334.2. The core of the changes: new urban hallmarks, transformation of urban spaces and clustering processes 354.3. A more subtle approach: the underlying socioeconomic impacts 394.4. Shanghai: the heart of a complex ecosystem 464.5. Main findings and conclusions 504.5.1. The role of the context 514.5.2. The construction of a global cultural image 514.5.3. The governmental support paradox 514.5.4. The establishment of a creative ecosystem 525. Discussion 535.1. Exploration of the case study main findings 545.1.1. The role of the context 545.1.2. The construction of a global cultural image 545.1.3. The governmental support paradox 555.1.4. The establishment of a creative ecosystem 565.2. A critical point of view 576. Conclusion 597. References 638. Appendix 68 zh_TW dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0107933061 en_US dc.subject (關鍵詞) 創意 zh_TW dc.subject (關鍵詞) 持續成長 zh_TW dc.subject (關鍵詞) 社會包容 zh_TW dc.subject (關鍵詞) 上海 zh_TW dc.subject (關鍵詞) 城市規劃 zh_TW dc.subject (關鍵詞) Creativity en_US dc.subject (關鍵詞) Sustainable growth en_US dc.subject (關鍵詞) Social inclusion en_US dc.subject (關鍵詞) Shanghai en_US dc.subject (關鍵詞) Urban development en_US dc.title (題名) 上海創意中心：中國文創商業化現象 zh_TW dc.title (題名) Shanghai creative hub : the culture commercialization phenomenon in China en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) Acs, Z. (2006). How is entrepreneuship good for economic growth ? . Innovations, technology, governance, globalization. 1(1), 97-107.Bosworth, D., & Yang, D. (2000). Intellectual property law, technology flow and licensing opportunities in the People`s Republic of China. International Business Review, 9(4), 453-477.CGTN (Director). (2017). Episode 6 of Bird’s-eye China: Shanghai, a gateway to the world [Motion Picture].Chakravartty, P., & Sarikakis, K. (2006). Media policy and globalization. New York: Palgrave Macmillan.Changwook, K. (2017). Locating creative city policy in East Asia: neoliberalism, developmental state and assemblage of East Asian cities. International Journal of Cultural Policy, 23(3), 312-330.Chen, C. (1992). Modernization in mainland China: self-reliance and dependence. American Journal of Economics and Sociology, 51 (1), 57-68.Chen, H. (2017, December 15). Shanghai to boost cultural and creative industries. Retrieved from SHINE - Beyond a single story: https://www.shine.cn/news/metro/1712157845/Comunian, R. (2010). Rethinking the creative city: the role of complexity, networks and interactions in the urban creative economy. Urban studies, 10, 1-23.Ding, S., & Saunders, R. (2006). Talking up China: An analysis of China`s rising cultural power and global promotion of the Chinese language. East Asia, 23(2), 3-33.Engberg, J. (2017, September 6). What makes a creative city ? Retrieved from The Guardian: https://www.theguardian.com/artanddesign/2017/sep/06/what-makes-a-creative-cityEU SME Centre. (2014). Culture and Creative Industries in China. Online: EU SME Centre.Evans, G. (2009). Creative cities, creative spaces and urban policy. Urban Studies, 46(5-6), 1003-1040.Florida, R. (2002). The rise of the creative class (Vol. 9). New York: Basic books.Florida, R. (2003). Cities and the creative class. City & community, 2(1), 3-19.Florida, R. (2006). The flight of the creative class: the new global competition for talent. Liberal Education, 92 (3), 22-29.Garcia, B. (2004). Cultural policy and urban regeneration in Western European cities: lessons from experience, prospects for the future. Local Economy, 19(4), 312-326.Gentleman in China. (2018, April 26). The Art Market Analysis of China. Retrieved from Marketing to China: https://www.marketingtochina.com/art-market-analysis-china/Guibourg, C. (2015, July 23). This chart shows just how many startups are launched worldwide every second. Retrieved from City A.M: http://www.cityam.com/220819/graphic-shows-just-how-many-startups-are-launched-worldwide-every-secondHall, C. (2018, October 10). Shanghai’s Hotbed of Entrepreneurship. Retrieved from Business of fashion (BoF): https://www.businessoffashion.com/articles/global-currents/big-business-behind-the-scenes-in-shanghaiHarvey, D. (2007). A brief history of neoliberalism. USA: Oxford University Press.Hill, R., & Kim, J. (2000). Global cities and developmental states: New York, Tokyo and Seoul. Urban Studies, 37(12), 2167-2195.Jacobs, L., Guopei, G., & Herbig, P. (1995). Confucian roots in China: a force for today`s business. Management Decision, 33(10), 29-34.Keane, M. (2009). Creative industries in China: four perspectives on social transformation. International Journal of Cultural Policy, 15(4), 431-443.Keane, M. (2013). China`s new creative clusters: Governance, human capital and investement. Routledge, 1-21.Landry, C. (2012). The creative city: A toolkit for urban innovators. Routledge.Lee, J., & Zhu, Y. (2006). Urban governance, neoliberalism and housing reform in China. The Pacific Review, 19(1), 39-61.Lin, Y. (1979). The Crisis of Chinese Consciousness. Madison: University of Wisconsin Press.Mälkki, T. (2019). Global Business Cities 2025 - Statistica City Reports. Online: Statistica.MacCulloch. (2014). Culture, Beliefs and Economic Performance. Motu Economic and Public Policy Research.Miller, T. (2010). Culture+Labour=Precariat. Communication and critical/cultural studies, 7 (1), 96-99.Mommaas, H. (2004). Cultural clusters and the post-industrial city: towards the remapping of urban cultural policy. Urban studies, 41 (3), 507-532.Mooney, G. (2004). Cultural policy as urban transformation ? Critical reflections on Glasgow, European city of culture 1990. Local economy, 19(4), 327-340.Niu , W., & Kaufman, J. (2013). Creativity of Chinese and American cultures: A synthetic analysis. The Journal of Creative Behavior, 47(1), 77-87.O`Connor, J. (2009). Shanghai Moderne: Creative economy in a creative city ? Creative Economies, Creative Cities, 175-193.O`Connor, J., & Xin, G. (2006). A new modernity? The arrival of "creative industries in China. international Journal of Cultural Studies, 9(3), 271-283.OECD. (2018). Entrepreneuship at a Glance - 2018 Highlights. online: SDD.Olivia Bensimon. (2017, December 18). Intersections: Art and Space in Shanghai. Retrieved from olivia-bensimon.com: https://olivia-bensimon.com/writing/2017/12/18/intersections-art-and-space-in-shanghaiPonzini, D., & Rossi, U. (2010). Becoming a creative city: The entrepreneurial mayor, network politics and the promise of an urban renaissance. Urban Studies, 47(5), 1037-1057.Scott, A. (2004). Cultural-products industries and urban economic development: prospects for growth and market contestation in globla context. Urban affairs review, 39 (4), 461-490.Shanghai Municipal Administration of Culture, Radio, Film & TV and Shanghai Municipal Administration of Cultural Heritage. (2017). Museums in Shanghai. Online: Shanghai Municipal Administration of Culture, Radio, Film & TV and Shanghai Municipal Administration of Cultural Heritage.Shen, X., Zhong, Y., & Zheng, Q. (2018, July 2). Fast statistics: expats in Shanghai. Retrieved from Shine - Beyond a single story: https://www.shine.cn/feature/lifestyle/1807027797/Shi, J. (2017, December 22). Cultural sector poised for a boost . Retrieved from China Daily : http://www.chinadaily.com.cn/a/201712/22/WS5a3ccd13a31008cf16da2f28.htmlSofield, T. H., & Li, F. M. (1998). Tourism development and cultural policies in China. Annals of tourism research, 25(2), 362-392.Theofilou, P. (2013). Quality of Life: Definition and Measurement. Europe`s journal of psychology, 9(1).UHY. (2017). The increasing pace of business creation around the world - International study, measuring the agility of developed vs. emerging economies. Online: UHY.UNESCO. (2017). Report 2013-2016 - SHANGHAI: UNESCO CITY OF DESIGN. Online: UNESCO.Wu, F. (2000). The global and local dimensions of place-making: remaking Shanghai as a world city. Urban Studies, 37(8), 1359-1377.XERFI Global. (2019). Chine: Tendances et Prévisions Macroéconomiques. Paris (France): XERFI reports.XNT. (2016, November). Shanghai’s Quickly Becoming The Next Startup & Innovation Hub. Retrieved from The X Node: http://www.thexnode.com/blog/shanghai-s-quickly-becoming-the-next-startup-innovation-hubYang, L. (2007). East Meets West. Hermann Schmidt Verlag. Retrieved from bsix12: http://bsix12.com/east-meets-west/Young, D., & Chipman Koty, A. (2019, June 21). The US-China Trade War: A Timeline. Retrieved from China Briefing: https://www.china-briefing.com/news/the-us-china-trade-war-a-timeline/Zheng, J. (2011). `Creative industry clusters` and the entrepreneurial city` of Shanghai. Urban Studies 48(16), 3561-3582.Zheng, J., & Chan, R. (2014). The impact of `creative industry clusters` on cultural and creative industry development in Shanghai. City, Culture and Society. 5(1), 9-22.Zuo, M. (2018, January 28). Shanghai wants you ... but can it really be as attractive to foreigners as Hong Kong. Retrieved from South China Morning Post: https://www.scmp.com/news/china/society/article/2130871/shanghai-wants-you-can-it-really-be-attractive-foreigners-hong zh_TW dc.identifier.doi (DOI) 10.6814/NCCU201900248 en_US
