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題名 Trisyllabic tone 3 sandhi patterns in Mandarin produced by Cantonese speakers
作者 杜容玥
Tu, Jung-Yueh
Wong, Janice Wing-Sze
Cha, Jih-Ho
貢獻者 華文碩
關鍵詞 Mandarin tones; trisyllabic words; tone sandhi; tonal production; Cantonese CSL learners
日期 2017-08
上傳時間 26-May-2020 14:52:26 (UTC+8)
摘要 The third tone sandhi in Mandarin is a well-studied rule, where a Tone 3 followed by another Tone 3 is changed as a rising tone, similar to Tone 2. This Tone 3 sandhi rule is straightforward in disyllabic words, which is phonetically driven for the ease of production. In three or more than three syllables with Tone 3, however, the Tone 3 sandhi application is more complicated and involves both the prosodic and morph-syntactic domains, which makes it difficult for L2 learners. This study aims to understand how L2 learners with another tone language experience could master the Mandarin Tone 3 sandhi rule. Specifically, the study investigates the production of Tone 3 sandhi in trisyllabic Mandarin words by Cantonese speakers. In the current study, 30 Cantonese speakers were requested to produce 15 trisyllabic words (“1+[2+3]” and “[1+2]+3” sandhi patterns) and 5 hexasyllabic sentences with Tone 3 in sequences. The analyses of results center on three major types of error patterns: overgeneralization, under application, and combination. The findings are discussed with regard to the phono-syntactic interactions of Tone 3 sandhi at the lexical and phrasal levels as well as the influence of the Cantonese tonal system.
關聯 Proceedings of Interspeech 2017, pp.3177-3180
資料類型 conference
DOI https://doi.org/10.21437/Interspeech.2017-291
dc.contributor 華文碩-
dc.creator (作者) 杜容玥-
dc.creator (作者) Tu, Jung-Yueh-
dc.creator (作者) Wong, Janice Wing-Sze-
dc.creator (作者) Cha, Jih-Ho-
dc.date (日期) 2017-08-
dc.date.accessioned 26-May-2020 14:52:26 (UTC+8)-
dc.date.available 26-May-2020 14:52:26 (UTC+8)-
dc.date.issued (上傳時間) 26-May-2020 14:52:26 (UTC+8)-
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/129939-
dc.description.abstract (摘要) The third tone sandhi in Mandarin is a well-studied rule, where a Tone 3 followed by another Tone 3 is changed as a rising tone, similar to Tone 2. This Tone 3 sandhi rule is straightforward in disyllabic words, which is phonetically driven for the ease of production. In three or more than three syllables with Tone 3, however, the Tone 3 sandhi application is more complicated and involves both the prosodic and morph-syntactic domains, which makes it difficult for L2 learners. This study aims to understand how L2 learners with another tone language experience could master the Mandarin Tone 3 sandhi rule. Specifically, the study investigates the production of Tone 3 sandhi in trisyllabic Mandarin words by Cantonese speakers. In the current study, 30 Cantonese speakers were requested to produce 15 trisyllabic words (“1+[2+3]” and “[1+2]+3” sandhi patterns) and 5 hexasyllabic sentences with Tone 3 in sequences. The analyses of results center on three major types of error patterns: overgeneralization, under application, and combination. The findings are discussed with regard to the phono-syntactic interactions of Tone 3 sandhi at the lexical and phrasal levels as well as the influence of the Cantonese tonal system.-
dc.format.extent 136 bytes-
dc.format.mimetype text/html-
dc.relation (關聯) Proceedings of Interspeech 2017, pp.3177-3180-
dc.subject (關鍵詞) Mandarin tones; trisyllabic words; tone sandhi; tonal production; Cantonese CSL learners-
dc.title (題名) Trisyllabic tone 3 sandhi patterns in Mandarin produced by Cantonese speakers-
dc.type (資料類型) conference-
dc.identifier.doi (DOI) 10.21437/Interspeech.2017-291-
dc.doi.uri (DOI) https://doi.org/10.21437/Interspeech.2017-291-