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題名 文體視角：曹操作品研究
A Study of Cao Cao`s Works from a Stylistic Perspective作者 張峻源
Zhang, Jun-Yuan貢獻者 曾守正
Tseng, Shou-Cheng
張峻源
Zhang, Jun-Yuan關鍵詞 文體
曹操
公牘文
樂府詩
style of writing
Cao Cao
official documents
Yuefu poems日期 2020 摘要 曹操，字孟德，沛國譙縣（今安徽亳州市）人。東漢末年著名的政治家、軍事家、文學家。史家記載曹操手不釋卷，晝論武冊，夜思經傳，登高必賦。著有〈短歌行〉等樂府詩篇、〈求賢令〉等政論公文、兵法《孟德新書》，並為《孫子兵法》作注。作為建安文學的奠基人與「建安風骨」的代表文人，曹操在文學史上的地位不容小覷。而現有相關曹操文學的研究，卻多受到人物研究的影響，同時也多針對於曹操的詩歌作品。 本研究將回歸中國古代文體的本來面貌，釐清中國古代文體論中的「辨體意識」及其多方面的影響，以中國古代文體觀分析曹操的文本，並參考顏崑陽所提出的「完境文學」觀念，全面「在境」的考察。 正文分為四章，分別從曹操所作下行「教」、「令」諸體，上行「表」、「上書」、「奏」諸體，書體和樂府詩體進行研究。每章首先以劉勰《文心雕龍》中提出的「原始以表末」、「釋名以章義」，梳理所討論的體類源流、發展，及至東漢所形成的「常體」典範。根據曹操所作文本討論其文體的運用，並將其運用與典範對舉，分析曹操在文體上的繼承、變革及新造。在研究中雖以體類分章節，內文則打破辨體分類討論單一文體的形式，將多種文體進行關聯，以發掘曹操在文體運用上的特徵。最終總結曹操運用文體時，從內心情感出發、從實用目的出發、從文體本質出發三者之間的關係權衡，及多文體之間的互相藉用等問題，探究曹操的詩文之體。
Cao Cao, was born in Qiaoxian County of Pei kingdom . He was a famous statesman, strategist and litterateur in the late Eastern Han Dynasty. According to historians’ record, in Cao Cao’s daily life, he had been always holding books in his hand, studying military works during the day, and think of biographical classics at night; whenever Cao Cao has visited some places of interest, he must write itinerary poetry. Cao Cao’s works include many Yuefu poems, political documents, military strategy, and annotations for “the Art of War by Sun Wu”. As the founder of Jian’an literature and the representative literati of Jian’an Literary Style, Cao Cao’s status in literary history cannot be underestimated. The existing studies on Cao Cao`s literature are mostly influenced by character researches, meanwhile, addressing more of Cao Cao`s poetic works. This research will regress to the original appearance of ancient Chinese styles, the “stylistic discrimination consciousness”（辨體意識）in ancient Chinese stylistics and its influence in many aspects will be clarified, while Cao Cao’s writings will be analyzed under the view of ancient Chinese stylistics. The body text consists of four chapters, which are respectively studied from the genres of Cao Cao’s work issued to the lower levels and those reported to the throne and, as well as chirography and Yuefu poems. In each chapter, the author begins with the “origins and evolution of various genres”（原始以表末）and “names of various genres and their meanings”（釋名以章義）put forward in Liu Xie’s “Wen Xin Diao Long”（《文心雕龍》）, to sort out the origin and development of the discussed style of writing and the direct style as the prototype formed in the Eastern Han Dynasty. Based on Cao Cao’s writings, it is discussed the application of his style of writing, and have it compared with the prototype, thereby analyzed Cao Cao’s inheritance, change and new creation in terms of style of writing. Although chapters in the study is listed according to by different styles of writing, the content breaks the formality of classification based on stylistic discrimination as the way of discussing a single style of writing, and correlates a variety of styles of writing, so as to explore Cao Cao’s characteristics in the use of styles of writing. Eventually, it is summarized that in Cao Cao use of the styles of writing, from the issues including the balance among the three of the inner emotion, the practical purpose, and the essence of a style of writing, as well as the mutual use of multiple styles, Cao Cao’s style of writing is being explored.描述 碩士
國立政治大學
中國文學系
105151027資料來源 http://thesis.lib.nccu.edu.tw/record/#G0105151027 資料類型 thesis dc.contributor.advisor 曾守正 zh_TW dc.contributor.advisor Tseng, Shou-Cheng en_US dc.contributor.author (Authors) 張峻源 zh_TW dc.contributor.author (Authors) Zhang, Jun-Yuan en_US dc.creator (作者) 張峻源 zh_TW dc.creator (作者) Zhang, Jun-Yuan en_US dc.date (日期) 2020 en_US dc.identifier (Other Identifiers) G0105151027 en_US dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 中國文學系 zh_TW dc.description (描述) 105151027 zh_TW dc.description.abstract (摘要) 曹操，字孟德，沛國譙縣（今安徽亳州市）人。東漢末年著名的政治家、軍事家、文學家。史家記載曹操手不釋卷，晝論武冊，夜思經傳，登高必賦。著有〈短歌行〉等樂府詩篇、〈求賢令〉等政論公文、兵法《孟德新書》，並為《孫子兵法》作注。作為建安文學的奠基人與「建安風骨」的代表文人，曹操在文學史上的地位不容小覷。而現有相關曹操文學的研究，卻多受到人物研究的影響，同時也多針對於曹操的詩歌作品。 本研究將回歸中國古代文體的本來面貌，釐清中國古代文體論中的「辨體意識」及其多方面的影響，以中國古代文體觀分析曹操的文本，並參考顏崑陽所提出的「完境文學」觀念，全面「在境」的考察。 正文分為四章，分別從曹操所作下行「教」、「令」諸體，上行「表」、「上書」、「奏」諸體，書體和樂府詩體進行研究。每章首先以劉勰《文心雕龍》中提出的「原始以表末」、「釋名以章義」，梳理所討論的體類源流、發展，及至東漢所形成的「常體」典範。根據曹操所作文本討論其文體的運用，並將其運用與典範對舉，分析曹操在文體上的繼承、變革及新造。在研究中雖以體類分章節，內文則打破辨體分類討論單一文體的形式，將多種文體進行關聯，以發掘曹操在文體運用上的特徵。最終總結曹操運用文體時，從內心情感出發、從實用目的出發、從文體本質出發三者之間的關係權衡，及多文體之間的互相藉用等問題，探究曹操的詩文之體。 zh_TW dc.description.abstract (摘要) Cao Cao, was born in Qiaoxian County of Pei kingdom . He was a famous statesman, strategist and litterateur in the late Eastern Han Dynasty. According to historians’ record, in Cao Cao’s daily life, he had been always holding books in his hand, studying military works during the day, and think of biographical classics at night; whenever Cao Cao has visited some places of interest, he must write itinerary poetry. Cao Cao’s works include many Yuefu poems, political documents, military strategy, and annotations for “the Art of War by Sun Wu”. As the founder of Jian’an literature and the representative literati of Jian’an Literary Style, Cao Cao’s status in literary history cannot be underestimated. The existing studies on Cao Cao`s literature are mostly influenced by character researches, meanwhile, addressing more of Cao Cao`s poetic works. This research will regress to the original appearance of ancient Chinese styles, the “stylistic discrimination consciousness”（辨體意識）in ancient Chinese stylistics and its influence in many aspects will be clarified, while Cao Cao’s writings will be analyzed under the view of ancient Chinese stylistics. The body text consists of four chapters, which are respectively studied from the genres of Cao Cao’s work issued to the lower levels and those reported to the throne and, as well as chirography and Yuefu poems. In each chapter, the author begins with the “origins and evolution of various genres”（原始以表末）and “names of various genres and their meanings”（釋名以章義）put forward in Liu Xie’s “Wen Xin Diao Long”（《文心雕龍》）, to sort out the origin and development of the discussed style of writing and the direct style as the prototype formed in the Eastern Han Dynasty. Based on Cao Cao’s writings, it is discussed the application of his style of writing, and have it compared with the prototype, thereby analyzed Cao Cao’s inheritance, change and new creation in terms of style of writing. Although chapters in the study is listed according to by different styles of writing, the content breaks the formality of classification based on stylistic discrimination as the way of discussing a single style of writing, and correlates a variety of styles of writing, so as to explore Cao Cao’s characteristics in the use of styles of writing. Eventually, it is summarized that in Cao Cao use of the styles of writing, from the issues including the balance among the three of the inner emotion, the practical purpose, and the essence of a style of writing, as well as the mutual use of multiple styles, Cao Cao’s style of writing is being explored. en_US dc.description.tableofcontents 第一章 緒論 9 第一節 研究動機 9 一、特殊的文學史地位 9 二、受到局限的作品研究 10 三、中國古代文體學研究的回歸 13 第二節 研究對象 14 一、流傳情況 15 二、輯錄考述 17 三、中華書局《曹操集》 19 第三節 前人研究成果概述 21 一、曹操生平的研究 21 二、曹操作品及其相關資料的整理 22 三、曹操文學作品的研究 23 第四節 研究方法與步驟 29 一、中國古代文體研究方法 29 二、資藉「完境」的概念 41 三、具體的研究步驟 44 第二章 曹操「教」、「令」文體研究 48 第一節 「教」、「令」體源流及典範形成 50 一、「令」體的源流 50 二、漢「令」典範的形成 51 三、漢「令」的文體特徵 54 四、「教」體流變 56 第二節 曹操「求賢三令」的文體突破 57 一、東漢以來的「察舉制」 57 二、三次求賢之令 59 三、曹操的對於德行的重視 62 四、反傳統的書寫 65 五、書寫的變革對選才思維的影響 67 第三節 曹操〈讓縣自明本志令〉的文體創新 68 一、〈讓縣自明本志令〉的創作背景 68 二、〈讓縣自明本志令〉的內容 70 三、「應需變體」的令體文章 74 四、文體「應需變體」的影響 80 五、曹操的「尚實馭體」 82 第四節 曹操「教」體運用 84 一、曹操「教」體指向的明確性 84 二、曹操「教」體的私言性 85 三、曹操「教」體的擴用 86 第五節 小結 87 第三章 曹操「表」、「上書」、「奏」文體研究 89 第一節 上行文體源流 91 一、上行文體流變 91 二、上行文體類之用 95 三、漢代上行文體的特徵 99 第二節 「指事造實」的上行文變革 102 一、用典 105 二、駢散運用 105 三、套語運用 106 四、「指事造實」與「尚實馭體」 108 第三節 曹操對於上行文體的擴用 109 一、表文 110 二、上書 113 三、奏文 114 第四節 三讓之表的開展 117 一、三讓之表的應用 117 二、三讓之表的政治考量 120 三、三讓之表的影響 122 第五節 小結 124 第四章 曹操書體文研究 127 第一節 書體文源流 128 一、書體文探源 128 二、公牘與私書 130 三、漢魏書體的發展 135 第二節 曹操的書體寫作 139 一、文體實切的因襲 139 二、書牘常體的選用 142 第三節 曹操書體的特質 143 一、上行、下行共見於書 143 二、「應需變體」的書牘 147 第四節 小結 151 第五章 曹操樂府詩體研究 153 第一節 曹操樂府與音樂之關係 156 一、舊題舊曲的傳承 161 二、舊題新曲的擬製 167 三、新題新曲的創新 171 四、曹操詩體樂體承變的影響 173 第二節 從輓歌看曹操樂府的舊題新辭 174 一、樂府輓歌源流 174 二、「尚實馭體」的輓歌 177 三、曹操輓歌舊題新辭的影響 182 四、題材拓展 184 第三節 情感「尚實」的〈短歌行〉 185 一、作品爭議 187 二、求賢之說與其癥結 189 三、詩樂關係中的詩體運用 191 四、完全創作情境下的詩體理解 193 第四節 小結 198 第六章 結論 200 第一節 前文的回顧 200 一、各章要點綜述 200 二、提舉主要發現 202 第二節 未來的開展 206 參考書目 209 zh_TW dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0105151027 en_US dc.subject (關鍵詞) 文體 zh_TW dc.subject (關鍵詞) 曹操 zh_TW dc.subject (關鍵詞) 公牘文 zh_TW dc.subject (關鍵詞) 樂府詩 zh_TW dc.subject (關鍵詞) style of writing en_US dc.subject (關鍵詞) Cao Cao en_US dc.subject (關鍵詞) official documents en_US dc.subject (關鍵詞) Yuefu poems en_US dc.title (題名) 文體視角：曹操作品研究 zh_TW dc.title (題名) A Study of Cao Cao`s Works from a Stylistic Perspective en_US dc.type (資料類型) thesis -
