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題名 National Struggle from a Postcolonial Literary Perspective: Nuruldiner Sarajiban 作者 Huq, Sabiha 貢獻者 文山評論：文學與文化 關鍵詞 nationalism ; anti-colonial nationalism ; postcolonialism ; subaltern ; peasant mutiny ; two-nation theory 日期 2019-06 上傳時間 12-Nov-2020 14:23:15 (UTC+8) 摘要 Leela Gandhi refers to Ranajit Guha`s opinion that Indian nationalism ＂achieves its entitlement through the systematic mobilization, regulation, disciplining and harnessing of subaltern energy, that nationalism integrates the randomly distributed energies of miscellaneous popular movements＂ (Dominance 144, qtd. in Gandhi 111). Syed Shamsul Haq (1935-2016), a literary stalwart of Bangladesh, has always been conscious of the contribution of the common rural people of Bangladesh to the nationalist cause. The mobilization of the peasants against British rule, as dramatized in Haq`s verse play Nuruldiner Sarajiban (1992), is one such movement, the systematic accumulation of which Guha terms as ＂subaltern＂ energy that culminates in anti-colonial nationalism in Bangladesh. Haq recreates the history of the Mughalhaat peasant insurgency of 1783 in Rangpur in his play in the 1990s, a specific juncture in the history of independent Bangladesh that requires the play to act as a clarion call to countrymen to unite against the then dictatorial government headed by Hussain Muhammad Ershad. The play simultaneously operates on two time frames: First, it establishes the position of the subaltern protagonist against the British colonizers that marks the postcolonial stance of the playwright, and then it stands as an inspirational symbol amidst its contemporary political crisis. The paper examines how the verse play illustrates both the colonial propaganda, the two-nation theory of the British colonial rule, and the anti-colonial agenda of the mass peasant movement- ascertaining Nuruldin`s position as a public hero, and also as an emissary of freedom and solidarity for all people in Bangladesh against neo-colonialism in a time of post-colony. 關聯 文山評論：文學與文化, 12(2), 29-52 資料類型 article DOI https://doi.org/10.30395/WSR.201906_12(2).0002 dc.contributor 文山評論：文學與文化 dc.creator (作者) Huq, Sabiha dc.date (日期) 2019-06 dc.date.accessioned 12-Nov-2020 14:23:15 (UTC+8) - dc.date.available 12-Nov-2020 14:23:15 (UTC+8) - dc.date.issued (上傳時間) 12-Nov-2020 14:23:15 (UTC+8) - dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/132499 - dc.description.abstract (摘要) Leela Gandhi refers to Ranajit Guha`s opinion that Indian nationalism ＂achieves its entitlement through the systematic mobilization, regulation, disciplining and harnessing of subaltern energy, that nationalism integrates the randomly distributed energies of miscellaneous popular movements＂ (Dominance 144, qtd. in Gandhi 111). Syed Shamsul Haq (1935-2016), a literary stalwart of Bangladesh, has always been conscious of the contribution of the common rural people of Bangladesh to the nationalist cause. The mobilization of the peasants against British rule, as dramatized in Haq`s verse play Nuruldiner Sarajiban (1992), is one such movement, the systematic accumulation of which Guha terms as ＂subaltern＂ energy that culminates in anti-colonial nationalism in Bangladesh. Haq recreates the history of the Mughalhaat peasant insurgency of 1783 in Rangpur in his play in the 1990s, a specific juncture in the history of independent Bangladesh that requires the play to act as a clarion call to countrymen to unite against the then dictatorial government headed by Hussain Muhammad Ershad. The play simultaneously operates on two time frames: First, it establishes the position of the subaltern protagonist against the British colonizers that marks the postcolonial stance of the playwright, and then it stands as an inspirational symbol amidst its contemporary political crisis. The paper examines how the verse play illustrates both the colonial propaganda, the two-nation theory of the British colonial rule, and the anti-colonial agenda of the mass peasant movement- ascertaining Nuruldin`s position as a public hero, and also as an emissary of freedom and solidarity for all people in Bangladesh against neo-colonialism in a time of post-colony. dc.format.extent 929843 bytes - dc.format.mimetype application/pdf - dc.relation (關聯) 文山評論：文學與文化, 12(2), 29-52 dc.subject (關鍵詞) nationalism ; anti-colonial nationalism ; postcolonialism ; subaltern ; peasant mutiny ; two-nation theory dc.title (題名) National Struggle from a Postcolonial Literary Perspective: Nuruldiner Sarajiban dc.type (資料類型) article dc.identifier.doi (DOI) 10.30395/WSR.201906_12(2).0002 dc.doi.uri (DOI) https://doi.org/10.30395/WSR.201906_12(2).0002
