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題名 清代小說教亂書寫研究
The Study on the Writing of Religious Rebellion in Novels in Qing Dynasty作者 謝佳瀅
Hsieh, Chia-Ying貢獻者 高桂惠
Kao, Kui-Hui
謝佳瀅
Hsieh, Chia-Ying關鍵詞 小說教亂書寫
民間教派
政教關係
幫會
團練
Rebellion writing in novels
Folk sects
Relationship between religion and state
Gangs
Local militia日期 2021 摘要 歷來研究清代小說教亂書寫多圍繞在不同民間教派的小說特色，討論民間教派在小說中如何被呈現。而本論文則在前人研究之上，結合官方史料、民間紀載、教派內部文獻、文人筆記與野史等材料，思考描寫明清民間教亂的小說敘事何以在清代紛呈而出，並以「文化生產」、「小說類型學」和「敘事學」為研究方法，討論清代小說教亂書寫中的共性與殊性，藉由「清代小說教亂書寫」可見作為跨類型小說的教亂書寫在清代不同時期、不同／同一作者的創作之下，反映出共同的價值觀與歷史意識；而「敘事學」的研究方法則可討論清代小說教亂書寫之間的相互關係，不論是描寫同樣或不同的民間教亂題材，都可見個別小說教亂書寫的特色。 本論文將主要分為四章，第二章討論「清代出版文化與小說教亂書寫的蓬勃」，分別從小說序跋與評點探討清代出版文化的變化，如何影響小說作者的創作心態與目的，而從其交遊圈所輻射的序跋與評點者、出版商；又如何在清代小說禁毀令的文網下，隱微地呈現出共同的意識形態與各異的呈現手法特色。第三章則是「民間教派、幫會人物形象的解構與重構」，討論民間教派、幫會人物形象的重疊性與相似性之意義，並指出其顛覆與游離的形象意涵。第四章是「多重的政教辯證關係」，在政教關係的變化之下，討論人物形象如何影響小說中敘述的政教關係，而政教合作與衝突的敘事意義為何？第五章則討論「多元的政教戰爭模式與情感論述」，政教關係影響了政教戰爭的模式，小說教亂書寫中出現的情感論述，可做為官方觀點的參照，並挖掘情感論述的不同面貌如何呈現作者的歷史意識。從上述議題可見清代同一／不同作者與不同時期的小說教亂書寫，既有共同的意識形態與價值觀，也有多元化的敘事特色及其意義，故研究清代小說教亂書寫對於重新理解清代小說史有其重要性。
Historically, studies on the writing of religious chaos in Qing Dynasty novels have focused on describing the characteristics of different folk sects and discussing how folk sects are presented in novels. And this thesis is based on previous studies, combined with official historical materials, folk chronicles, internal sect literature, literati notes, and unofficial history, to consider why novel narratives describing the civil rebellion in Ming and Qing dynasties emerged in the Qing Dynasty. “Cultural production”, “fiction typology” and “narratology” are the research methods to discuss the commonalities and specialities in the narratives of the Qing Dynasty novels. By constructing the “Qing Dynasty novels narrative group”, it can be seen as a cross-genre. The narratives of the novels and chaos in the Qing Dynasty reflect common values and historical consciousness under the creation of different/same authors in different periods of the Qing Dynasty. The research method of “narratology” can be discussed the interrelationships between the narratives of religious rebellion in the novels of Qing Dynasty, no matter they describe the same or different themes of civil rebellion, the characteristics of the narratives of individual religious rebellions can be seen in individual novels. This thesis will be divided into four chapters. The second chapter discusses “Qing Dynasty Publishing Culture: Prefaces, Postscripts, Criticisms, and Images”. From the prefaces, postscripts, comments, and images of novels, the changes in the publishing culture of the Qing Dynasty are discussed and how they affect the creation of authors, writing mentality and purpose, as well as the prefaces, postscripts, critics, and publishers radiated from the circle of friends. How to subtly present a common ideology and different presentation methods under the literary network of the prohibition of novels in the Qing Dynasty. The third chapter is “The Deconstruction and Reconstruction of the Characters of Folk Sects and Gangs”, discussing the meaning of the overlap and similarity of the characters of folk sects and gangs, and pointed out the image meaning of their subversion and separation. The fourth chapter is “multiple dialectical relations between state and religion”. Under the changing relationship between state and religion, it discusses how the character image affects the relationship between state and religion described in the novel. What is the significance to narrate cooperation and conflict between state and religion? Chapter five discusses “multiple modes of war between political and religious, and emotional discourse”. The relationship between state and religion has influenced the mode of war between political and religious. The emotional discourses in the narrative of religious rebellion of novels can be used as a reference for official viewpoints and explore different aspects of emotional discourse. And how to show the author’s historical consciousness? From the above issues, we can see that the narratives in novels of same/ different authors, and different periods in the Qing Dynasty have not only common ideology and values, but also diversified narrative features and meanings. Therefore, studying the writing of novels in Qing Dynasty is important for re-understanding the history of novels in Qing Dynasty.描述 博士
國立政治大學
中國文學系
103151505資料來源 http://thesis.lib.nccu.edu.tw/record/#G0103151505 資料類型 thesis dc.contributor.advisor 高桂惠 zh_TW dc.contributor.advisor Kao, Kui-Hui en_US dc.contributor.author (Authors) 謝佳瀅 zh_TW dc.contributor.author (Authors) Hsieh, Chia-Ying en_US dc.creator (作者) 謝佳瀅 zh_TW dc.creator (作者) Hsieh, Chia-Ying en_US dc.date (日期) 2021 en_US dc.identifier (Other Identifiers) G0103151505 en_US dc.description (描述) 博士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 中國文學系 zh_TW dc.description (描述) 103151505 zh_TW dc.description.abstract (摘要) 歷來研究清代小說教亂書寫多圍繞在不同民間教派的小說特色，討論民間教派在小說中如何被呈現。而本論文則在前人研究之上，結合官方史料、民間紀載、教派內部文獻、文人筆記與野史等材料，思考描寫明清民間教亂的小說敘事何以在清代紛呈而出，並以「文化生產」、「小說類型學」和「敘事學」為研究方法，討論清代小說教亂書寫中的共性與殊性，藉由「清代小說教亂書寫」可見作為跨類型小說的教亂書寫在清代不同時期、不同／同一作者的創作之下，反映出共同的價值觀與歷史意識；而「敘事學」的研究方法則可討論清代小說教亂書寫之間的相互關係，不論是描寫同樣或不同的民間教亂題材，都可見個別小說教亂書寫的特色。 本論文將主要分為四章，第二章討論「清代出版文化與小說教亂書寫的蓬勃」，分別從小說序跋與評點探討清代出版文化的變化，如何影響小說作者的創作心態與目的，而從其交遊圈所輻射的序跋與評點者、出版商；又如何在清代小說禁毀令的文網下，隱微地呈現出共同的意識形態與各異的呈現手法特色。第三章則是「民間教派、幫會人物形象的解構與重構」，討論民間教派、幫會人物形象的重疊性與相似性之意義，並指出其顛覆與游離的形象意涵。第四章是「多重的政教辯證關係」，在政教關係的變化之下，討論人物形象如何影響小說中敘述的政教關係，而政教合作與衝突的敘事意義為何？第五章則討論「多元的政教戰爭模式與情感論述」，政教關係影響了政教戰爭的模式，小說教亂書寫中出現的情感論述，可做為官方觀點的參照，並挖掘情感論述的不同面貌如何呈現作者的歷史意識。從上述議題可見清代同一／不同作者與不同時期的小說教亂書寫，既有共同的意識形態與價值觀，也有多元化的敘事特色及其意義，故研究清代小說教亂書寫對於重新理解清代小說史有其重要性。 zh_TW dc.description.abstract (摘要) Historically, studies on the writing of religious chaos in Qing Dynasty novels have focused on describing the characteristics of different folk sects and discussing how folk sects are presented in novels. And this thesis is based on previous studies, combined with official historical materials, folk chronicles, internal sect literature, literati notes, and unofficial history, to consider why novel narratives describing the civil rebellion in Ming and Qing dynasties emerged in the Qing Dynasty. “Cultural production”, “fiction typology” and “narratology” are the research methods to discuss the commonalities and specialities in the narratives of the Qing Dynasty novels. By constructing the “Qing Dynasty novels narrative group”, it can be seen as a cross-genre. The narratives of the novels and chaos in the Qing Dynasty reflect common values and historical consciousness under the creation of different/same authors in different periods of the Qing Dynasty. The research method of “narratology” can be discussed the interrelationships between the narratives of religious rebellion in the novels of Qing Dynasty, no matter they describe the same or different themes of civil rebellion, the characteristics of the narratives of individual religious rebellions can be seen in individual novels. This thesis will be divided into four chapters. The second chapter discusses “Qing Dynasty Publishing Culture: Prefaces, Postscripts, Criticisms, and Images”. From the prefaces, postscripts, comments, and images of novels, the changes in the publishing culture of the Qing Dynasty are discussed and how they affect the creation of authors, writing mentality and purpose, as well as the prefaces, postscripts, critics, and publishers radiated from the circle of friends. How to subtly present a common ideology and different presentation methods under the literary network of the prohibition of novels in the Qing Dynasty. The third chapter is “The Deconstruction and Reconstruction of the Characters of Folk Sects and Gangs”, discussing the meaning of the overlap and similarity of the characters of folk sects and gangs, and pointed out the image meaning of their subversion and separation. The fourth chapter is “multiple dialectical relations between state and religion”. Under the changing relationship between state and religion, it discusses how the character image affects the relationship between state and religion described in the novel. What is the significance to narrate cooperation and conflict between state and religion? Chapter five discusses “multiple modes of war between political and religious, and emotional discourse”. The relationship between state and religion has influenced the mode of war between political and religious. The emotional discourses in the narrative of religious rebellion of novels can be used as a reference for official viewpoints and explore different aspects of emotional discourse. And how to show the author’s historical consciousness? From the above issues, we can see that the narratives in novels of same/ different authors, and different periods in the Qing Dynasty have not only common ideology and values, but also diversified narrative features and meanings. Therefore, studying the writing of novels in Qing Dynasty is important for re-understanding the history of novels in Qing Dynasty. en_US dc.description.tableofcontents 摘要 ii Abstract iii 第一章 緒論 1 第一節 研究背景與目的 1 一、明清民間教亂與幫會組織的關係 1 二、「清代小說教亂書寫」之義界及其相互關係 3 第二節 文獻回顧與檢討 7 一、清代小說教亂書寫文本研究 7 二、清代歷史和文化語境研究：以民間教派、幫會與團練為焦點 11 第三節 研究範圍與方法 17 一、研究範圍 17 二、研究方法 18 第二章 清代出版文化與小說教亂書寫的蓬勃 21 第一節 清中葉以前的書坊：小說的傳統流播管道 22 一、作者及其交遊圈的遺民心態：小說在文人圈內部的流播 23 二、鼓吹忠孝節義：官方支持與禁毀的出版政策 27 三、士不遇之隱喻 29 第二節 清中葉後書局的興起：小說出版的新管道 30 一、上海租界與洋商的支持：小說的快速出版與再版 31 二、北京與廣州：迎合與挑戰政府的出版禁令 34 第三節 晚清報刊雜誌連載與單行本：小說的時事性與快速出版 35 一、《申報》、《點石齋畫報》與《繡像小說》：小說作者與雜誌社、報館的合作 36 二、《杭州白話報》與艮廬居士《救劫傳》：小說作者與創刊者的交誼 42 三、《循環日報》、《有所謂報》、《香港少年報》與《中國報》：創辦者兼小說作者 43 第三章 民間教派人物形象的解構與重構 52 第一節 女妖亂國與神女興國：女巫和女將的複合形象 52 一、女／雌寇：勇武女性的形象再造 52 二、信仰護國：文獻、謠言和傳說共構的女巫／仙形象 60 第二節 以武犯禁與替天行道的辯證：幫會成員形象的形塑 64 一、遊民與僧道：幫會成員身分的轉換與游移 64 二、官匪合作：「利重於忠義」的形象 70 第三節 官方價值的解構與改造：士階層與官員的流動 77 一、政治合作與利益交換：官員與士階層的形象建構 78 二、傳教與啟蒙：思想傳播者的形象建構 81 第四章 政教的多重辯證關係 84 第一節 政教理想的宣稱：救世與仁德 84 一、興兵構怨與救世安民：明清白蓮教的兩面性 84 二、仁德者得天下：天地會與八卦教的成王敗寇論 94 第二節 政教合作與衝突：魔教與洋教的政教影響 100 一、帝師／女主唐賽兒：魔教與三教興兵勤王 100 二、剿撫之爭：洋教與義和團的對立 107 第三節 政教合一：宗教王國的興亡 113 一、三教與彌勒信仰：安陽國的政教合作 113 二、儒家與拜上帝教的折衝：太平天國 115 第五章 多元的政教戰爭書寫與情感敘事 121 第一節 政教戰爭模式的傳統與創新 121 一、軍師與國師：白蓮教的政教之戰 121 二、清代的武備與戰術運用 128 第二節 政教戰爭中的天災人禍 138 一、旱澇、蝗災與飢荒之苦：天人感應說的延續 138 二、憎惡貪官惡戶：民間教派起事的合法／非法性 142 第三節 災難記憶敘事的複現和意義 145 一、兵燹與離亂：清中期以後的武備與戰爭敘事 146 二、華洋合作與衝突：政教戰爭中的情感敘事 157 第六章 結論 167 參考文獻 173 一、原始文獻與工具書 173 二、專書 180 （一）外文 180 （二）中文 180 三、論文 185 （一）專書論文 185 （二）期刊論文 187 （三）學位論文 196 四、網路資料與其他 198 附錄 200 表1、清代小說教亂書寫文本基本簡介 200 表2、清代重大事件年表 203 zh_TW dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0103151505 en_US dc.subject (關鍵詞) 小說教亂書寫 zh_TW dc.subject (關鍵詞) 民間教派 zh_TW dc.subject (關鍵詞) 政教關係 zh_TW dc.subject (關鍵詞) 幫會 zh_TW dc.subject (關鍵詞) 團練 zh_TW dc.subject (關鍵詞) Rebellion writing in novels en_US dc.subject (關鍵詞) Folk sects en_US dc.subject (關鍵詞) Relationship between religion and state en_US dc.subject (關鍵詞) Gangs en_US dc.subject (關鍵詞) Local militia en_US dc.title (題名) 清代小說教亂書寫研究 zh_TW dc.title (題名) The Study on the Writing of Religious Rebellion in Novels in Qing Dynasty en_US dc.type (資料類型) thesis -
