Publications-學位論文
Article View/Open
Publication Export
Google ScholarTM
NCCU Library
Citation Infomation
-
Loading...Loading...
Related Publications in TAIR
| Title | 鋼管舞、女性特質與身體展演 Recreational Pole Dancing Femininities and Bodily Performance: A Taiwanese Case Study |
| Creator | 米奧莉 Mikhailova, Olga |
| Contributor | 關秉寅 Kuan, Ping-Yin 米奧莉 Olga Mikhailova |
| Key Words | 鋼管舞 身體美感 體現 賦權 脫衣舞文化 花車秀 Pole Dancing Bodily Performance Embodiment Empowerment Striptease Culture Flower Truck Shows |
| Date | 2021 |
| Date Issued | 10-Feb-2022 13:18:31 (UTC+8) |
| Summary | 本研究探討了休閒鋼管舞作為女性娛樂活動的一種新形式。鋼管舞總是被描述為西方文化背景下的產物，然而，隨著鋼管舞在世界各地越來越流行，探討舞者們在其他文化背景下練習這項活動的經驗亦變得非常重要。 通過理論實證及採訪，本研究揭示了台灣女性作為一種休閒活動練習鋼管舞的經驗。文中探討了台灣環境的一些獨特因素如何影響當地舞者的經驗，並將研究結果與在西方進行相關研究中的觀察進行了比較。 增加身體美感、藝術舞蹈欣賞的體驗、自信心的增加、結交新朋友及提供良好緩解創傷壓力的管道是本研究對象們對鋼管舞的主要積極體驗。而負面經驗包括受傷、高額的課程費用和須承受一定程度的社會偏見。研究結果表明，與鋼管舞有關的積極和消極經驗在不同的文化背景中均曾出現。然而，同時也證明當地文化背景的一些特定因素可以為鋼管舞文化的討論帶來新的視角，並激發未來研究的多元方向。 This study explores recreational pole dancing as a new form of recreational activity for women. Pole dancing is always described as a product of the Western cultural context, however, with pole dancing becoming increasingly popular around the world, it becomes important to describe the experiences of dancers practicing this activity in other cultural contexts. Through empirical research, this study uncovers the experiences of Taiwanese women practicing pole dancing as a form of leisure. The author explores how some unique elements of the context of Taiwan influence the experiences of the local dancers and compares the findings to the observations made in related studies conducted in the West. The sense of embodiment, the experience of body appreciation, the increase of self-confidence, the chance to make new friends, and the ability to deal with trauma and stress were the major positive aspects of pole dancing mentioned by the subjects of this study. The negative experiences included injuries, high fees for classes, and a certain degree of social prejudice. The results of the study showed that similar positive and negative experiences related to pole dancing appear cross-culturally. Nevertheless, it also proved that some specific elements of local cultural contexts can bring new perspectives on the discussion about pole dancing as well as change the direction for future research. |
| 參考文獻 | Attwood, F. (2006). Sexed Up: Theorizing the Sexualization of Culture. Sexualities, 9(1), 77-94. Associated Press (2010). Pole dancing Holds World Championships. http://www.espn.com/espn/wire/_/section/oly/id/5905272 Bacchi, C. (2005). Discourse, Discourse Everywhere: Subject “Agency” in Feminist Discourse Methodology. Nordic Journal of Women’s Studies, 13(3), 198-209. Banes, S. (1998). Dancing Women: Female Bodies Onstage. Routledge. Berson, J. (2016). The Naked Result: How Exotic Dance Became Big Business. Oxford University Press. Britannica. (2021). Maypole dance. Encyclopedia Britannica https://www.britannica.com/art/jota Chen, C. (2011). Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan. The Drama Review, 55:1 (209), 104-119. Chen, K. (2021). Short-sleeved Skilled Dancers: From Electric Flower Cars to Arts Troupe Processions [Unpublished thesis]. National Chengchi University. Chuang, H. (2019). The Decent Festivity: The Transformation of Stage-Trucks and Its Place Making Unpublished thesis]. National Taiwan University. Coakley, J. (2007). Sports in Society: Issues and Controversies, Ninth Edition. McGraw-Hill. Cromby, J. (2014). Embodiment. Encyclopedia of Critical Psychology. Springer. https://link.springer.com/referenceworkentry/10.1007%2F978-1-4614-5583-7_89 Davis, J.M. (2002). The Circus Age: Culture and Society under the American Big Top. University of North Carolina Press. Davies, B. (1991). The Concept of Agency: A Feminist Poststructuralist Analysis. The International Journal of Anthropology, 30, 42-53. Dines, G. (2011). Pornland: How Porn Hijacked Our Sexuality. Beacon Press. Dimler, A. J., McFadden, K., McHugh, T. (2017). “I Kinda Feel Like Wonder Woman”: An Interpretative Phenomenological Analysis of Pole, Fitness and Positive Body Image. Journal of Sport and Exercise Psychology, 39, 339–51. Dolan, J. (2010). Theatre and Sexuality. Red Globe Press. Emirbayer, M., Mische, A. (1998). What is Agency? American Journal of Sociology, 103:4, 962-1023. ETtoday (2017). Tiaogangguanwushijiedajiang! Taidagaocaisheng “ludaji” yanwuquanchangjianjiao (跳鋼管奪世界大獎！台大高材生「露大肌」豔舞全場尖叫). ettoday.net/news/20171115/1052483.htm Exotic Dance Academy (2021). How to Choose your first Pair of Pole Dancing Shoes? https://exoticacademy.com/poledancingshoes/ Fennell, D. (2018). Pole Studios as Spaces between the Adult Entertainment, Art, Fitness and Sporting Fields. Sport and Society, 21, 1957–73. Focus Taiwan (2017). Taiwanese Pole Dancer Wins Pacific Pole Championship in Los Angeles. https://focustaiwan.tw/culture/201704090016 Fredrickson, B. L, Roberts T. (1997). Toward Understanding Women’s Lived Experiences and Mental Health Risks. Psychology of Women Quarterly, 21, 173-206. Gaston, A. and Gaston, T. (2014). ‘Dance as the Way of Being Religious’, The Oxford Handbook of Religion and Arts. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195176674.001.0001/oxfordhb-9780195176674-e-010 Giddens, A. (1993). The Transformation of Intimacy. Polity Press. Gill, R. (2003). From Sexual Objectification to Sexual Subjectification: The Resexualization of Women’s Bodies in the Media. Feminist Media Studies, 3(1), 100-6. Grace@Gracitude (2018). Chinese Pole and Pole Dance. Similarities and Differences. http://gracitude.com/2018/02/13/chinese-pole-vs-pole-dance/ Griffiths, K. (2016). Femininity, Feminism and Recreational Pole Dancing. Routledge. Hanna, J. L. (2012). The Naked Truth: Strip Clubs, Democracy and a Christian Right. University of Texas Press. Hanna, J. L. (2017). Dancing to Resist, Reduce, and Escape Stress. The Oxford Handbook of Dance and Wellbeing. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199949298.001.0001/oxfordhb-9780199949298-e-5 Harvey, L. (2011). Spicing it Up: Sexual Entrepreneurs and the Sex Inspectors. In R. Gill & C. Scharff (Eds.), New Femininities. Postfeminism, Neoliberalism and Subjectivity. Palgrave Macmillan. Ho, J. (2000). Self-empowerment and ‘Professionalism’: Conversations with Taiwanese Sex Workers. Inter-Asia Cultural Studies, 1:2, 283-299. Ho, J. (2001). Sex, Power and the Erotic Dance Pubs of Taiwan: A field Observation. A Radical Quarterly in Social Studies, 44, 167-199. Holic G. (2015). RenqibuluokeGinadainilaitiyanliyumeijiehedegangguanwukecheng (人氣部落客Gina帶你來體驗力與美結合的鋼管舞課程！). Marrie Claire. https://www.marieclaire.com.tw/lifestyle/news/18145?atcr=13e30b Holland, S. (2010). Pole Dancing, Empowerment and Embodiment. Springer. Huang, C. (2011). Research of the Visual Style of Taike Culture [Master’s thesis]. National Taichung Institute of Technology. http://dx.doi.org/10.6826/NUTC.2011.00015 International Pole Sports Federation (2018). IPSF Code of Points. http://www.polesports.org/about-us/document-policies/ Jiangzi (2020). Yigengangguanyanghuayijiawukou! Dianzihuachequanjinjiaomiaohuinushengcengtu0gangguanwuzhi lianchudapianyuqing! (一根鋼管養活一家五口 ! 電子花車千金教廟會女神曾甜鋼管舞技 練出大片瘀青!) [Video]. https://www.youtube.com/watch?v=EdUolZFiK4c&t=1648s Kaschak, E. (1992). Engendered Lives: A New Psychology of Women’s Experience. Basic Books, Inc. Publishers. Kim, Y., Kwon, S. (2019). “I’m a Poler, and Proud of It”: South Korean Women’s Managed Experiences in a Stigmatized Serious Leisure Activity. Social Sciences, 8, 199. Keft-Kennedy, V. (2010), “How Does She Do That?” Belly Dancing and the Horror of a Flexible Woman, Women’s Studies, 32: 3-3, 279-300. Keft-Kennedy, V. (2013). Belly Dance and the “How-To” Phenomenon: Feminism, Fitness and Orientalism. Belly Dance Around the World: New Communities, Performance and Identity. McFarland and Company, Inc. Li, S. L. (2003). Cross-Dressing in Chinese Opera. Hong Kong University Press. LiTV (2019). Quanliquankai: xinggangangguanzhangbasai (全力全開：性感鋼管爭霸賽). Retrieved from: https://www.litv.tv/vod/show/content.do?content_id=VOD00154360 Levy, A. (2006). Female Chauvinist Pigs: Women and the Rise of Raunch Culture. Free Press. Moscowitz, M. (2020). Dancning for the Dead: Duneral Strippers in Taiwan. [Video]. https://www.youtube.com/watch?v=ZCRmmSdYwDc Nicholas, J. C., Dimmock, J. A., Donnelly, C. J., Alderson, J. A., Jackson, B. (2018). “It’s Our Little Secret: An In-Group, Where Everyone’s In”: Females’ Motives for Participation in a Stigmatized Form of Physical Activity, Psychology of Sport and Exercise, 36, 104–13. McNair, B. (2002). Striptease Culture. Sex, Media and Democratization of Desire. Routledge. Noll, s. M., Fredrickson, B. L. (1998). A Mediational Model Linking Self-Objectification, Body Shame, and Disordered Eating. Psychology of Women Quarterly, 22, 623-636. Pellizzer, M., Tiggemann, M., & Clark, L. (2016) Enjoyment of Sexualization and Positive Body Image in Recreational Pole Dancers and University Students. Sex Roles, 74, 35-45. PoleCon International (2021). What is PoleCon? https://poleconvention.com/ Ray, P. L. (2021). Pole styles: Stripper/Exotic/Classique - What’s the Difference. https://www.polewithpeach.com/blog/pole-styles-stripper-exotic-classique-difference/ Savigliano, M. E. (1995). Tango and Political Economy of Passion. Westview Press. Sports of India (2021). Mallakhamb. http://sports.indiapress.org/mallakhamb.php Shay, A., Sellers-Yong, B. (2005). Introduction. Belly Dance: Orientalism, Transnationalism, and Harem Fantasy (First Edition). Mazda Publishers Shteir, R. (2004). Striptease: The Untold History of the Girlie Show. Oxford University Press. Srinivasan, A. (2021). Who Lost the Sex Wars? The New Yorker. https://www.newyorker.com/magazine/2021/09/13/who-lost-the-sex-wars The Fitness Network (2021). Take a Chance on Pole Dance. https://thefitnessnetwork.org/why-pole-dancing-represents-such-a-huge-opportunity-for-gyms/ Thomas, H. (2003). The Body, Dance and Cultural Theory. Palgrave Macmillan. Topend Sports (2021). Pole Sport (“Pole Dancing”). https://www.topendsports.com/sport/list/pole-dancing.htm Tsai, V. (1994). A Go-Go to Go: Taiwan’s Flower Truck Shows. https://www.taiwan-panorama.com.tw/Articles/Details?Guid=f97ee8c8-7706-4411-866b-cef7f2b76864&langId=3&CatId=8 Traunter, M. N. (2005). Doing Gender, Doing Class. The Performance of Sexuality in Exotic Dance Clubs. Gender and Society, 19:6, 771-788. Tuzi, G. (2017). The Voladores (Pole Flying) Ceremony. https://www.mexicolore.co.uk/aztecs/home/the-voladores-ceremony Vance, C. (1984). Pleasure and Danger: Exploring Female Sexuality. Routledge. Velija, P., Mierzwinski, M., Fortune, L. (2012). ‘It Made Me Feel Powerful’: Women’s Gendered Embodiment and Physical Empowerment in the Martial Arts. Leisure Studies, 32:5, 524-541. Wan Z. (2021). Cengshitainanniurouchangyanchushouxuan! Qingliangdeqingsegewuxu rangjinrixiyuanchengguoshengshengyicandandeniandai. (曾是台南牛肉場演出首選！清涼的情色歌舞秀 讓今日戲院撐過生意慘淡的年代). https://www.upmedia.mg/news_info.php?SerialNo=109202&fbclid=IwAR1293BedQuJHyNGpaQOtNTqKMRnW9gEhySdHCOQfb1uRnwm1CBk_F9tdcQ Weaving, C. (2020). Sliding Up and Down a Glory Pole: Pole Dancing and the Olympic Games. Sport, Ethics and Philosophy, 14(12), 1-12. Wu, M. (2006). Hofstede’s Cultural Dimensions 30 Years Later: A Study of Taiwan and the United States. Intercultural Communication Studies, 15: 1, 2006. Wilkins, A. C. (2004). “So Full of Myself as a Chick”: Goth Women, Sexual Independence, and Gender Egalitarianism. Gender and Society, 18, 328-49. Rief, S. (2009). Club Cultures: Boundaries, Identities, and Otherness. Routledge. Roth, A., Basow, S. A. (2004). Femininity, Sports, and Feminism: Developing a Theory of Physical Liberation. Journal of Sport and Social Issues, 28:3, 245-265. Wise, V. (2021). What Type of Pole Dancing is your Love Match? https://www.verticalwise.com/types-of-pole-dancing/ |
| Description | 碩士 國立政治大學 亞太研究英語碩士學位學程(IMAS) 107926022 |
| 資料來源 | http://thesis.lib.nccu.edu.tw/record/#G0107926022 |
| Type | thesis |
| dc.contributor.advisor | 關秉寅 | zh_TW |
| dc.contributor.advisor | Kuan, Ping-Yin | en_US |
| dc.contributor.author (Authors) | 米奧莉 | zh_TW |
| dc.contributor.author (Authors) | Olga Mikhailova | en_US |
| dc.creator (作者) | 米奧莉 | zh_TW |
| dc.creator (作者) | Mikhailova, Olga | en_US |
| dc.date (日期) | 2021 | en_US |
| dc.date.accessioned | 10-Feb-2022 13:18:31 (UTC+8) | - |
| dc.date.available | 10-Feb-2022 13:18:31 (UTC+8) | - |
| dc.date.issued (上傳時間) | 10-Feb-2022 13:18:31 (UTC+8) | - |
| dc.identifier (Other Identifiers) | G0107926022 | en_US |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/138988 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 亞太研究英語碩士學位學程(IMAS) | zh_TW |
| dc.description (描述) | 107926022 | zh_TW |
| dc.description.abstract (摘要) | 本研究探討了休閒鋼管舞作為女性娛樂活動的一種新形式。鋼管舞總是被描述為西方文化背景下的產物，然而，隨著鋼管舞在世界各地越來越流行，探討舞者們在其他文化背景下練習這項活動的經驗亦變得非常重要。 通過理論實證及採訪，本研究揭示了台灣女性作為一種休閒活動練習鋼管舞的經驗。文中探討了台灣環境的一些獨特因素如何影響當地舞者的經驗，並將研究結果與在西方進行相關研究中的觀察進行了比較。 增加身體美感、藝術舞蹈欣賞的體驗、自信心的增加、結交新朋友及提供良好緩解創傷壓力的管道是本研究對象們對鋼管舞的主要積極體驗。而負面經驗包括受傷、高額的課程費用和須承受一定程度的社會偏見。研究結果表明，與鋼管舞有關的積極和消極經驗在不同的文化背景中均曾出現。然而，同時也證明當地文化背景的一些特定因素可以為鋼管舞文化的討論帶來新的視角，並激發未來研究的多元方向。 | zh_TW |
| dc.description.abstract (摘要) | This study explores recreational pole dancing as a new form of recreational activity for women. Pole dancing is always described as a product of the Western cultural context, however, with pole dancing becoming increasingly popular around the world, it becomes important to describe the experiences of dancers practicing this activity in other cultural contexts. Through empirical research, this study uncovers the experiences of Taiwanese women practicing pole dancing as a form of leisure. The author explores how some unique elements of the context of Taiwan influence the experiences of the local dancers and compares the findings to the observations made in related studies conducted in the West. The sense of embodiment, the experience of body appreciation, the increase of self-confidence, the chance to make new friends, and the ability to deal with trauma and stress were the major positive aspects of pole dancing mentioned by the subjects of this study. The negative experiences included injuries, high fees for classes, and a certain degree of social prejudice. The results of the study showed that similar positive and negative experiences related to pole dancing appear cross-culturally. Nevertheless, it also proved that some specific elements of local cultural contexts can bring new perspectives on the discussion about pole dancing as well as change the direction for future research. | en_US |
| dc.description.tableofcontents | Abstract 1 Introduction 7 Chapter One 11 Modern Exotic Pole Dancing Vs. Recreational Pole dancing 11 The Modern Exotic Dance: the Definition and Origins 11 Adult Exotic Dance: an Uncomfortable form of Theater Arts 12 Pole Dancing Vs. Adult Exotic Dance 14 Defining Pole Dancing 14 Pole Dancing as the Modern Recreational Activity 15 The Distinction Between Recreational Pole Dancing and Adult Exotic Dance 18 Venues 18 Class 18 Focus on Athleticism 19 Summary of the Chapter 20 Chapter Two 21 Recreational Pole Dancing: Discussion 21 The theories of Embodiment and Empowerment 21 Positive Experiences with Pole Dancing 21 Negative Experiences with Pole Dancing 23 Feminist Critique 23 Objectification and Self-Objectification Theories 24 Sexualized Popular Culture 24 Feminist Critique: Recreational Pole Dancing and Sexualized Popular Culture 25 Feminist critique: Legitimacy of the Embodiment and Empowerment of Pole Dancing 26 Feminist Critique: Pole Dancing as the only choice? 27 The Summary of Chapter 28 Chapter Three 30 Striptease Culture in Taiwanese Context 30 The Context of Taiwan 30 Taike Culture 32 Striptease Elements in Taike Culture 33 Betel Nut Beauties 33 Flower Trucks Shows 34 Recreational Pole Dancing vs. Flower Truck Shows 36 Dancing Vocabulary 36 Audience 37 Money 38 Recreational pole dancing in Taiwan 39 Representation in the Media 40 Summary of Chapter 41 Chapter Four 44 Research Design and Findings 44 Data and Methods 44 Who are the Participants? 45 Research Questions 46 Findings 47 What are the Positive Experiences Mentioned by Participants? 47 The Sense of Embodiment 47 Trauma Management and Stress Alleviation 50 Self-Confidence 53 The Sense of Community 56 The Sense of Achievement: The Feeling of Empowerment? 58 What are the Negative Experiences mentioned by the Participants? 61 Injuries 62 Price 62 The Feeling of Anxiety: Uncomfortable Nudity 63 Taiwan’s context: Temple Festivals and Flower Truck Shows 65 Negative Judgements 66 Positive Feedback 67 Summary of Chapter 69 Chapter Five 72 Conclusions and Discussion 72 Striptease Culture in Taiwan 74 First-Hand Experiences 75 Positive Experiences 76 Negative Experiences 78 Findings of Study 79 Limitations of Study 82 References: 84 Appendix 91 | zh_TW |
| dc.format.extent | 980342 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0107926022 | en_US |
| dc.subject (關鍵詞) | 鋼管舞 | zh_TW |
| dc.subject (關鍵詞) | 身體美感 | zh_TW |
| dc.subject (關鍵詞) | 體現 | zh_TW |
| dc.subject (關鍵詞) | 賦權 | zh_TW |
| dc.subject (關鍵詞) | 脫衣舞文化 | zh_TW |
| dc.subject (關鍵詞) | 花車秀 | zh_TW |
| dc.subject (關鍵詞) | Pole Dancing | en_US |
| dc.subject (關鍵詞) | Bodily Performance | en_US |
| dc.subject (關鍵詞) | Embodiment | en_US |
| dc.subject (關鍵詞) | Empowerment | en_US |
| dc.subject (關鍵詞) | Striptease Culture | en_US |
| dc.subject (關鍵詞) | Flower Truck Shows | en_US |
| dc.title (題名) | 鋼管舞、女性特質與身體展演 | zh_TW |
| dc.title (題名) | Recreational Pole Dancing Femininities and Bodily Performance: A Taiwanese Case Study | en_US |
| dc.type (資料類型) | thesis | en_US |
| dc.relation.reference (參考文獻) | Attwood, F. (2006). Sexed Up: Theorizing the Sexualization of Culture. Sexualities, 9(1), 77-94. Associated Press (2010). Pole dancing Holds World Championships. http://www.espn.com/espn/wire/_/section/oly/id/5905272 Bacchi, C. (2005). Discourse, Discourse Everywhere: Subject “Agency” in Feminist Discourse Methodology. Nordic Journal of Women’s Studies, 13(3), 198-209. Banes, S. (1998). Dancing Women: Female Bodies Onstage. Routledge. Berson, J. (2016). The Naked Result: How Exotic Dance Became Big Business. Oxford University Press. Britannica. (2021). Maypole dance. Encyclopedia Britannica https://www.britannica.com/art/jota Chen, C. (2011). Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan. The Drama Review, 55:1 (209), 104-119. Chen, K. (2021). Short-sleeved Skilled Dancers: From Electric Flower Cars to Arts Troupe Processions [Unpublished thesis]. National Chengchi University. Chuang, H. (2019). The Decent Festivity: The Transformation of Stage-Trucks and Its Place Making Unpublished thesis]. National Taiwan University. Coakley, J. (2007). Sports in Society: Issues and Controversies, Ninth Edition. McGraw-Hill. Cromby, J. (2014). Embodiment. Encyclopedia of Critical Psychology. Springer. https://link.springer.com/referenceworkentry/10.1007%2F978-1-4614-5583-7_89 Davis, J.M. (2002). The Circus Age: Culture and Society under the American Big Top. University of North Carolina Press. Davies, B. (1991). The Concept of Agency: A Feminist Poststructuralist Analysis. The International Journal of Anthropology, 30, 42-53. Dines, G. (2011). Pornland: How Porn Hijacked Our Sexuality. Beacon Press. Dimler, A. J., McFadden, K., McHugh, T. (2017). “I Kinda Feel Like Wonder Woman”: An Interpretative Phenomenological Analysis of Pole, Fitness and Positive Body Image. Journal of Sport and Exercise Psychology, 39, 339–51. Dolan, J. (2010). Theatre and Sexuality. Red Globe Press. Emirbayer, M., Mische, A. (1998). What is Agency? American Journal of Sociology, 103:4, 962-1023. ETtoday (2017). Tiaogangguanwushijiedajiang! Taidagaocaisheng “ludaji” yanwuquanchangjianjiao (跳鋼管奪世界大獎！台大高材生「露大肌」豔舞全場尖叫). ettoday.net/news/20171115/1052483.htm Exotic Dance Academy (2021). How to Choose your first Pair of Pole Dancing Shoes? https://exoticacademy.com/poledancingshoes/ Fennell, D. (2018). Pole Studios as Spaces between the Adult Entertainment, Art, Fitness and Sporting Fields. Sport and Society, 21, 1957–73. Focus Taiwan (2017). Taiwanese Pole Dancer Wins Pacific Pole Championship in Los Angeles. https://focustaiwan.tw/culture/201704090016 Fredrickson, B. L, Roberts T. (1997). Toward Understanding Women’s Lived Experiences and Mental Health Risks. Psychology of Women Quarterly, 21, 173-206. Gaston, A. and Gaston, T. (2014). ‘Dance as the Way of Being Religious’, The Oxford Handbook of Religion and Arts. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195176674.001.0001/oxfordhb-9780195176674-e-010 Giddens, A. (1993). The Transformation of Intimacy. Polity Press. Gill, R. (2003). From Sexual Objectification to Sexual Subjectification: The Resexualization of Women’s Bodies in the Media. Feminist Media Studies, 3(1), 100-6. Grace@Gracitude (2018). Chinese Pole and Pole Dance. Similarities and Differences. http://gracitude.com/2018/02/13/chinese-pole-vs-pole-dance/ Griffiths, K. (2016). Femininity, Feminism and Recreational Pole Dancing. Routledge. Hanna, J. L. (2012). The Naked Truth: Strip Clubs, Democracy and a Christian Right. University of Texas Press. Hanna, J. L. (2017). Dancing to Resist, Reduce, and Escape Stress. The Oxford Handbook of Dance and Wellbeing. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199949298.001.0001/oxfordhb-9780199949298-e-5 Harvey, L. (2011). Spicing it Up: Sexual Entrepreneurs and the Sex Inspectors. In R. Gill & C. Scharff (Eds.), New Femininities. Postfeminism, Neoliberalism and Subjectivity. Palgrave Macmillan. Ho, J. (2000). Self-empowerment and ‘Professionalism’: Conversations with Taiwanese Sex Workers. Inter-Asia Cultural Studies, 1:2, 283-299. Ho, J. (2001). Sex, Power and the Erotic Dance Pubs of Taiwan: A field Observation. A Radical Quarterly in Social Studies, 44, 167-199. Holic G. (2015). RenqibuluokeGinadainilaitiyanliyumeijiehedegangguanwukecheng (人氣部落客Gina帶你來體驗力與美結合的鋼管舞課程！). Marrie Claire. https://www.marieclaire.com.tw/lifestyle/news/18145?atcr=13e30b Holland, S. (2010). Pole Dancing, Empowerment and Embodiment. Springer. Huang, C. (2011). Research of the Visual Style of Taike Culture [Master’s thesis]. National Taichung Institute of Technology. http://dx.doi.org/10.6826/NUTC.2011.00015 International Pole Sports Federation (2018). IPSF Code of Points. http://www.polesports.org/about-us/document-policies/ Jiangzi (2020). Yigengangguanyanghuayijiawukou! Dianzihuachequanjinjiaomiaohuinushengcengtu0gangguanwuzhi lianchudapianyuqing! (一根鋼管養活一家五口 ! 電子花車千金教廟會女神曾甜鋼管舞技 練出大片瘀青!) [Video]. https://www.youtube.com/watch?v=EdUolZFiK4c&t=1648s Kaschak, E. (1992). Engendered Lives: A New Psychology of Women’s Experience. Basic Books, Inc. Publishers. Kim, Y., Kwon, S. (2019). “I’m a Poler, and Proud of It”: South Korean Women’s Managed Experiences in a Stigmatized Serious Leisure Activity. Social Sciences, 8, 199. Keft-Kennedy, V. (2010), “How Does She Do That?” Belly Dancing and the Horror of a Flexible Woman, Women’s Studies, 32: 3-3, 279-300. Keft-Kennedy, V. (2013). Belly Dance and the “How-To” Phenomenon: Feminism, Fitness and Orientalism. Belly Dance Around the World: New Communities, Performance and Identity. McFarland and Company, Inc. Li, S. L. (2003). Cross-Dressing in Chinese Opera. Hong Kong University Press. LiTV (2019). Quanliquankai: xinggangangguanzhangbasai (全力全開：性感鋼管爭霸賽). Retrieved from: https://www.litv.tv/vod/show/content.do?content_id=VOD00154360 Levy, A. (2006). Female Chauvinist Pigs: Women and the Rise of Raunch Culture. Free Press. Moscowitz, M. (2020). Dancning for the Dead: Duneral Strippers in Taiwan. [Video]. https://www.youtube.com/watch?v=ZCRmmSdYwDc Nicholas, J. C., Dimmock, J. A., Donnelly, C. J., Alderson, J. A., Jackson, B. (2018). “It’s Our Little Secret: An In-Group, Where Everyone’s In”: Females’ Motives for Participation in a Stigmatized Form of Physical Activity, Psychology of Sport and Exercise, 36, 104–13. McNair, B. (2002). Striptease Culture. Sex, Media and Democratization of Desire. Routledge. Noll, s. M., Fredrickson, B. L. (1998). A Mediational Model Linking Self-Objectification, Body Shame, and Disordered Eating. Psychology of Women Quarterly, 22, 623-636. Pellizzer, M., Tiggemann, M., & Clark, L. (2016) Enjoyment of Sexualization and Positive Body Image in Recreational Pole Dancers and University Students. Sex Roles, 74, 35-45. PoleCon International (2021). What is PoleCon? https://poleconvention.com/ Ray, P. L. (2021). Pole styles: Stripper/Exotic/Classique - What’s the Difference. https://www.polewithpeach.com/blog/pole-styles-stripper-exotic-classique-difference/ Savigliano, M. E. (1995). Tango and Political Economy of Passion. Westview Press. Sports of India (2021). Mallakhamb. http://sports.indiapress.org/mallakhamb.php Shay, A., Sellers-Yong, B. (2005). Introduction. Belly Dance: Orientalism, Transnationalism, and Harem Fantasy (First Edition). Mazda Publishers Shteir, R. (2004). Striptease: The Untold History of the Girlie Show. Oxford University Press. Srinivasan, A. (2021). Who Lost the Sex Wars? The New Yorker. https://www.newyorker.com/magazine/2021/09/13/who-lost-the-sex-wars The Fitness Network (2021). Take a Chance on Pole Dance. https://thefitnessnetwork.org/why-pole-dancing-represents-such-a-huge-opportunity-for-gyms/ Thomas, H. (2003). The Body, Dance and Cultural Theory. Palgrave Macmillan. Topend Sports (2021). Pole Sport (“Pole Dancing”). https://www.topendsports.com/sport/list/pole-dancing.htm Tsai, V. (1994). A Go-Go to Go: Taiwan’s Flower Truck Shows. https://www.taiwan-panorama.com.tw/Articles/Details?Guid=f97ee8c8-7706-4411-866b-cef7f2b76864&langId=3&CatId=8 Traunter, M. N. (2005). Doing Gender, Doing Class. The Performance of Sexuality in Exotic Dance Clubs. Gender and Society, 19:6, 771-788. Tuzi, G. (2017). The Voladores (Pole Flying) Ceremony. https://www.mexicolore.co.uk/aztecs/home/the-voladores-ceremony Vance, C. (1984). Pleasure and Danger: Exploring Female Sexuality. Routledge. Velija, P., Mierzwinski, M., Fortune, L. (2012). ‘It Made Me Feel Powerful’: Women’s Gendered Embodiment and Physical Empowerment in the Martial Arts. Leisure Studies, 32:5, 524-541. Wan Z. (2021). Cengshitainanniurouchangyanchushouxuan! Qingliangdeqingsegewuxu rangjinrixiyuanchengguoshengshengyicandandeniandai. (曾是台南牛肉場演出首選！清涼的情色歌舞秀 讓今日戲院撐過生意慘淡的年代). https://www.upmedia.mg/news_info.php?SerialNo=109202&fbclid=IwAR1293BedQuJHyNGpaQOtNTqKMRnW9gEhySdHCOQfb1uRnwm1CBk_F9tdcQ Weaving, C. (2020). Sliding Up and Down a Glory Pole: Pole Dancing and the Olympic Games. Sport, Ethics and Philosophy, 14(12), 1-12. Wu, M. (2006). Hofstede’s Cultural Dimensions 30 Years Later: A Study of Taiwan and the United States. Intercultural Communication Studies, 15: 1, 2006. Wilkins, A. C. (2004). “So Full of Myself as a Chick”: Goth Women, Sexual Independence, and Gender Egalitarianism. Gender and Society, 18, 328-49. Rief, S. (2009). Club Cultures: Boundaries, Identities, and Otherness. Routledge. Roth, A., Basow, S. A. (2004). Femininity, Sports, and Feminism: Developing a Theory of Physical Liberation. Journal of Sport and Social Issues, 28:3, 245-265. Wise, V. (2021). What Type of Pole Dancing is your Love Match? https://www.verticalwise.com/types-of-pole-dancing/ | zh_TW |
| dc.identifier.doi (DOI) | 10.6814/NCCU202200119 | en_US |