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題名 鋼管舞、女性特質與身體展演
Recreational Pole Dancing Femininities and Bodily Performance: A Taiwanese Case Study作者 米奧莉
Mikhailova, Olga貢獻者 關秉寅
Kuan, Ping-Yin
米奧莉
Olga Mikhailova關鍵詞 鋼管舞
身體美感
體現
賦權
脫衣舞文化
花車秀
Pole Dancing
Bodily Performance
Embodiment
Empowerment
Striptease Culture
Flower Truck Shows日期 2021 上傳時間 10-Feb-2022 13:18:31 (UTC+8) 摘要 本研究探討了休閒鋼管舞作為女性娛樂活動的一種新形式。鋼管舞總是被描述為西方文化背景下的產物，然而，隨著鋼管舞在世界各地越來越流行，探討舞者們在其他文化背景下練習這項活動的經驗亦變得非常重要。\n通過理論實證及採訪，本研究揭示了台灣女性作為一種休閒活動練習鋼管舞的經驗。文中探討了台灣環境的一些獨特因素如何影響當地舞者的經驗，並將研究結果與在西方進行相關研究中的觀察進行了比較。\n增加身體美感、藝術舞蹈欣賞的體驗、自信心的增加、結交新朋友及提供良好緩解創傷壓力的管道是本研究對象們對鋼管舞的主要積極體驗。而負面經驗包括受傷、高額的課程費用和須承受一定程度的社會偏見。研究結果表明，與鋼管舞有關的積極和消極經驗在不同的文化背景中均曾出現。然而，同時也證明當地文化背景的一些特定因素可以為鋼管舞文化的討論帶來新的視角，並激發未來研究的多元方向。
This study explores recreational pole dancing as a new form of recreational activity for women. Pole dancing is always described as a product of the Western cultural context, however, with pole dancing becoming increasingly popular around the world, it becomes important to describe the experiences of dancers practicing this activity in other cultural contexts.\nThrough empirical research, this study uncovers the experiences of Taiwanese women practicing pole dancing as a form of leisure. The author explores how some unique elements of the context of Taiwan influence the experiences of the local dancers and compares the findings to the observations made in related studies conducted in the West.\nThe sense of embodiment, the experience of body appreciation, the increase of self-confidence, the chance to make new friends, and the ability to deal with trauma and stress were the major positive aspects of pole dancing mentioned by the subjects of this study. The negative experiences included injuries, high fees for classes, and a certain degree of social prejudice.\nThe results of the study showed that similar positive and negative experiences related to pole dancing appear cross-culturally. Nevertheless, it also proved that some specific elements of local cultural contexts can bring new perspectives on the discussion about pole dancing as well as change the direction for future research.參考文獻 Attwood, F. (2006). Sexed Up: Theorizing the Sexualization of Culture. Sexualities, 9(1), 77-94.\nAssociated Press (2010). Pole dancing Holds World Championships. http://www.espn.com/espn/wire/_/section/oly/id/5905272\nBacchi, C. (2005). Discourse, Discourse Everywhere: Subject “Agency” in Feminist Discourse Methodology. Nordic Journal of Women’s Studies, 13(3), 198-209.\nBanes, S. (1998). Dancing Women: Female Bodies Onstage. Routledge.\nBerson, J. (2016). The Naked Result: How Exotic Dance Became Big Business. Oxford University Press.\nBritannica. (2021). Maypole dance. Encyclopedia Britannica https://www.britannica.com/art/jota\nChen, C. (2011). Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan. The Drama Review, 55:1 (209), 104-119.\nChen, K. (2021). Short-sleeved Skilled Dancers: From Electric Flower Cars to Arts Troupe Processions [Unpublished thesis]. National Chengchi University.\nChuang, H. (2019). The Decent Festivity: The Transformation of Stage-Trucks and Its Place Making Unpublished thesis]. National Taiwan University.\nCoakley, J. (2007). Sports in Society: Issues and Controversies, Ninth Edition. McGraw-Hill.\nCromby, J. (2014). Embodiment. Encyclopedia of Critical Psychology. Springer. https://link.springer.com/referenceworkentry/10.1007%2F978-1-4614-5583-7_89\nDavis, J.M. (2002). The Circus Age: Culture and Society under the American Big Top. University of North Carolina Press.\nDavies, B. (1991). The Concept of Agency: A Feminist Poststructuralist Analysis. The International Journal of Anthropology, 30, 42-53.\nDines, G. (2011). Pornland: How Porn Hijacked Our Sexuality. Beacon Press.\nDimler, A. J., McFadden, K., McHugh, T. (2017). “I Kinda Feel Like Wonder Woman”: An Interpretative Phenomenological Analysis of Pole, Fitness and Positive Body Image. Journal of Sport and Exercise Psychology, 39, 339–51.\nDolan, J. (2010). Theatre and Sexuality. Red Globe Press.\nEmirbayer, M., Mische, A. (1998). What is Agency? American Journal of Sociology, 103:4, 962-1023.\nETtoday (2017). Tiaogangguanwushijiedajiang! Taidagaocaisheng “ludaji” yanwuquanchangjianjiao (跳鋼管奪世界大獎！台大高材生「露大肌」豔舞全場尖叫). ettoday.net/news/20171115/1052483.htm\nExotic Dance Academy (2021). How to Choose your first Pair of Pole Dancing Shoes? https://exoticacademy.com/poledancingshoes/\nFennell, D. (2018). Pole Studios as Spaces between the Adult Entertainment, Art, Fitness and Sporting Fields. Sport and Society, 21, 1957–73.\nFocus Taiwan (2017). Taiwanese Pole Dancer Wins Pacific Pole Championship in Los Angeles. https://focustaiwan.tw/culture/201704090016\nFredrickson, B. L, Roberts T. (1997). Toward Understanding Women’s Lived Experiences and Mental Health Risks. Psychology of Women Quarterly, 21, 173-206.\nGaston, A. and Gaston, T. (2014). ‘Dance as the Way of Being Religious’, The Oxford Handbook of Religion and Arts. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195176674.001.0001/oxfordhb-9780195176674-e-010\nGiddens, A. (1993). The Transformation of Intimacy. Polity Press.\nGill, R. (2003). From Sexual Objectification to Sexual Subjectification: The Resexualization of Women’s Bodies in the Media. Feminist Media Studies, 3(1), 100-6.\nGrace@Gracitude (2018). Chinese Pole and Pole Dance. Similarities and Differences. http://gracitude.com/2018/02/13/chinese-pole-vs-pole-dance/\nGriffiths, K. (2016). Femininity, Feminism and Recreational Pole Dancing. Routledge.\nHanna, J. L. (2012). The Naked Truth: Strip Clubs, Democracy and a Christian Right. University of Texas Press.\nHanna, J. L. (2017). Dancing to Resist, Reduce, and Escape Stress. The Oxford Handbook of Dance and Wellbeing. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199949298.001.0001/oxfordhb-9780199949298-e-5\nHarvey, L. (2011). Spicing it Up: Sexual Entrepreneurs and the Sex Inspectors. In R. Gill & C. Scharff (Eds.), New Femininities. Postfeminism, Neoliberalism and Subjectivity. Palgrave Macmillan.\nHo, J. (2000). Self-empowerment and ‘Professionalism’: Conversations with Taiwanese Sex Workers. Inter-Asia Cultural Studies, 1:2, 283-299.\nHo, J. (2001). Sex, Power and the Erotic Dance Pubs of Taiwan: A field Observation. A Radical Quarterly in Social Studies, 44, 167-199.\nHolic G. (2015). RenqibuluokeGinadainilaitiyanliyumeijiehedegangguanwukecheng (人氣部落客Gina帶你來體驗力與美結合的鋼管舞課程！). Marrie Claire. https://www.marieclaire.com.tw/lifestyle/news/18145?atcr=13e30b\nHolland, S. (2010). Pole Dancing, Empowerment and Embodiment. Springer.\nHuang, C. (2011). Research of the Visual Style of Taike Culture [Master’s thesis]. National Taichung Institute of Technology. http://dx.doi.org/10.6826/NUTC.2011.00015\nInternational Pole Sports Federation (2018). IPSF Code of Points. http://www.polesports.org/about-us/document-policies/\nJiangzi (2020). Yigengangguanyanghuayijiawukou! Dianzihuachequanjinjiaomiaohuinushengcengtu0gangguanwuzhi lianchudapianyuqing! (一根鋼管養活一家五口 ! 電子花車千金教廟會女神曾甜鋼管舞技 練出大片瘀青!) [Video]. https://www.youtube.com/watch?v=EdUolZFiK4c&t=1648s\nKaschak, E. (1992). Engendered Lives: A New Psychology of Women’s Experience. Basic Books, Inc. Publishers.\nKim, Y., Kwon, S. (2019). “I’m a Poler, and Proud of It”: South Korean Women’s Managed Experiences in a Stigmatized Serious Leisure Activity. Social Sciences, 8, 199.\nKeft-Kennedy, V. (2010), “How Does She Do That?” Belly Dancing and the Horror of a Flexible Woman, Women’s Studies, 32: 3-3, 279-300.\nKeft-Kennedy, V. (2013). Belly Dance and the “How-To” Phenomenon: Feminism, Fitness and Orientalism. Belly Dance Around the World: New Communities, Performance and Identity. McFarland and Company, Inc.\nLi, S. L. (2003). Cross-Dressing in Chinese Opera. Hong Kong University Press.\nLiTV (2019). Quanliquankai: xinggangangguanzhangbasai (全力全開：性感鋼管爭霸賽). Retrieved from: https://www.litv.tv/vod/show/content.do?content_id=VOD00154360\nLevy, A. (2006). Female Chauvinist Pigs: Women and the Rise of Raunch Culture. Free Press.\nMoscowitz, M. (2020). Dancning for the Dead: Duneral Strippers in Taiwan. [Video]. https://www.youtube.com/watch?v=ZCRmmSdYwDc\nNicholas, J. C., Dimmock, J. A., Donnelly, C. J., Alderson, J. A., Jackson, B. (2018). “It’s Our Little Secret: An In-Group, Where Everyone’s In”: Females’ Motives for Participation in a Stigmatized Form of Physical Activity, Psychology of Sport and Exercise, 36, 104–13.\nMcNair, B. (2002). Striptease Culture. Sex, Media and Democratization of Desire. Routledge.\nNoll, s. M., Fredrickson, B. L. (1998). A Mediational Model Linking Self-Objectification, Body Shame, and Disordered Eating. Psychology of Women Quarterly, 22, 623-636.\nPellizzer, M., Tiggemann, M., & Clark, L. (2016) Enjoyment of Sexualization and Positive Body Image in Recreational Pole Dancers and University Students. Sex Roles, 74, 35-45.\nPoleCon International (2021). What is PoleCon? https://poleconvention.com/\nRay, P. L. (2021). Pole styles: Stripper/Exotic/Classique - What’s the Difference. https://www.polewithpeach.com/blog/pole-styles-stripper-exotic-classique-difference/\nSavigliano, M. E. (1995). Tango and Political Economy of Passion. Westview Press.\nSports of India (2021). 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The Performance of Sexuality in Exotic Dance Clubs. Gender and Society, 19:6, 771-788.\nTuzi, G. (2017). The Voladores (Pole Flying) Ceremony. https://www.mexicolore.co.uk/aztecs/home/the-voladores-ceremony\nVance, C. (1984). Pleasure and Danger: Exploring Female Sexuality. Routledge.\nVelija, P., Mierzwinski, M., Fortune, L. (2012). ‘It Made Me Feel Powerful’: Women’s Gendered Embodiment and Physical Empowerment in the Martial Arts. Leisure Studies, 32:5, 524-541.\nWan Z. (2021). Cengshitainanniurouchangyanchushouxuan! Qingliangdeqingsegewuxu rangjinrixiyuanchengguoshengshengyicandandeniandai. (曾是台南牛肉場演出首選！清涼的情色歌舞秀 讓今日戲院撐過生意慘淡的年代). https://www.upmedia.mg/news_info.php?SerialNo=109202&fbclid=IwAR1293BedQuJHyNGpaQOtNTqKMRnW9gEhySdHCOQfb1uRnwm1CBk_F9tdcQ\nWeaving, C. (2020). Sliding Up and Down a Glory Pole: Pole Dancing and the Olympic Games. Sport, Ethics and Philosophy, 14(12), 1-12.\nWu, M. (2006). Hofstede’s Cultural Dimensions 30 Years Later: A Study of Taiwan and the United States. Intercultural Communication Studies, 15: 1, 2006.\nWilkins, A. C. (2004). “So Full of Myself as a Chick”: Goth Women, Sexual Independence, and Gender Egalitarianism. Gender and Society, 18, 328-49.\nRief, S. (2009). Club Cultures: Boundaries, Identities, and Otherness. Routledge.\nRoth, A., Basow, S. A. (2004). Femininity, Sports, and Feminism: Developing a Theory of Physical Liberation. Journal of Sport and Social Issues, 28:3, 245-265.\nWise, V. (2021). What Type of Pole Dancing is your Love Match? https://www.verticalwise.com/types-of-pole-dancing/ 描述 碩士
國立政治大學
亞太研究英語碩士學位學程(IMAS)
107926022資料來源 http://thesis.lib.nccu.edu.tw/record/#G0107926022 資料類型 thesis dc.contributor.advisor 關秉寅 zh_TW dc.contributor.advisor Kuan, Ping-Yin en_US dc.contributor.author (Authors) 米奧莉 zh_TW dc.contributor.author (Authors) Olga Mikhailova en_US dc.creator (作者) 米奧莉 zh_TW dc.creator (作者) Mikhailova, Olga en_US dc.date (日期) 2021 en_US dc.date.accessioned 10-Feb-2022 13:18:31 (UTC+8) - dc.date.available 10-Feb-2022 13:18:31 (UTC+8) - dc.date.issued (上傳時間) 10-Feb-2022 13:18:31 (UTC+8) - dc.identifier (Other Identifiers) G0107926022 en_US dc.identifier.uri (URI) https://ah.lib.nccu.edu.tw/item?item_id=158286 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 亞太研究英語碩士學位學程(IMAS) zh_TW dc.description (描述) 107926022 zh_TW dc.description.abstract (摘要) 本研究探討了休閒鋼管舞作為女性娛樂活動的一種新形式。鋼管舞總是被描述為西方文化背景下的產物，然而，隨著鋼管舞在世界各地越來越流行，探討舞者們在其他文化背景下練習這項活動的經驗亦變得非常重要。\n通過理論實證及採訪，本研究揭示了台灣女性作為一種休閒活動練習鋼管舞的經驗。文中探討了台灣環境的一些獨特因素如何影響當地舞者的經驗，並將研究結果與在西方進行相關研究中的觀察進行了比較。\n增加身體美感、藝術舞蹈欣賞的體驗、自信心的增加、結交新朋友及提供良好緩解創傷壓力的管道是本研究對象們對鋼管舞的主要積極體驗。而負面經驗包括受傷、高額的課程費用和須承受一定程度的社會偏見。研究結果表明，與鋼管舞有關的積極和消極經驗在不同的文化背景中均曾出現。然而，同時也證明當地文化背景的一些特定因素可以為鋼管舞文化的討論帶來新的視角，並激發未來研究的多元方向。 zh_TW dc.description.abstract (摘要) This study explores recreational pole dancing as a new form of recreational activity for women. Pole dancing is always described as a product of the Western cultural context, however, with pole dancing becoming increasingly popular around the world, it becomes important to describe the experiences of dancers practicing this activity in other cultural contexts.\nThrough empirical research, this study uncovers the experiences of Taiwanese women practicing pole dancing as a form of leisure. The author explores how some unique elements of the context of Taiwan influence the experiences of the local dancers and compares the findings to the observations made in related studies conducted in the West.\nThe sense of embodiment, the experience of body appreciation, the increase of self-confidence, the chance to make new friends, and the ability to deal with trauma and stress were the major positive aspects of pole dancing mentioned by the subjects of this study. The negative experiences included injuries, high fees for classes, and a certain degree of social prejudice.\nThe results of the study showed that similar positive and negative experiences related to pole dancing appear cross-culturally. Nevertheless, it also proved that some specific elements of local cultural contexts can bring new perspectives on the discussion about pole dancing as well as change the direction for future research. en_US dc.description.tableofcontents Abstract 1\nIntroduction 7\nChapter One 11\nModern Exotic Pole Dancing Vs. Recreational Pole dancing 11\nThe Modern Exotic Dance: the Definition and Origins 11\nAdult Exotic Dance: an Uncomfortable form of Theater Arts 12\nPole Dancing Vs. Adult Exotic Dance 14\nDefining Pole Dancing 14\nPole Dancing as the Modern Recreational Activity 15\nThe Distinction Between Recreational Pole Dancing and Adult Exotic Dance 18\nVenues 18\nClass 18\nFocus on Athleticism 19\nSummary of the Chapter 20\nChapter Two 21\nRecreational Pole Dancing: Discussion 21\nThe theories of Embodiment and Empowerment 21\nPositive Experiences with Pole Dancing 21\nNegative Experiences with Pole Dancing 23\nFeminist Critique 23\nObjectification and Self-Objectification Theories 24\nSexualized Popular Culture 24\nFeminist Critique: Recreational Pole Dancing and Sexualized Popular Culture 25\nFeminist critique: Legitimacy of the Embodiment and Empowerment of Pole Dancing 26\nFeminist Critique: Pole Dancing as the only choice? 27\nThe Summary of Chapter 28\nChapter Three 30\nStriptease Culture in Taiwanese Context 30\nThe Context of Taiwan 30\nTaike Culture 32\nStriptease Elements in Taike Culture 33\nBetel Nut Beauties 33\nFlower Trucks Shows 34\nRecreational Pole Dancing vs. Flower Truck Shows 36\nDancing Vocabulary 36\nAudience 37\nMoney 38\nRecreational pole dancing in Taiwan 39\nRepresentation in the Media 40\nSummary of Chapter 41\nChapter Four 44\nResearch Design and Findings 44\nData and Methods 44\nWho are the Participants? 45\nResearch Questions 46\nFindings 47\nWhat are the Positive Experiences Mentioned by Participants? 47\nThe Sense of Embodiment 47\nTrauma Management and Stress Alleviation 50\nSelf-Confidence 53\nThe Sense of Community 56\nThe Sense of Achievement: The Feeling of Empowerment? 58\nWhat are the Negative Experiences mentioned by the Participants? 61\nInjuries 62\nPrice 62\nThe Feeling of Anxiety: Uncomfortable Nudity 63\nTaiwan’s context: Temple Festivals and Flower Truck Shows 65\nNegative Judgements 66\nPositive Feedback 67\nSummary of Chapter 69\nChapter Five 72\nConclusions and Discussion 72\nStriptease Culture in Taiwan 74\nFirst-Hand Experiences 75\nPositive Experiences 76\nNegative Experiences 78\nFindings of Study 79\nLimitations of Study 82\nReferences: 84\nAppendix 91 zh_TW dc.format.extent 980342 bytes - dc.format.mimetype application/pdf - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0107926022 en_US dc.subject (關鍵詞) 鋼管舞 zh_TW dc.subject (關鍵詞) 身體美感 zh_TW dc.subject (關鍵詞) 體現 zh_TW dc.subject (關鍵詞) 賦權 zh_TW dc.subject (關鍵詞) 脫衣舞文化 zh_TW dc.subject (關鍵詞) 花車秀 zh_TW dc.subject (關鍵詞) Pole Dancing en_US dc.subject (關鍵詞) Bodily Performance en_US dc.subject (關鍵詞) Embodiment en_US dc.subject (關鍵詞) Empowerment en_US dc.subject (關鍵詞) Striptease Culture en_US dc.subject (關鍵詞) Flower Truck Shows en_US dc.title (題名) 鋼管舞、女性特質與身體展演 zh_TW dc.title (題名) Recreational Pole Dancing Femininities and Bodily Performance: A Taiwanese Case Study en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) Attwood, F. (2006). Sexed Up: Theorizing the Sexualization of Culture. Sexualities, 9(1), 77-94.\nAssociated Press (2010). Pole dancing Holds World Championships. http://www.espn.com/espn/wire/_/section/oly/id/5905272\nBacchi, C. (2005). Discourse, Discourse Everywhere: Subject “Agency” in Feminist Discourse Methodology. Nordic Journal of Women’s Studies, 13(3), 198-209.\nBanes, S. (1998). Dancing Women: Female Bodies Onstage. Routledge.\nBerson, J. (2016). The Naked Result: How Exotic Dance Became Big Business. Oxford University Press.\nBritannica. (2021). Maypole dance. Encyclopedia Britannica https://www.britannica.com/art/jota\nChen, C. (2011). Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan. The Drama Review, 55:1 (209), 104-119.\nChen, K. (2021). Short-sleeved Skilled Dancers: From Electric Flower Cars to Arts Troupe Processions [Unpublished thesis]. National Chengchi University.\nChuang, H. (2019). The Decent Festivity: The Transformation of Stage-Trucks and Its Place Making Unpublished thesis]. National Taiwan University.\nCoakley, J. (2007). Sports in Society: Issues and Controversies, Ninth Edition. McGraw-Hill.\nCromby, J. (2014). Embodiment. Encyclopedia of Critical Psychology. Springer. https://link.springer.com/referenceworkentry/10.1007%2F978-1-4614-5583-7_89\nDavis, J.M. (2002). The Circus Age: Culture and Society under the American Big Top. University of North Carolina Press.\nDavies, B. (1991). The Concept of Agency: A Feminist Poststructuralist Analysis. The International Journal of Anthropology, 30, 42-53.\nDines, G. (2011). Pornland: How Porn Hijacked Our Sexuality. Beacon Press.\nDimler, A. J., McFadden, K., McHugh, T. (2017). “I Kinda Feel Like Wonder Woman”: An Interpretative Phenomenological Analysis of Pole, Fitness and Positive Body Image. Journal of Sport and Exercise Psychology, 39, 339–51.\nDolan, J. (2010). Theatre and Sexuality. Red Globe Press.\nEmirbayer, M., Mische, A. (1998). What is Agency? American Journal of Sociology, 103:4, 962-1023.\nETtoday (2017). Tiaogangguanwushijiedajiang! Taidagaocaisheng “ludaji” yanwuquanchangjianjiao (跳鋼管奪世界大獎！台大高材生「露大肌」豔舞全場尖叫). ettoday.net/news/20171115/1052483.htm\nExotic Dance Academy (2021). How to Choose your first Pair of Pole Dancing Shoes? https://exoticacademy.com/poledancingshoes/\nFennell, D. (2018). Pole Studios as Spaces between the Adult Entertainment, Art, Fitness and Sporting Fields. Sport and Society, 21, 1957–73.\nFocus Taiwan (2017). Taiwanese Pole Dancer Wins Pacific Pole Championship in Los Angeles. https://focustaiwan.tw/culture/201704090016\nFredrickson, B. L, Roberts T. (1997). Toward Understanding Women’s Lived Experiences and Mental Health Risks. Psychology of Women Quarterly, 21, 173-206.\nGaston, A. and Gaston, T. (2014). ‘Dance as the Way of Being Religious’, The Oxford Handbook of Religion and Arts. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195176674.001.0001/oxfordhb-9780195176674-e-010\nGiddens, A. (1993). The Transformation of Intimacy. Polity Press.\nGill, R. (2003). From Sexual Objectification to Sexual Subjectification: The Resexualization of Women’s Bodies in the Media. Feminist Media Studies, 3(1), 100-6.\nGrace@Gracitude (2018). Chinese Pole and Pole Dance. Similarities and Differences. http://gracitude.com/2018/02/13/chinese-pole-vs-pole-dance/\nGriffiths, K. (2016). Femininity, Feminism and Recreational Pole Dancing. Routledge.\nHanna, J. L. (2012). The Naked Truth: Strip Clubs, Democracy and a Christian Right. University of Texas Press.\nHanna, J. L. (2017). Dancing to Resist, Reduce, and Escape Stress. The Oxford Handbook of Dance and Wellbeing. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199949298.001.0001/oxfordhb-9780199949298-e-5\nHarvey, L. (2011). 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