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題名 鋼管舞、女性特質與身體展演
Recreational Pole Dancing Femininities and Bodily Performance: A Taiwanese Case Study
作者 米奧莉
Mikhailova, Olga
貢獻者 關秉寅
Kuan, Ping-Yin
米奧莉
Olga Mikhailova
關鍵詞 鋼管舞
身體美感
體現
賦權
脫衣舞文化
花車秀
Pole Dancing
Bodily Performance
Embodiment
Empowerment
Striptease Culture
Flower Truck Shows
日期 2021
上傳時間 10-二月-2022 13:18:31 (UTC+8)
摘要 本研究探討了休閒鋼管舞作為女性娛樂活動的一種新形式。鋼管舞總是被描述為西方文化背景下的產物，然而，隨著鋼管舞在世界各地越來越流行，探討舞者們在其他文化背景下練習這項活動的經驗亦變得非常重要。
通過理論實證及採訪，本研究揭示了台灣女性作為一種休閒活動練習鋼管舞的經驗。文中探討了台灣環境的一些獨特因素如何影響當地舞者的經驗，並將研究結果與在西方進行相關研究中的觀察進行了比較。
增加身體美感、藝術舞蹈欣賞的體驗、自信心的增加、結交新朋友及提供良好緩解創傷壓力的管道是本研究對象們對鋼管舞的主要積極體驗。而負面經驗包括受傷、高額的課程費用和須承受一定程度的社會偏見。研究結果表明，與鋼管舞有關的積極和消極經驗在不同的文化背景中均曾出現。然而，同時也證明當地文化背景的一些特定因素可以為鋼管舞文化的討論帶來新的視角，並激發未來研究的多元方向。
This study explores recreational pole dancing as a new form of recreational activity for women. Pole dancing is always described as a product of the Western cultural context, however, with pole dancing becoming increasingly popular around the world, it becomes important to describe the experiences of dancers practicing this activity in other cultural contexts.
Through empirical research, this study uncovers the experiences of Taiwanese women practicing pole dancing as a form of leisure. The author explores how some unique elements of the context of Taiwan influence the experiences of the local dancers and compares the findings to the observations made in related studies conducted in the West.
The sense of embodiment, the experience of body appreciation, the increase of self-confidence, the chance to make new friends, and the ability to deal with trauma and stress were the major positive aspects of pole dancing mentioned by the subjects of this study. The negative experiences included injuries, high fees for classes, and a certain degree of social prejudice.
The results of the study showed that similar positive and negative experiences related to pole dancing appear cross-culturally. Nevertheless, it also proved that some specific elements of local cultural contexts can bring new perspectives on the discussion about pole dancing as well as change the direction for future research.
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Bacchi, C. (2005). Discourse, Discourse Everywhere: Subject “Agency” in Feminist Discourse Methodology. Nordic Journal of Women’s Studies, 13(3), 198-209.
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Chen, C. (2011). Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan. The Drama Review, 55:1 (209), 104-119.
Chen, K. (2021). Short-sleeved Skilled Dancers: From Electric Flower Cars to Arts Troupe Processions [Unpublished thesis]. National Chengchi University.
Chuang, H. (2019). The Decent Festivity: The Transformation of Stage-Trucks and Its Place Making Unpublished thesis]. National Taiwan University.
Coakley, J. (2007). Sports in Society: Issues and Controversies, Ninth Edition. McGraw-Hill.
Cromby, J. (2014). Embodiment. Encyclopedia of Critical Psychology. Springer. https://link.springer.com/referenceworkentry/10.1007%2F978-1-4614-5583-7_89
Davis, J.M. (2002). The Circus Age: Culture and Society under the American Big Top. University of North Carolina Press.
Davies, B. (1991). The Concept of Agency: A Feminist Poststructuralist Analysis. The International Journal of Anthropology, 30, 42-53.
Dines, G. (2011). Pornland: How Porn Hijacked Our Sexuality. Beacon Press.
Dimler, A. J., McFadden, K., McHugh, T. (2017). “I Kinda Feel Like Wonder Woman”: An Interpretative Phenomenological Analysis of Pole, Fitness and Positive Body Image. Journal of Sport and Exercise Psychology, 39, 339–51.
Dolan, J. (2010). Theatre and Sexuality. Red Globe Press.
Emirbayer, M., Mische, A. (1998). What is Agency? American Journal of Sociology, 103:4, 962-1023.
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Exotic Dance Academy (2021). How to Choose your first Pair of Pole Dancing Shoes? https://exoticacademy.com/poledancingshoes/
Fennell, D. (2018). Pole Studios as Spaces between the Adult Entertainment, Art, Fitness and Sporting Fields. Sport and Society, 21, 1957–73.
Focus Taiwan (2017). Taiwanese Pole Dancer Wins Pacific Pole Championship in Los Angeles. https://focustaiwan.tw/culture/201704090016
Fredrickson, B. L, Roberts T. (1997). Toward Understanding Women’s Lived Experiences and Mental Health Risks. Psychology of Women Quarterly, 21, 173-206.
Gaston, A. and Gaston, T. (2014). ‘Dance as the Way of Being Religious’, The Oxford Handbook of Religion and Arts. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195176674.001.0001/oxfordhb-9780195176674-e-010
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Griffiths, K. (2016). Femininity, Feminism and Recreational Pole Dancing. Routledge.
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描述 碩士
國立政治大學
亞太研究英語碩士學位學程(IMAS)
107926022
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0107926022
資料類型 thesis
dc.contributor.advisor 關秉寅zh_TW
dc.contributor.advisor Kuan, Ping-Yinen_US
dc.contributor.author (作者) 米奧莉zh_TW
dc.contributor.author (作者) Olga Mikhailovaen_US
dc.creator (作者) 米奧莉zh_TW
dc.creator (作者) Mikhailova, Olgaen_US
dc.date (日期) 2021en_US
dc.date.accessioned 10-二月-2022 13:18:31 (UTC+8)-
dc.date.available 10-二月-2022 13:18:31 (UTC+8)-
dc.date.issued (上傳時間) 10-二月-2022 13:18:31 (UTC+8)-
dc.identifier (其他 識別碼) G0107926022en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/138988-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 亞太研究英語碩士學位學程(IMAS)zh_TW
dc.description (描述) 107926022zh_TW
dc.description.abstract (摘要) 本研究探討了休閒鋼管舞作為女性娛樂活動的一種新形式。鋼管舞總是被描述為西方文化背景下的產物，然而，隨著鋼管舞在世界各地越來越流行，探討舞者們在其他文化背景下練習這項活動的經驗亦變得非常重要。
通過理論實證及採訪，本研究揭示了台灣女性作為一種休閒活動練習鋼管舞的經驗。文中探討了台灣環境的一些獨特因素如何影響當地舞者的經驗，並將研究結果與在西方進行相關研究中的觀察進行了比較。
增加身體美感、藝術舞蹈欣賞的體驗、自信心的增加、結交新朋友及提供良好緩解創傷壓力的管道是本研究對象們對鋼管舞的主要積極體驗。而負面經驗包括受傷、高額的課程費用和須承受一定程度的社會偏見。研究結果表明，與鋼管舞有關的積極和消極經驗在不同的文化背景中均曾出現。然而，同時也證明當地文化背景的一些特定因素可以為鋼管舞文化的討論帶來新的視角，並激發未來研究的多元方向。		zh_TW
dc.description.abstract (摘要) This study explores recreational pole dancing as a new form of recreational activity for women. Pole dancing is always described as a product of the Western cultural context, however, with pole dancing becoming increasingly popular around the world, it becomes important to describe the experiences of dancers practicing this activity in other cultural contexts.
Through empirical research, this study uncovers the experiences of Taiwanese women practicing pole dancing as a form of leisure. The author explores how some unique elements of the context of Taiwan influence the experiences of the local dancers and compares the findings to the observations made in related studies conducted in the West.
The sense of embodiment, the experience of body appreciation, the increase of self-confidence, the chance to make new friends, and the ability to deal with trauma and stress were the major positive aspects of pole dancing mentioned by the subjects of this study. The negative experiences included injuries, high fees for classes, and a certain degree of social prejudice.
The results of the study showed that similar positive and negative experiences related to pole dancing appear cross-culturally. Nevertheless, it also proved that some specific elements of local cultural contexts can bring new perspectives on the discussion about pole dancing as well as change the direction for future research.		en_US
dc.description.tableofcontents Abstract 1
Introduction 7
Chapter One 11
Modern Exotic Pole Dancing Vs. Recreational Pole dancing 11
The Modern Exotic Dance: the Definition and Origins 11
Adult Exotic Dance: an Uncomfortable form of Theater Arts 12
Pole Dancing Vs. Adult Exotic Dance 14
Defining Pole Dancing 14
Pole Dancing as the Modern Recreational Activity 15
The Distinction Between Recreational Pole Dancing and Adult Exotic Dance 18
Venues 18
Class 18
Focus on Athleticism 19
Summary of the Chapter 20
Chapter Two 21
Recreational Pole Dancing: Discussion 21
The theories of Embodiment and Empowerment 21
Positive Experiences with Pole Dancing 21
Negative Experiences with Pole Dancing 23
Feminist Critique 23
Objectification and Self-Objectification Theories 24
Sexualized Popular Culture 24
Feminist Critique: Recreational Pole Dancing and Sexualized Popular Culture 25
Feminist critique: Legitimacy of the Embodiment and Empowerment of Pole Dancing 26
Feminist Critique: Pole Dancing as the only choice? 27
The Summary of Chapter 28
Chapter Three 30
Striptease Culture in Taiwanese Context 30
The Context of Taiwan 30
Taike Culture 32
Striptease Elements in Taike Culture 33
Betel Nut Beauties 33
Flower Trucks Shows 34
Recreational Pole Dancing vs. Flower Truck Shows 36
Dancing Vocabulary 36
Audience 37
Money 38
Recreational pole dancing in Taiwan 39
Representation in the Media 40
Summary of Chapter 41
Chapter Four 44
Research Design and Findings 44
Data and Methods 44
Who are the Participants? 45
Research Questions 46
Findings 47
What are the Positive Experiences Mentioned by Participants? 47
The Sense of Embodiment 47
Trauma Management and Stress Alleviation 50
Self-Confidence 53
The Sense of Community 56
The Sense of Achievement: The Feeling of Empowerment? 58
What are the Negative Experiences mentioned by the Participants? 61
Injuries 62
Price 62
The Feeling of Anxiety: Uncomfortable Nudity 63
Taiwan’s context: Temple Festivals and Flower Truck Shows 65
Negative Judgements 66
Positive Feedback 67
Summary of Chapter 69
Chapter Five 72
Conclusions and Discussion 72
Striptease Culture in Taiwan 74
First-Hand Experiences 75
Positive Experiences 76
Negative Experiences 78
Findings of Study 79
Limitations of Study 82
References: 84
Appendix 91		zh_TW
dc.format.extent 980342 bytes-
dc.format.mimetype application/pdf-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0107926022en_US
dc.subject (關鍵詞) 鋼管舞zh_TW
dc.subject (關鍵詞) 身體美感zh_TW
dc.subject (關鍵詞) 體現zh_TW
dc.subject (關鍵詞) 賦權zh_TW
dc.subject (關鍵詞) 脫衣舞文化zh_TW
dc.subject (關鍵詞) 花車秀zh_TW
dc.subject (關鍵詞) Pole Dancingen_US
dc.subject (關鍵詞) Bodily Performanceen_US
dc.subject (關鍵詞) Embodimenten_US
dc.subject (關鍵詞) Empowermenten_US
dc.subject (關鍵詞) Striptease Cultureen_US
dc.subject (關鍵詞) Flower Truck Showsen_US
dc.title (題名) 鋼管舞、女性特質與身體展演zh_TW
dc.title (題名) Recreational Pole Dancing Femininities and Bodily Performance: A Taiwanese Case Studyen_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Attwood, F. (2006). Sexed Up: Theorizing the Sexualization of Culture. Sexualities, 9(1), 77-94.
Associated Press (2010). Pole dancing Holds World Championships. http://www.espn.com/espn/wire/_/section/oly/id/5905272
Bacchi, C. (2005). Discourse, Discourse Everywhere: Subject “Agency” in Feminist Discourse Methodology. Nordic Journal of Women’s Studies, 13(3), 198-209.
Banes, S. (1998). Dancing Women: Female Bodies Onstage. Routledge.
Berson, J. (2016). The Naked Result: How Exotic Dance Became Big Business. Oxford University Press.
Britannica. (2021). Maypole dance. Encyclopedia Britannica https://www.britannica.com/art/jota
Chen, C. (2011). Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan. The Drama Review, 55:1 (209), 104-119.
Chen, K. (2021). Short-sleeved Skilled Dancers: From Electric Flower Cars to Arts Troupe Processions [Unpublished thesis]. National Chengchi University.
Chuang, H. (2019). The Decent Festivity: The Transformation of Stage-Trucks and Its Place Making Unpublished thesis]. National Taiwan University.
Coakley, J. (2007). Sports in Society: Issues and Controversies, Ninth Edition. McGraw-Hill.
Cromby, J. (2014). Embodiment. Encyclopedia of Critical Psychology. Springer. https://link.springer.com/referenceworkentry/10.1007%2F978-1-4614-5583-7_89
Davis, J.M. (2002). The Circus Age: Culture and Society under the American Big Top. University of North Carolina Press.
Davies, B. (1991). The Concept of Agency: A Feminist Poststructuralist Analysis. The International Journal of Anthropology, 30, 42-53.
Dines, G. (2011). Pornland: How Porn Hijacked Our Sexuality. Beacon Press.
Dimler, A. J., McFadden, K., McHugh, T. (2017). “I Kinda Feel Like Wonder Woman”: An Interpretative Phenomenological Analysis of Pole, Fitness and Positive Body Image. Journal of Sport and Exercise Psychology, 39, 339–51.
Dolan, J. (2010). Theatre and Sexuality. Red Globe Press.
Emirbayer, M., Mische, A. (1998). What is Agency? American Journal of Sociology, 103:4, 962-1023.
ETtoday (2017). Tiaogangguanwushijiedajiang! Taidagaocaisheng “ludaji” yanwuquanchangjianjiao (跳鋼管奪世界大獎！台大高材生「露大肌」豔舞全場尖叫). ettoday.net/news/20171115/1052483.htm
Exotic Dance Academy (2021). How to Choose your first Pair of Pole Dancing Shoes? https://exoticacademy.com/poledancingshoes/
Fennell, D. (2018). Pole Studios as Spaces between the Adult Entertainment, Art, Fitness and Sporting Fields. Sport and Society, 21, 1957–73.
Focus Taiwan (2017). Taiwanese Pole Dancer Wins Pacific Pole Championship in Los Angeles. https://focustaiwan.tw/culture/201704090016
Fredrickson, B. L, Roberts T. (1997). Toward Understanding Women’s Lived Experiences and Mental Health Risks. Psychology of Women Quarterly, 21, 173-206.
Gaston, A. and Gaston, T. (2014). ‘Dance as the Way of Being Religious’, The Oxford Handbook of Religion and Arts. Oxford University Press. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195176674.001.0001/oxfordhb-9780195176674-e-010
Giddens, A. (1993). The Transformation of Intimacy. Polity Press.
Gill, R. (2003). From Sexual Objectification to Sexual Subjectification: The Resexualization of Women’s Bodies in the Media. Feminist Media Studies, 3(1), 100-6.
Grace@Gracitude (2018). Chinese Pole and Pole Dance. Similarities and Differences. http://gracitude.com/2018/02/13/chinese-pole-vs-pole-dance/
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dc.identifier.doi (DOI) 10.6814/NCCU202200119en_US