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題名 臺灣攝影家檔案產生與管理研究
A Study on the Creation and Management of Taiwan Photographers’ Archives作者 曾一修
Tseng, I-Hsiu貢獻者 薛理桂
Hsueh, Li-Kuei
曾一修
Tseng, I-Hsiu關鍵詞 攝影家
攝影家檔案
私人文書
產生
管理
Photographer
Photographers’ Archives
Personal Records
Creation
Management日期 2022 上傳時間 1-Aug-2022 17:44:55 (UTC+8) 摘要 攝影係一種能將景框中的現實定格為永恆的藝術，乘載人類文明與歷史發展的重要資訊。隨著攝影家的匡取，我們得以從不同視角觀看這個世界，同時，藉由典藏攝影家檔案，也可以協助我們還原攝影家的拍攝歷程與脈絡，並深入理解隱藏於景框之外的拍攝動機、目的與意涵。然而，目前國內無論是官方或民間，雖已投入許多時間與預算，對於攝影家檔案的蒐集與保存，多著重在最終的成品上，缺乏對於攝影家檔案脈絡保存的積極認知，使得大量彌足珍貴的物件與資料，因著天災人禍與攝影家的辭世，逐漸毀損與佚失，相當令人堪憂。本研究為瞭解攝影家獨特的檔案產生與管理模式，以推動成立臺灣攝影博物館為號召，由多位資深攝影家與專家學者所組成的「臺灣攝影博物館文化學會」核心成員作為研究對象，並透過深度訪談法理解攝影家的拍攝動機與歷程、攝影家於拍攝歷程中所產生的檔案，以及攝影家獨特的檔案管理情形，最終提出對於目前臺灣攝影家檔案管理的永續發展建議，包括加強對攝影家的口述訪談；擴大攝影家檔案的徵集範圍，增加瞭解攝影家檔案與攝影家的脈絡關係；提高攝影文化中心行政層級，加速擴建檔案庫房，培訓攝影家檔案管理專業人才。
Photography is an art that can freeze the reality in the frame into eternity, carrying important information about human civilization and historical development. At the same time, the collection of photographers` archives can help us to restore the process and context of photographers` photography, and to understand the motives, purposes and meanings of photography hidden beyond the frame. However, although a lot of time and budget have been invested in the collection and preservation of photographers` archives, both official and private, the focus is mostly on the final product, and there is a lack of active awareness of the preservation of context of photographers` archives, resulting in a large number of precious objects and materials being gradually destroyed and lost due to natural and man-made disasters and the death of photographers, that are worriable.In order to understand the unique creation and management mode of photographers’ archives, this study was conducted by the core members of the "Society of Photographic Museum and Culture of Taiwan", which is composed of several experienced photographers and experts. Finally, I proposed the conclusions and suggestions as follows: strengthen oral interviews with photographers, expand the scope of collection of photographers` archives, increase the understanding of the relationship between photographers` archives and contexts, raise the administrative level of the National Center of Photography and Images, accelerate the expansion of the repositories, and training professionals in photographers` archive management.參考文獻 丁華東。〈私人檔案的社會性及其管理〉。《檔案與建設》11期（1999年）：17-18。王麗蕉。〈私人檔案之徵集與入藏：以〈陳澄波畫作與文書〉為例〉，國立政治大學圖書資訊與檔案學研究所主編。《檔案與族譜之徵集與鑑定研討會》。臺北市：政大圖檔所，2014。中央研究院臺灣史研究所〈臺灣史檔案資源系統〉，http://tais.ith.sinica.edu.tw/sinicafrsFront/search/search_detail.jsp?xmlId=0000359163&checked=&unchecked=0000314582,0000368049,0000362818,0000314442,0000362577,0000359163,0000311879,0000358941,0000344267,0000260001,。（檢索於2021年9月25日）。中央研究院臺灣史研究所〈吳田木個人獨照〉，http://tais.ith.sinica.edu.tw/sinicafrsFront/search/search_detail.jsp?xmlId=0000291581。（檢索於2021年10月3日）。李海英。〈私人檔案與私人檔案管理〉。《檔案學通訊》2期（1994年3月）：11-14。余國瑛。《博物館發展口述歷史蒐藏之研究》。國立臺南藝術大學博物館學研究所，碩士論文，2006年。亨利．卡提耶–布列松（Henri Cartier-Bresson）著，張禮豪、蘇威任編譯。《心靈之眼：決定性瞬間—布列松談攝影》（L`imaginaire d`après nature）。臺北市：原點出版，2014。約翰．伯格（John Berger）著，吳莉君編譯。《觀看的方式》（Ways of seeing）。臺北市：麥田，城邦文化，2010。陳憶華。〈個人史料的採集、整編與描述—以國史館為例〉。《檔案季刊》8:2期（2009年6月）：56-77。張幸媛。《我國私人檔案管理的現狀、問題與對策研究》。安徽大學，碩士論文，1995年6月。國立臺灣美術館〈龍山寺系列—中秋夜祭〉，https://ntmofa-collections.ntmofa.gov.tw/zh/artwork/09801100。（檢索於2021年10月3日）。國家教育研究院〈雙語詞彙、學術名詞暨辭書資訊網〉，https://terms.naer.edu.tw/detail/1678659/。（檢索於2021年11月20日）。游永福。《尋找湯姆生：1871臺灣文化遺產大發現》。新北市：遠足文化，2019。黃霄羽、黃敏、位煥錦。〈私有檔案經濟價值的表現及實現方式〉。《浙江檔案》11期（2020年11月）：39-41。臺北市立美術館〈布列松在中國：1948-1949／1958〉，https://www.tfam.museum/Exhibition/Exhibition_page.aspx?ddlLang=zh-tw&id=667&allObj=%7B%22JJMethod%22%3A%22GetEx%22%2C%22Type%22%3A%221%22%7D。（檢索於2020年10月10日）。臺北市立美術館〈從檔案到展覽的旅程¬¬—側寫「國際工作坊：我們如何策劃『布列松在中國』」〉，https://web.ncku.edu.tw/p/406-1000-210306,r2743.php?Lang=zh-tw。（檢索於2020年10月06日）。蔡清芳。《照片檔案編排與描述之研究》。國立政治大學圖書資訊與檔案學研究所，碩士論文，2003年6月。薛理桂。《檔案學理論》。臺北市：文華圖書館管理，2002。薛理桂。《檔案學導論》。臺北市：五南，2004。薛理桂、王麗蕉合著。《檔案編排與描述：理論與實務》。臺北市：文華圖書館管理，2010。薛理桂。《檔案徵集與鑑定》。臺北市：文華圖書館管理，2012。顏佩貞。〈口述歷史館藏的整理與運用：以臺灣檔案典藏單位為例〉。《大學圖書館》16:1期（2021年3月）：90-106。關秀惠。〈攝影成為見證之物？：從《集中營回憶展》四張照片的影像爭議談起〉。《中外文學》47:1期（2018年3月）：115-143。蘇珊．桑塔格（Susan Sontag）著，黃燦然編譯。《論攝影》（On photography）。臺北市：麥田，城邦文化，2010。Youtube〈Konica軟片廣告（李立群）－它抓的住我(貫口篇)〉，https://www.youtube.com/watch?v=yar_VtafQYU。（檢索於2021年10月15日）。Bettington, Jackie. Keeping Archives / Editor, Jackie Bettington ... [et Al.]. 3rd ed. Canberra, A.C.T: Australian Society of Archivists Inc., 2008.Britannica. “Daguerreotype.” Accessed October 13, 2021. https://www.britannica.com/technology/photography/Daguerreotype.Cox, Richard J. Personal Archives and a New Archival Calling: readings, reflections and ruminations. Duluth: Litwin Books, LLC, 2008.Essential Vermeer 3.0. “Vermeer and the Camera Obscura: Part I.” Accessed October 13, 2021. http://www.essentialvermeer.com/camera_obscura/co_one.html.Foucault, Michel. The Archaeology of Knowledge and the Discourse on Language. New York: Pantheon Books, 1972.Henry, Linda J. “Schellenberg in Cyberspace.” America Archivist 61:2（January 1998）: 309-327.Hirsch, Robert. Seizing the light: A history of photography. Boston: McGraw-Hill, 2000.Lyons, John F. “Intergrating the Family and the Community into the History Classroom: An Oral History Project In Joliet, Illinois.” The History teacher (Long Beach, Calif.) 40:4（August 2007）: 481-491.Library of Congress. “Dorothea Lange`s "Migrant Mother" Photographs in the Farm Security Administration Collection.” Accessed October 16, 2021. https://guides.loc.gov/migrant-mother.Library of Congress. “Dorothea Lange`s "Migrant agricultural worker`s family. Seven children without food. Mother aged thirty-two. Father is a native Californian. Nipomo, California.” Accessed October 16, 2021. https://www.loc.gov/item/2017762905/.Library of Congress. “Migrant agricultural worker`s family. Seven hungry children. Mother aged thirty-two. Father is a native Californian. Destitute in pea picker`s camp, Nipomo, California, because of the failure of the early pea crop. These people had just sold their tent in order to buy food. Of the twenty-five hundred people in this camp most of them were destitute.” Accessed October 16, 2021. https://www.loc.gov/resource/fsa.8b29523/.Library of Congress. “Migrant agricultural worker`s family. Seven hungry children. Mother aged thirty-two. Father is native Californian. Nipomo, California.” Accessed October 16, 2021. https://www.loc.gov/resource/fsa.8b29527/.Library of Congress. “Migrant agricultural worker`s family. Seven hungry children. Mother aged thirty-two. Father is native Californian. Nipomo, California.” Accessed October 16, 2021. https://www.loc.gov/resource/cph.3b06165/.Museum of Modern Art. “Piecing Together Dorothea Lange’s Migrant Mother.” Accessed October 16, 2021. https://www.moma.org/magazine/articles/233.Newhall, Beaumont. The history of photography : from 1839 to the present. New York: Museum of Modern Art, 1982.National Archives of India. “Historical Documents Purchase Committee.” Accessed September 25, 2021. http://nationalarchives.nic.in/content/historical-documents-purchase-committee.O’Toole, James M. Understanding Archives and Manuscripts. Chicago, Ill: Society of American Archivists, 1990.Oklahoma Historical Society. “Farm Security Administration.” Accessed October 16, 2021. https://www.okhistory.org/publications/enc/entry.php?entry=FA015.Procter, Margaret, and Cook, Michael. Manual of Archival Description. 3rd ed. Aldershot, Hampshire, England: Gower, 2000.Ritzenthaler, Mary Lynn. Photographs: Archival Care and Management / by Mary Lynn Ritzenthaler and Diane Vogt-O’Connor with Helena Zinkham, Brett Carnell, and Kit Peterson. Chicago, Ill: Society of American Archivists, 2006.Schwartz, Joan M., Cook, T. “Archives, records, and power: The making of modern memory.” Archival Science 2（March 2002）: 1-19.Schwartz, Joan M. “The archival garden: photographic plantings, interpretive choices, and alternative narratives.” In Controlling the past: Documenting society and institutions, edited by Terry Cook, 69-110. Chicago, Ill: Society of American Archivists, 2011.Society of American Archivist. “Archives Terminology Dictionary.” Accessed September 23, 2021. https://dictionary.archivists.org/entry/personal-papers.html.Society of American Archivist. “Guide to Donating Your Personal or Family Papers.” Accessed September 25, 2021. https://www.libraries.wright.edu/special/services/files/donating-personal-papers.pdf.Society of American Archivist. “Donating Your Organization’s Records for Community Memory.” Accessed September 25, 2021. https://www2.archivists.org/publications/brochures/donating-orgrecs.Society of American Archivist. “Archives Terminology Dictionary.” Accessed October 3, 2021. https://dictionary.archivists.org/entry/photographic-archives.html.The U.S. National Archives and Records Administration. “Federal Records Management.” Accessed September 23, 2021. https://www.archives.gov/records-mgmt/scheduling/id. 描述 碩士
國立政治大學
圖書資訊與檔案學研究所
109155021資料來源 http://thesis.lib.nccu.edu.tw/record/#G0109155021 資料類型 thesis dc.contributor.advisor 薛理桂 zh_TW dc.contributor.advisor Hsueh, Li-Kuei en_US dc.contributor.author (Authors) 曾一修 zh_TW dc.contributor.author (Authors) Tseng, I-Hsiu en_US dc.creator (作者) 曾一修 zh_TW dc.creator (作者) Tseng, I-Hsiu en_US dc.date (日期) 2022 en_US dc.date.accessioned 1-Aug-2022 17:44:55 (UTC+8) - dc.date.available 1-Aug-2022 17:44:55 (UTC+8) - dc.date.issued (上傳時間) 1-Aug-2022 17:44:55 (UTC+8) - dc.identifier (Other Identifiers) G0109155021 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/141149 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 圖書資訊與檔案學研究所 zh_TW dc.description (描述) 109155021 zh_TW dc.description.abstract (摘要) 攝影係一種能將景框中的現實定格為永恆的藝術，乘載人類文明與歷史發展的重要資訊。隨著攝影家的匡取，我們得以從不同視角觀看這個世界，同時，藉由典藏攝影家檔案，也可以協助我們還原攝影家的拍攝歷程與脈絡，並深入理解隱藏於景框之外的拍攝動機、目的與意涵。然而，目前國內無論是官方或民間，雖已投入許多時間與預算，對於攝影家檔案的蒐集與保存，多著重在最終的成品上，缺乏對於攝影家檔案脈絡保存的積極認知，使得大量彌足珍貴的物件與資料，因著天災人禍與攝影家的辭世，逐漸毀損與佚失，相當令人堪憂。本研究為瞭解攝影家獨特的檔案產生與管理模式，以推動成立臺灣攝影博物館為號召，由多位資深攝影家與專家學者所組成的「臺灣攝影博物館文化學會」核心成員作為研究對象，並透過深度訪談法理解攝影家的拍攝動機與歷程、攝影家於拍攝歷程中所產生的檔案，以及攝影家獨特的檔案管理情形，最終提出對於目前臺灣攝影家檔案管理的永續發展建議，包括加強對攝影家的口述訪談；擴大攝影家檔案的徵集範圍，增加瞭解攝影家檔案與攝影家的脈絡關係；提高攝影文化中心行政層級，加速擴建檔案庫房，培訓攝影家檔案管理專業人才。 zh_TW dc.description.abstract (摘要) Photography is an art that can freeze the reality in the frame into eternity, carrying important information about human civilization and historical development. At the same time, the collection of photographers` archives can help us to restore the process and context of photographers` photography, and to understand the motives, purposes and meanings of photography hidden beyond the frame. However, although a lot of time and budget have been invested in the collection and preservation of photographers` archives, both official and private, the focus is mostly on the final product, and there is a lack of active awareness of the preservation of context of photographers` archives, resulting in a large number of precious objects and materials being gradually destroyed and lost due to natural and man-made disasters and the death of photographers, that are worriable.In order to understand the unique creation and management mode of photographers’ archives, this study was conducted by the core members of the "Society of Photographic Museum and Culture of Taiwan", which is composed of several experienced photographers and experts. Finally, I proposed the conclusions and suggestions as follows: strengthen oral interviews with photographers, expand the scope of collection of photographers` archives, increase the understanding of the relationship between photographers` archives and contexts, raise the administrative level of the National Center of Photography and Images, accelerate the expansion of the repositories, and training professionals in photographers` archive management. en_US dc.description.tableofcontents 目次 I圖次 III表次 IV第一章、 緒論 1第一節、 研究動機 1第二節、 研究目的 4第三節、 探討問題 6第四節、 相關名詞解釋 7第二章、 文獻探討 9第一節、 攝影的發生、流程與目的 9第二節、 攝影家檔案的私文書特性 18第三節、 攝影家檔案的編排與描述 28第三章、 研究方法與執行 38第一節、 研究範圍與限制 38第二節、 研究架構 39第三節、 資料蒐集與分析方法 40第四節、 研究對象與訪談大綱 41第五節、 研究流程 43第四章、 攝影家拍攝動機、歷程與檔案產生 44第一節、 攝影的啟蒙源自於個人生命歷程 44第二節、 攝影家的介入與否體現其拍攝歷程 47第三節、 攝影過程中的檔案產生與脈絡建構 51第五章、 攝影家獨特的檔案管理方式 63第一節、 攝影家多以時間與主題歸檔與檢索 63第二節、 攝影家檔案新脈絡的建構 67第三節、 攝影家檔案因天災人禍而佚失 69第六章、 結論與建議 74第一節、 結論 74第二節、 建議 76第三節、 後續研究建議 77參考文獻 79附錄一：訪談問題陳述信件 85附錄二：訪談大綱 87 zh_TW dc.format.extent 4688952 bytes - dc.format.mimetype application/pdf - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0109155021 en_US dc.subject (關鍵詞) 攝影家 zh_TW dc.subject (關鍵詞) 攝影家檔案 zh_TW dc.subject (關鍵詞) 私人文書 zh_TW dc.subject (關鍵詞) 產生 zh_TW dc.subject (關鍵詞) 管理 zh_TW dc.subject (關鍵詞) Photographer en_US dc.subject (關鍵詞) Photographers’ Archives en_US dc.subject (關鍵詞) Personal Records en_US dc.subject (關鍵詞) Creation en_US dc.subject (關鍵詞) Management en_US dc.title (題名) 臺灣攝影家檔案產生與管理研究 zh_TW dc.title (題名) A Study on the Creation and Management of Taiwan Photographers’ Archives en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) 丁華東。〈私人檔案的社會性及其管理〉。《檔案與建設》11期（1999年）：17-18。王麗蕉。〈私人檔案之徵集與入藏：以〈陳澄波畫作與文書〉為例〉，國立政治大學圖書資訊與檔案學研究所主編。《檔案與族譜之徵集與鑑定研討會》。臺北市：政大圖檔所，2014。中央研究院臺灣史研究所〈臺灣史檔案資源系統〉，http://tais.ith.sinica.edu.tw/sinicafrsFront/search/search_detail.jsp?xmlId=0000359163&checked=&unchecked=0000314582,0000368049,0000362818,0000314442,0000362577,0000359163,0000311879,0000358941,0000344267,0000260001,。（檢索於2021年9月25日）。中央研究院臺灣史研究所〈吳田木個人獨照〉，http://tais.ith.sinica.edu.tw/sinicafrsFront/search/search_detail.jsp?xmlId=0000291581。（檢索於2021年10月3日）。李海英。〈私人檔案與私人檔案管理〉。《檔案學通訊》2期（1994年3月）：11-14。余國瑛。《博物館發展口述歷史蒐藏之研究》。國立臺南藝術大學博物館學研究所，碩士論文，2006年。亨利．卡提耶–布列松（Henri Cartier-Bresson）著，張禮豪、蘇威任編譯。《心靈之眼：決定性瞬間—布列松談攝影》（L`imaginaire d`après nature）。臺北市：原點出版，2014。約翰．伯格（John Berger）著，吳莉君編譯。《觀看的方式》（Ways of seeing）。臺北市：麥田，城邦文化，2010。陳憶華。〈個人史料的採集、整編與描述—以國史館為例〉。《檔案季刊》8:2期（2009年6月）：56-77。張幸媛。《我國私人檔案管理的現狀、問題與對策研究》。安徽大學，碩士論文，1995年6月。國立臺灣美術館〈龍山寺系列—中秋夜祭〉，https://ntmofa-collections.ntmofa.gov.tw/zh/artwork/09801100。（檢索於2021年10月3日）。國家教育研究院〈雙語詞彙、學術名詞暨辭書資訊網〉，https://terms.naer.edu.tw/detail/1678659/。（檢索於2021年11月20日）。游永福。《尋找湯姆生：1871臺灣文化遺產大發現》。新北市：遠足文化，2019。黃霄羽、黃敏、位煥錦。〈私有檔案經濟價值的表現及實現方式〉。《浙江檔案》11期（2020年11月）：39-41。臺北市立美術館〈布列松在中國：1948-1949／1958〉，https://www.tfam.museum/Exhibition/Exhibition_page.aspx?ddlLang=zh-tw&id=667&allObj=%7B%22JJMethod%22%3A%22GetEx%22%2C%22Type%22%3A%221%22%7D。（檢索於2020年10月10日）。臺北市立美術館〈從檔案到展覽的旅程¬¬—側寫「國際工作坊：我們如何策劃『布列松在中國』」〉，https://web.ncku.edu.tw/p/406-1000-210306,r2743.php?Lang=zh-tw。（檢索於2020年10月06日）。蔡清芳。《照片檔案編排與描述之研究》。國立政治大學圖書資訊與檔案學研究所，碩士論文，2003年6月。薛理桂。《檔案學理論》。臺北市：文華圖書館管理，2002。薛理桂。《檔案學導論》。臺北市：五南，2004。薛理桂、王麗蕉合著。《檔案編排與描述：理論與實務》。臺北市：文華圖書館管理，2010。薛理桂。《檔案徵集與鑑定》。臺北市：文華圖書館管理，2012。顏佩貞。〈口述歷史館藏的整理與運用：以臺灣檔案典藏單位為例〉。《大學圖書館》16:1期（2021年3月）：90-106。關秀惠。〈攝影成為見證之物？：從《集中營回憶展》四張照片的影像爭議談起〉。《中外文學》47:1期（2018年3月）：115-143。蘇珊．桑塔格（Susan Sontag）著，黃燦然編譯。《論攝影》（On photography）。臺北市：麥田，城邦文化，2010。Youtube〈Konica軟片廣告（李立群）－它抓的住我(貫口篇)〉，https://www.youtube.com/watch?v=yar_VtafQYU。（檢索於2021年10月15日）。Bettington, Jackie. 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