| dc.contributor | 英文系 | |
| dc.creator (作者) | 羅狼仁 | |
| dc.creator (作者) | Phillips, Brian David | |
| dc.date (日期) | 2021-04 | |
| dc.date.accessioned | 23-Aug-2022 13:52:56 (UTC+8) | - |
| dc.date.available | 23-Aug-2022 13:52:56 (UTC+8) | - |
| dc.date.issued (上傳時間) | 23-Aug-2022 13:52:56 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/141441 | - |
| dc.description.abstract (摘要) | For much of Joseph Papp’s career, he worked toward a populist theatre bringing classic dramas and musicals to the popular audience in refreshing and innovative stagings. This paper is an exploration of how Papp brought his particular approach to bear in the production of the Gilbert and Sullivan operetta, "The Pirates of Penzance" both in theatrical staging and film production. While in this discussion, we are particularly interested in critical response to the production contemporary to Papp, it is worth noting that Papp’s approach to staging and direction continues to influence populist productions to this day. | |
| dc.format.extent | 145 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | Literary Herald, Vol.6, No.6, pp.64-73 | |
| dc.subject (關鍵詞) | Joseph Papp; Pirates of Penzance; Shakespeare in the Park; Gilbert and Sullivan; Populist Theatre | |
| dc.title (題名) | Bringing Classic Musical Theatre to the Popular Audience: Joseph Papp’s Approach to Gilbert and Sullivan’s The Pirates of Penzance | |
| dc.type (資料類型) | article | |
