| dc.contributor | 傳播學院 | |
| dc.creator (作者) | 黃俊銘 | |
| dc.creator (作者) | Huang, Stanley Chun-Ming | |
| dc.date (日期) | 2019-11 | |
| dc.date.accessioned | 6-Feb-2023 14:18:50 (UTC+8) | - |
| dc.date.available | 6-Feb-2023 14:18:50 (UTC+8) | - |
| dc.date.issued (上傳時間) | 6-Feb-2023 14:18:50 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/143289 | - |
| dc.description.abstract (摘要) | Despite political confrontation and identity entanglement across the Taiwan Strait, Taiwan’s pop music has gained long-term popularity in China, which presents a question that merits further investigation. The study explores the ways that Chinese audience-members and the media have negotiated and practised the work of ‘imagined communities’ through Taiwan’s pop. | |
| dc.format.extent | 115 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | SOAS University of London, Date: 19 November 2019, Time: 7:00 PM | |
| dc.title (題名) | Mapping Taiwan`s Pop Music in China: Mediation, Nations and Politics | |
| dc.type (資料類型) | other | |
