| dc.contributor | 東亞觀念史集刊 | |
| dc.creator (作者) | 彭卿 | |
| dc.creator (作者) | Peng, Qing | |
| dc.date (日期) | 2020-06 | |
| dc.date.accessioned | 4-七月-2023 15:49:19 (UTC+8) | - |
| dc.date.available | 4-七月-2023 15:49:19 (UTC+8) | - |
| dc.date.issued (上傳時間) | 4-七月-2023 15:49:19 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/145640 | - |
| dc.format.extent | 120 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | 東亞觀念史集刊, 18, 97-158 | |
| dc.subject (關鍵詞) | 美術; 藝術; 立憲; 革命 | |
| dc.subject (關鍵詞) | Fine arts; Art; Constitution; Revolution | |
| dc.title (題名) | 公德的消失：在「藝術」取代「美術」的背後 | |
| dc.title (題名) | The Disappearance of Public Morality: The Replacement of Fine Arts with Art | |
| dc.type (資料類型) | article | |
