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題名 《二十個夜晚六座城市：聽見聲音的邊界》： 跨媒材展覽創作論述
Twenty-Six: Beyond the Sound of Night — An Experimental Project作者 許正姸
Hsu, Cheng-Yen貢獻者 謝杰廷
許正姸
Hsu, Cheng-Yen關鍵詞 聲景劇場
聲音裝置
獨舞
城市夜晚
邊界
Soundscape Theatre
Sound Installation
Solo Dance
City Night
Boundary日期 2023 上傳時間 1-Sep-2023 15:41:33 (UTC+8) 摘要 《二十個夜晚六座城市：聽見聲音的邊界》是一個結合聲音與身體裝置複合媒材的展覽作品，探討在不同城市夜晚的時空下聲音與身體的邊界，並以聲景劇場的形式於戶外空間呈現。本作品萌生於三級警戒後失眠的夜晚，以聲景研究應用以及夜裡獨自起舞作為基礎，融合創作者的日常觀察與生命歷程，將主題聚焦在個人的私密空間，尤其是存在於夜晚睡眠時那些不曾被聽見的聲音，與不被看見的身體。展場設計運用劇場元素重新將聲音、身體賦予了表演性，並以創作者自身的感受與他人產生共感，邀請參與者自由遊走在展場空間，體現夜晚的無邊界狀態，於2023年五月夏日一同走向下一座城市，迎接下一個夜晚。本創作論述共有五個章節。前三章為創作動機、回顧理論研究，以及為展覽作品創作概念設計的準備工作；第四章為實踐創作計畫與展覽現場的製作過程；第五章為展覽結束後根據參與者的回饋進行反思與檢討，並探討這份作品不足之處與未來發展的可能性。
Twenty-Six: Beyond the Sound of Night is an exhibition work that combines sound and body installations to explore the boundaries of sound and body in different city nights, and presents them in outdoor spaces in the form of soundscape theatre.This work originated from the night of insomnia after the nationwide Level 3 alert for Covid-19. Based on the research and application of soundscape and solo dance at night, it integrates her daily observations and life journey, focusing on the theme of personal private space, especially those unheard sounds and those unseen bodies that exist during the period of sleep. The design of the exhibition uses theatre elements to reintroduce sound and body into performance, and creates a sense of empathy with others through her own feelings. Participants are allowed to freely roam the exhibition space, reflecting the borderless state of the night. In the summer of May 2023, they will walk together to the next city to meet the next night.This working records thesis consists of five chapters. The first three chapters focus on the motivation of creation, the review of theoretical research, and the preparation for the conceptual design of exhibition works; Chapter 4 is the production process of practical creation project and exhibition; Chapter 5 reflects and reviews the feedback from participants after the exhibition, and discusses the shortcomings and explores the potential for future development of this work.參考文獻 一、中文文獻及書籍資料李志銘（2013）。《單聲道 ：城市的聲音與記憶》（初版）。新北市：聯經出版。李明璁（2016）。《耳朵的棲息與散步: 記憶台北聲音風景》（初版）。李明璁／策劃；張婉昀／主編。臺北市：大塊文化出版股份有限公司。郭亮廷譯。2014。《疊韻 ：讓邊界消失，一場哲學家與舞蹈家的思辨之旅》（初版）。臺北市：漫遊者文化。（原書Nancy, J.-L., & Monnier, M. Allitérations. Conversations sur la danse.）連苔嵐、謝雨欣、謝淳清譯（2021）。《舞蹈與當代藝術 ：1900-2020 年跨域舞蹈史》（一版）。臺北市：書林出版有限公司。（原書Boisseau, R., Gattinoni, C., & Philippe, L. Danse et art contemporain.）許肄亞、郭乃文（2017）。《以社區聲景地圖探討社區認同感：以桃米社區為例》。地理研究，頁 81-107。陳蒨蒨（2021）。《舞蹈審美思考》（一版）。臺北市：五南圖書出版股份有限公司。黃亮融譯（2021）。《畢莎普選集1 ：表演與美術館》（初版）。臺北市：一行出版。（原書Bishop, C. Selected Works of Claire Bishop, Volume 1: Performance and Art Museum.）二、外文文獻Aletta, F., Kang, J., & Axelsson, Ö. (2016). Soundscape descriptors and a conceptual framework for developing predictive soundscape models. Landscape and Urban Planning, 149, 65–74.Asdrubali, F., D’Alessandro, F., & Baldinelli, G. (2014). From the soundscape to the architectural redevelopment of an outdoor public space. The Forum Acusticum.Brooks, B. M., Schulte-Fortkamp, B., Voigt, K. S., & Case, A. U. (2014). Exploring Our Sonic Environment Through Soundscape Research & Theory. Acoustics Today, 10(1), 30–40.Brown, A. L. (2012). A review of progress in soundscapes and an approach to soundscape planning. The International Journal of Acoustics and Vibration, 17(2).Carles, J. L., Barrio, I. L., & de Lucio, J. V. (1999). Sound influence on landscape values. Landscape and Urban Planning, 43(4), 191–200.Chen, Z., Hermes, J., Liu, J., & von Haaren, C. (2022). How to integrate the soundscape resource into landscape planning? A perspective from ecosystem services. Ecological Indicators, 141, 109156.Dumyahn, S. L., & Pijanowski, B. C. (2011). Soundscape conservation. Landscape Ecology, 26(9), 1327–1344.Fuller, S., Axel, A. C., Tucker, D., & Gage, S. H. (2015). Connecting soundscape to landscape: Which acoustic index best describes landscape configuration? Ecological Indicators, 58, 207–215.He, M., Li, J., Li, J., & Chen, H. (2019). A comparative study on the effect of soundscape and landscape on tourism experience. International Journal of Tourism Research, 21(1), 11–22.Iannace, G., Trematerra, A., & Lombardi, I. (2021). Effects of nightlife noise in a city center. Noise Mapping, 8(1), 228–235.Jeon, J. Y., & Jo, H. I. (2020). Effects of audio-visual interactions on soundscape and landscape perception and their influence on satisfaction with the urban environment. Building and Environment, 169, 106544.Jo, H. I., & Jeon, J. Y. (2022). Perception of urban soundscape and landscape using different visual environment reproduction methods in virtual reality. Applied Acoustics, 186, 108498.Kheshti, R. (2009). Acoustigraphy: Soundscape as Ethnographic Field. Anthropology News, 50(4), 15–19.Lenzi, S., Sádaba, J., & Lindborg, P. (2021). Soundscape in Times of Change: Case Study of a City Neighbourhood During the COVID-19 Lockdown. Frontiers in Psychology, 12, 570741.Liu, A., Hu, Z., Liu, M., Deng, Z., & Yao, C. (2013). Soundscape and its application in the research of tourism geography: A new perspective. Geography Research, 32(6), 1132–1142.Liu, F., & Kang, J. (2016). A grounded theory approach to the subjective understanding of urban soundscape in Sheffield. Cities, 50, 28–39.Otsuka, T. (2009). Environmental sound art technology. Proc. INTER-NOISE 09, in09-587.Radicchi, A., Henckel, D., & Memmel, M. (2018). Citizens as smart, active sensors for a quiet and just city. The case of the “open source soundscapes” approach to identify, assess and plan “everyday quiet areas” in cities. Noise Mapping, 5(1), 1–20.Schafer, R. M. (1977). The tuning of the world. Journal of Research in Music Education, 25(4), 291–293.Schine, J. (2010). Movement, memory & the senses in soundscape studies. Can Acoust 38(3):100–101.Schulte-Fortkamp, B., & Jordan, P. (2016). When soundscape meets architecture. Noise Mapping, 3(1).三、網路資料《中文百科全書》（無日期）。〈黑葉芋〉。取自https://www.newton.com.tw/wiki/%E9%BB%91%E8%91%89%E8%8A%8B/5061250。《中文百科知識》（無日期）。〈小天使[天南星科植物]〉。取自https://www.easyatm.com.tw/wiki/%E5%B0%8F%E5%A4%A9%E4%BD%BF%5B%E5%A4%A9%E5%8D%97%E6%98%9F%E7%A7%91%E6%A4%8D%E7%89%A9%5D。《農業知識入口網》（2014年8月28日）。〈到手香-藥用植物主題館〉。取自https://kmweb.coa.gov.tw/subject/subject.php?id=37223。《維基百科》（2023年5月16日）。〈迷迭香〉。取自https://zh.wikipedia.org/zh-tw/%E8%BF%B7%E8%BF%AD%E9%A6%99。廖仁滄（2022年11月8日）。〈白雲深處有奇花－白雲蔓綠絨〉。《國立自然科學博物館網站》。取自https://www.nmns.edu.tw/ch/exhibitions/galleries/botanical-garden/flowers/Theme-F00496/。《聯利農業科技》（無日期）。〈花卉-綠巨人〉。取自https://www.lanlix.com.tw/cropgrow/143。 描述 碩士
國立政治大學
傳播學院傳播碩士學位學程
108464016資料來源 http://thesis.lib.nccu.edu.tw/record/#G0108464016 資料類型 thesis dc.contributor.advisor 謝杰廷 zh_TW dc.contributor.author (Authors) 許正姸 zh_TW dc.contributor.author (Authors) Hsu, Cheng-Yen en_US dc.creator (作者) 許正姸 zh_TW dc.creator (作者) Hsu, Cheng-Yen en_US dc.date (日期) 2023 en_US dc.date.accessioned 1-Sep-2023 15:41:33 (UTC+8) - dc.date.available 1-Sep-2023 15:41:33 (UTC+8) - dc.date.issued (上傳時間) 1-Sep-2023 15:41:33 (UTC+8) - dc.identifier (Other Identifiers) G0108464016 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/147104 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 傳播學院傳播碩士學位學程 zh_TW dc.description (描述) 108464016 zh_TW dc.description.abstract (摘要) 《二十個夜晚六座城市：聽見聲音的邊界》是一個結合聲音與身體裝置複合媒材的展覽作品，探討在不同城市夜晚的時空下聲音與身體的邊界，並以聲景劇場的形式於戶外空間呈現。本作品萌生於三級警戒後失眠的夜晚，以聲景研究應用以及夜裡獨自起舞作為基礎，融合創作者的日常觀察與生命歷程，將主題聚焦在個人的私密空間，尤其是存在於夜晚睡眠時那些不曾被聽見的聲音，與不被看見的身體。展場設計運用劇場元素重新將聲音、身體賦予了表演性，並以創作者自身的感受與他人產生共感，邀請參與者自由遊走在展場空間，體現夜晚的無邊界狀態，於2023年五月夏日一同走向下一座城市，迎接下一個夜晚。本創作論述共有五個章節。前三章為創作動機、回顧理論研究，以及為展覽作品創作概念設計的準備工作；第四章為實踐創作計畫與展覽現場的製作過程；第五章為展覽結束後根據參與者的回饋進行反思與檢討，並探討這份作品不足之處與未來發展的可能性。 zh_TW dc.description.abstract (摘要) Twenty-Six: Beyond the Sound of Night is an exhibition work that combines sound and body installations to explore the boundaries of sound and body in different city nights, and presents them in outdoor spaces in the form of soundscape theatre.This work originated from the night of insomnia after the nationwide Level 3 alert for Covid-19. Based on the research and application of soundscape and solo dance at night, it integrates her daily observations and life journey, focusing on the theme of personal private space, especially those unheard sounds and those unseen bodies that exist during the period of sleep. The design of the exhibition uses theatre elements to reintroduce sound and body into performance, and creates a sense of empathy with others through her own feelings. Participants are allowed to freely roam the exhibition space, reflecting the borderless state of the night. In the summer of May 2023, they will walk together to the next city to meet the next night.This working records thesis consists of five chapters. The first three chapters focus on the motivation of creation, the review of theoretical research, and the preparation for the conceptual design of exhibition works; Chapter 4 is the production process of practical creation project and exhibition; Chapter 5 reflects and reviews the feedback from participants after the exhibition, and discusses the shortcomings and explores the potential for future development of this work. en_US dc.description.tableofcontents 第一章 緒論 1第一節 創作計畫之動機與目的 1第二章 創作計畫之提問與理論論述 4第一節 夜的邊界 4第二節 聲景研究概況 6第三節 台灣近年聲景作品回顧 8第四節 再創聲景的可能性：私人的聲景 9第五節 夜的身體 11第三章 創作計畫之概念與形式概述 14第一節 創作元素 14第二節 創作執行 16第四章 創作計畫執行與展覽製作 19第一節 製作排程規劃 20第二節 聲音創作及聲景製作說明 24第三節 視覺投影創作說明 36第四節 二十個夜晚六座城市：聽見聲音的邊界 42第五節 展覽過程 67第五章 回饋與檢討 84第一節 參與者回饋 84第二節 規劃與執行之落差及整體製作時程安排 86第三節 口試委員意見回饋 87第四節 總結與心得反思 92參考文獻 95附錄一：場地設計圖 99附錄二：展覽紀錄 100附錄三：回饋表單 123附錄四：展覽道具 124附錄五：城市聲景小卡組合 125附錄六：城市聲景經緯度 127 zh_TW dc.format.extent 48282122 bytes - dc.format.mimetype application/pdf - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0108464016 en_US dc.subject (關鍵詞) 聲景劇場 zh_TW dc.subject (關鍵詞) 聲音裝置 zh_TW dc.subject (關鍵詞) 獨舞 zh_TW dc.subject (關鍵詞) 城市夜晚 zh_TW dc.subject (關鍵詞) 邊界 zh_TW dc.subject (關鍵詞) Soundscape Theatre en_US dc.subject (關鍵詞) Sound Installation en_US dc.subject (關鍵詞) Solo Dance en_US dc.subject (關鍵詞) City Night en_US dc.subject (關鍵詞) Boundary en_US dc.title (題名) 《二十個夜晚六座城市：聽見聲音的邊界》： 跨媒材展覽創作論述 zh_TW dc.title (題名) Twenty-Six: Beyond the Sound of Night — An Experimental Project en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) 一、中文文獻及書籍資料李志銘（2013）。《單聲道 ：城市的聲音與記憶》（初版）。新北市：聯經出版。李明璁（2016）。《耳朵的棲息與散步: 記憶台北聲音風景》（初版）。李明璁／策劃；張婉昀／主編。臺北市：大塊文化出版股份有限公司。郭亮廷譯。2014。《疊韻 ：讓邊界消失，一場哲學家與舞蹈家的思辨之旅》（初版）。臺北市：漫遊者文化。（原書Nancy, J.-L., & Monnier, M. Allitérations. Conversations sur la danse.）連苔嵐、謝雨欣、謝淳清譯（2021）。《舞蹈與當代藝術 ：1900-2020 年跨域舞蹈史》（一版）。臺北市：書林出版有限公司。（原書Boisseau, R., Gattinoni, C., & Philippe, L. Danse et art contemporain.）許肄亞、郭乃文（2017）。《以社區聲景地圖探討社區認同感：以桃米社區為例》。地理研究，頁 81-107。陳蒨蒨（2021）。《舞蹈審美思考》（一版）。臺北市：五南圖書出版股份有限公司。黃亮融譯（2021）。《畢莎普選集1 ：表演與美術館》（初版）。臺北市：一行出版。（原書Bishop, C. Selected Works of Claire Bishop, Volume 1: Performance and Art Museum.）二、外文文獻Aletta, F., Kang, J., & Axelsson, Ö. (2016). Soundscape descriptors and a conceptual framework for developing predictive soundscape models. Landscape and Urban Planning, 149, 65–74.Asdrubali, F., D’Alessandro, F., & Baldinelli, G. (2014). From the soundscape to the architectural redevelopment of an outdoor public space. The Forum Acusticum.Brooks, B. M., Schulte-Fortkamp, B., Voigt, K. S., & Case, A. U. (2014). Exploring Our Sonic Environment Through Soundscape Research & Theory. Acoustics Today, 10(1), 30–40.Brown, A. L. (2012). A review of progress in soundscapes and an approach to soundscape planning. The International Journal of Acoustics and Vibration, 17(2).Carles, J. L., Barrio, I. L., & de Lucio, J. V. (1999). Sound influence on landscape values. Landscape and Urban Planning, 43(4), 191–200.Chen, Z., Hermes, J., Liu, J., & von Haaren, C. (2022). How to integrate the soundscape resource into landscape planning? A perspective from ecosystem services. Ecological Indicators, 141, 109156.Dumyahn, S. L., & Pijanowski, B. C. (2011). Soundscape conservation. Landscape Ecology, 26(9), 1327–1344.Fuller, S., Axel, A. C., Tucker, D., & Gage, S. H. (2015). Connecting soundscape to landscape: Which acoustic index best describes landscape configuration? Ecological Indicators, 58, 207–215.He, M., Li, J., Li, J., & Chen, H. (2019). A comparative study on the effect of soundscape and landscape on tourism experience. International Journal of Tourism Research, 21(1), 11–22.Iannace, G., Trematerra, A., & Lombardi, I. (2021). Effects of nightlife noise in a city center. Noise Mapping, 8(1), 228–235.Jeon, J. Y., & Jo, H. I. (2020). Effects of audio-visual interactions on soundscape and landscape perception and their influence on satisfaction with the urban environment. Building and Environment, 169, 106544.Jo, H. I., & Jeon, J. Y. (2022). Perception of urban soundscape and landscape using different visual environment reproduction methods in virtual reality. Applied Acoustics, 186, 108498.Kheshti, R. (2009). Acoustigraphy: Soundscape as Ethnographic Field. Anthropology News, 50(4), 15–19.Lenzi, S., Sádaba, J., & Lindborg, P. (2021). Soundscape in Times of Change: Case Study of a City Neighbourhood During the COVID-19 Lockdown. Frontiers in Psychology, 12, 570741.Liu, A., Hu, Z., Liu, M., Deng, Z., & Yao, C. (2013). Soundscape and its application in the research of tourism geography: A new perspective. Geography Research, 32(6), 1132–1142.Liu, F., & Kang, J. (2016). A grounded theory approach to the subjective understanding of urban soundscape in Sheffield. Cities, 50, 28–39.Otsuka, T. (2009). Environmental sound art technology. Proc. INTER-NOISE 09, in09-587.Radicchi, A., Henckel, D., & Memmel, M. (2018). Citizens as smart, active sensors for a quiet and just city. The case of the “open source soundscapes” approach to identify, assess and plan “everyday quiet areas” in cities. Noise Mapping, 5(1), 1–20.Schafer, R. M. (1977). The tuning of the world. Journal of Research in Music Education, 25(4), 291–293.Schine, J. (2010). Movement, memory & the senses in soundscape studies. Can Acoust 38(3):100–101.Schulte-Fortkamp, B., & Jordan, P. (2016). When soundscape meets architecture. Noise Mapping, 3(1).三、網路資料《中文百科全書》（無日期）。〈黑葉芋〉。取自https://www.newton.com.tw/wiki/%E9%BB%91%E8%91%89%E8%8A%8B/5061250。《中文百科知識》（無日期）。〈小天使[天南星科植物]〉。取自https://www.easyatm.com.tw/wiki/%E5%B0%8F%E5%A4%A9%E4%BD%BF%5B%E5%A4%A9%E5%8D%97%E6%98%9F%E7%A7%91%E6%A4%8D%E7%89%A9%5D。《農業知識入口網》（2014年8月28日）。〈到手香-藥用植物主題館〉。取自https://kmweb.coa.gov.tw/subject/subject.php?id=37223。《維基百科》（2023年5月16日）。〈迷迭香〉。取自https://zh.wikipedia.org/zh-tw/%E8%BF%B7%E8%BF%AD%E9%A6%99。廖仁滄（2022年11月8日）。〈白雲深處有奇花－白雲蔓綠絨〉。《國立自然科學博物館網站》。取自https://www.nmns.edu.tw/ch/exhibitions/galleries/botanical-garden/flowers/Theme-F00496/。《聯利農業科技》（無日期）。〈花卉-綠巨人〉。取自https://www.lanlix.com.tw/cropgrow/143。 zh_TW
