| dc.contributor | 華文博 | |
| dc.creator (作者) | 林庭瑩 | |
| dc.creator (作者) | Lin, Ting-ying | |
| dc.date (日期) | 2022-09 | |
| dc.date.accessioned | 25-Sep-2023 14:56:37 (UTC+8) | - |
| dc.date.available | 25-Sep-2023 14:56:37 (UTC+8) | - |
| dc.date.issued (上傳時間) | 25-Sep-2023 14:56:37 (UTC+8) | - |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/147638 | - |
| dc.format.extent | 136 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | 中外文學, Vol.51, No.3, pp.25-54 | |
| dc.subject (關鍵詞) | 寫實主義美學; 臺灣新電影; 後-新電影; 巴贊式寫實主義; 感知寫實主義; 蚵豐村; 林龍吟; 侯孝賢 | |
| dc.subject (關鍵詞) | Realist aesthetics; Taiwan new cinema; Post-new cinema; Bazinian realism; Perceptual realism; Ohong Village; Lim Lung-yin; Hou Hsiao-hsien | |
| dc.title (題名) | 朝向多重寫實性：論林龍吟《蚵豐村》中臺灣新電影寫實主義美學的承繼與轉化 | |
| dc.title (題名) | Toward Multiple Forms of Realisticity: Continuing and Altering the Realist Aesthetics of the Taiwan New Cinema in Lim Lung-yin＇s Ohong Village | |
| dc.type (資料類型) | article | |
| dc.identifier.doi (DOI) | 10.6637/CWLQ.202209_51(3).0003 | |
| dc.doi.uri (DOI) | https://doi.org/10.6637/CWLQ.202209_51(3).0003 | |
