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題名 Queering Cyborg Chronotope: Humanness unraveled in Chi Ta-wei’s The Membranes
作者 Lee, Ming-che
貢獻者 文山評論:文學與文化
關鍵詞 anthrodecentrism; Chi Ta-wei; chronotope; cyborg; posthumanism; queer temporality; The Membranes
日期 2023-12
上傳時間 5-Jan-2024 10:31:52 (UTC+8)
摘要 Drawing on the concepts of queer temporality, cyborg, and posthumanism with reference to queer inhumanism, this article examines a trans-cyborgized protagonist’s non-linear life splices to unravel humanness within the queered narratives of Chi Ta-wei’s dystopian novella The Membranes, a renowned science fiction produced in 1990s Taiwan that features anthrodecentrism. Unlike the common practice to cripple compulsory heteronormativity, The Membranes imagines a cyberpunk world underpinning cyborg chronology, such that the central figure Momo, a transgender synthesis of a “male human brain” and a fabulated “female cyborg body,” embarks on a self-inquiry journey to situate her fluid, flexible, and unsettled identities, which are obfuscated somewhere between the human brain and a prothesized bodily container. Analyzed in this article is Chi’s existentialist questioning of the hierarchies and default forms of humanhood. The locus of this article, accordingly, is to debunk the deferred, converged chronotope of a transgendered, anthropomorphized cyborg in the sense of Chi’s transqueering posthuman conceptions.
關聯 文山評論:文學與文化, 17(1), 121-145
資料類型 article
DOI https://doi.org/10.30395/WSR.202312_17(1).0005
dc.contributor 文山評論:文學與文化-
dc.creator (作者) Lee, Ming-che-
dc.date (日期) 2023-12-
dc.date.accessioned 5-Jan-2024 10:31:52 (UTC+8)-
dc.date.available 5-Jan-2024 10:31:52 (UTC+8)-
dc.date.issued (上傳時間) 5-Jan-2024 10:31:52 (UTC+8)-
dc.identifier.uri (URI) https://nccur.lib.nccu.edu.tw/handle/140.119/149105-
dc.description.abstract (摘要) Drawing on the concepts of queer temporality, cyborg, and posthumanism with reference to queer inhumanism, this article examines a trans-cyborgized protagonist’s non-linear life splices to unravel humanness within the queered narratives of Chi Ta-wei’s dystopian novella The Membranes, a renowned science fiction produced in 1990s Taiwan that features anthrodecentrism. Unlike the common practice to cripple compulsory heteronormativity, The Membranes imagines a cyberpunk world underpinning cyborg chronology, such that the central figure Momo, a transgender synthesis of a “male human brain” and a fabulated “female cyborg body,” embarks on a self-inquiry journey to situate her fluid, flexible, and unsettled identities, which are obfuscated somewhere between the human brain and a prothesized bodily container. Analyzed in this article is Chi’s existentialist questioning of the hierarchies and default forms of humanhood. The locus of this article, accordingly, is to debunk the deferred, converged chronotope of a transgendered, anthropomorphized cyborg in the sense of Chi’s transqueering posthuman conceptions.-
dc.format.extent 624828 bytes-
dc.format.mimetype application/pdf-
dc.relation (關聯) 文山評論:文學與文化, 17(1), 121-145-
dc.subject (關鍵詞) anthrodecentrism; Chi Ta-wei; chronotope; cyborg; posthumanism; queer temporality; The Membranes-
dc.title (題名) Queering Cyborg Chronotope: Humanness unraveled in Chi Ta-wei’s The Membranes-
dc.type (資料類型) article-
dc.identifier.doi (DOI) 10.30395/WSR.202312_17(1).0005-
dc.doi.uri (DOI) https://doi.org/10.30395/WSR.202312_17(1).0005-