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題名 在愛慾中消失的他者：媒體創作研究
The Disappear of Andere in Eros : A Study of Media Creation作者 沈思涵
SHEN, Si-Han貢獻者 陶亞倫<br>廖峻鋒
Tao, Ya-Lun<br>Liao, Jun-Feng
沈思涵
SHEN, Si-Han關鍵詞 AI伴侶
愛慾
他者
自我
生成式藝術
AI companion
desire
other
self
Generative Art日期 2024 上傳時間 1-Feb-2024 11:48:54 (UTC+8) 摘要 為什麼現代青年人不輕易愛了？今天的我們生活在一個肯定性的社會，我們渴望被認同、被讚揚、被接納。反感被否定、被說教、被規訓。人與人之間傾向尋找同一性的群體，用差異性分割彼此。同時隨著科技性愛的蓬勃發展，越來越多的人將親密關係的發展對像投射在科技物中。本文主要研究現代社會、文化、環境下形成的愛情觀念對現代青年人的愛情觀念產生了哪些影響？同時思考AI伴侶作為人類親密關係的另一種選擇會帶來怎樣的結果？使用推測設計創建一個未來可能發生的情境，運用AI生成工具進行影像創作，描繪在一個不太遙遠的未來，AI伴侶已經完全進入人類生活，成為人類社會的組成部分，政府為了保障人類與人類之間的關係發展頒布《AI伴侶沉浸值管理法》要求AI伴侶的製造廠商必須在AI伴侶上安裝沉浸值檢測，一旦檢測到用戶將情感完全投射在AI伴侶身上必須立刻發出警告，提醒用戶「sorry，I’m a robot」。通過此情境設計激發觀眾重新審視人類情感與AI伴侶機器人的情感對比。
Why do young people in today's world not fall in love so easily? Today we live in a society of certainty, where we long to be recognized, praised and accepted. We resent being denied, lectured and disciplined. People tend to look for homogeneous groups and divide each other with differences. At the same time, with the development of technological sex, more and more people are projecting the development of intimate relationships onto technological objects. This paper focuses on how the concepts of love formed in modern society, culture, and environment have affected the concepts of love of contemporary youth. It also considers the consequences of AI partners as an alternative to human intimacy. In the not-too-distant future, AI companions have fully entered human life and become an integral part of human society. In order to safeguard the development of human relationships, the government has promulgated the AI Companion Immersion Value Management Act, which requires AI companion manufacturers to install immersion value detection on their AI companions. The law requires AI companion manufacturers to install immersion value detection on their AI companions, and to issue a warning once they detect that the user is fully projecting emotions onto the AI companion, reminding the user that "Sorry, I'm a robot". Through this scenario design, the audience will be inspired to re-examine the emotional contrast between human emotions and the AI companion robot.參考文獻 中文參考文獻 1. Z 時代（Generation Z）指起源於歐美的用語，但在大中華地區也較為流行，特指在 1990 年代末葉至 2010年代前期出生的人。 2. 我們真的成為「愛無能」的世代了嗎？天下雜誌。網址為 https://www.cw.com.tw/article/5087876。 3. 古希臘文有個對應的詞：atopos，意思就是獨一無二，難以收納入任何類別任何範疇。 4. 義大利詩人但丁·阿利吉耶裡（Dante Alighieri），出自他的史詩作品《神曲》（Divine Comedy）中的第三篇部分「天堂篇」（Paradiso）。 5. 奧古斯丁（Saint Augustine）的《告白錄》（Confessions）。 6. 威廉莎士比亞著，朱生豪譯：《羅密歐與朱麗葉》（臺北：洪範書店 1988），P12。 7. 艾裡希·弗洛姆，劉福堂譯：《愛的藝術》，（中國大陸：人民文學出版社2018），p11. 8. 艾裡希·弗洛姆，劉福堂譯：《愛的藝術》，（中國大陸：人民文學出版社2018），P11。 9. 黃沐恩，《情動於中: 生死愛慾的哲學思考》，2019. 10. Illouz, E. (2022). 為什麼不愛了？ [Why don't we love anymore?]. 臺北市：商周出版. 11. 巴迪歐, A. (2012). 愛的多重奏 [The Course of Love] (第71頁). 上海: 華東師範大學出版社。 12. 艾裡希·弗洛姆，劉福堂譯：《愛的藝術》，（中國大陸：人民文學出版社2018），P63-66。 13. 柏拉圖（2008）《饗宴：柏拉圖式愛的真諦》（Symposium）(王曉朝, 譯),台灣：左岸文化，P56-57. 14. Eva Illouz，葉嶸譯：《愛為什麼痛？》（why love hurts？），（上海：華東師範大學出版社，2015.9） 15. 上野千鶴子，信田小夜子，呂靈芝譯：《身為女性的選擇》，（北京：國際文化出版社，2023.02.28） 16. 艾裡希·弗洛姆，劉福堂譯：《愛的藝術》，（中國大陸：人民文學出版社2018），P33-34。 17. Eva Illouz，葉嶸譯：《愛為什麼痛？》（why love hurts？），（上海：華東師範大學出版社，2015.9） 18. 許菁芳. (2022, 1月3日). 為什麼不愛了？給現代男女的消極關係社會學 [Why don't we love anymore? A sociological perspective on negative relationships for contemporary men and women]. 獨立評論＠天下. 19. 韓炳哲（2022），管中琪譯：《愛慾之死》，（台灣：大塊文化出版社），p43 20. 亞裡斯多德：《形而上學》第三卷，引自理查特·霍普譯：《亞裡斯多德的〈形而上學〉》，紐約哥倫比亞大學出版社，1952 21. 李尚文，苦澀的愛情社會學：我們是自由的，可為何還是「愛無能」？2022-02-14 22. 陶鋒. (2020). 人工智慧語言的哲學闡釋. 南開學報（哲學社會科學版）, 2020(3) 23. 36Kr. (2023, 11月29日). 斯坦福華人博士文生視頻Pika 1.0爆火，4人公司估值2億，OpenAI聯創參投https://36kr.com/p/2539021165094660 24. iThome.(2023,6月21日）專門研究語音技術的AI新創ElevenLabs完成1,900萬美元的A輪融資https://www.ithome.com.tw/news/157463 25. iThome.(2023,1月16日）Eleven Labs新語音模型供用戶設計全新合成聲聲音，https://www.ithome.com.tw/news/155185 26. iThome.(2023,9月14日）Stability AI發表文字生成音樂AI工具Stable Audio https://www.ithome.com.tw/news/158741 27. Rocky(2023,11月25日) Stable Audio 線上 AI 配樂生成器，輸入你想要的風格、節拍等設置指令就能輕鬆生成https://www.kocpc.com.tw/archives/522310 28. 澎湃新聞.（2021.11月29日）2021年中國年輕人你的愛情觀發生了什麼變化，https://m.thepaper.cn/newsDetail_forward_15602186 英文參考文獻： 1. Auger, J. (2013). Speculative design: Crafting the speculation. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, 1583-1592. 2. https://zh.wikipedia.org/wiki/%E7%94%9F%E6%88%90%E8%89%BA%E6%9C%AF 3. Li, C. (2003). Artistic Evolution: A New Class of Evolutionary Algorithms. In Proceedings of the 2003 Congress on Evolutionary Computation (CEC’03) (Vol. 3, pp. 1987–1994). IEEE. 4. Li, X. (2017). Artificial Intelligence in Arts: Intelligence beyond Tools. In 2017 2nd International Conference on Image, Vision and Computing (ICIVC) (pp. 116–120). IEEE. 5. Elgammal, A., Liu, B., Elhoseiny, M., & Marecek, J. (2017). CAN: Creative Adversarial Networks, Generating" Art" by Learning About Styles and Deviating from Style Norms. arXiv preprint arXiv:1706.07068. 6. Colton, S., & Wiggins, G. A. (2012). Computational Creativity: The Final Frontier? In E. Pease, A. Smaill, & M. A. Cohn (Eds.), Proceedings of the AISB Symposium on AI and Creativity in Arts and Science (pp. 21–29). Society for the Study of Artificial Intelligence and Simulation of Behaviour. 7. Jordanous, A. (2016). A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative. Cognitive Computation, 8(3), 346–378. 8. Goodfellow, I., Pouget-Abadie, J., Mirza, M., Xu, B., Warde-Farley, D., Ozair, S., ... Bengio, Y. (2014). Generative Adversarial Nets. In Advances in Neural Information Processing Systems 27 (pp. 2672–2680). Curran Associates, Inc. 9. Goodfellow, I., Pouget-Abadie, J., Mirza, M., Xu, B., Warde-Farley, D., Ozair, S., … Bengio, Y. (2014). Generative Adversarial Nets. In Advances in Neural Information Processing Systems 27 (pp. 2672–2680). Curran Associates, Inc. 10. Huang, H., Wu, D., Zhang, X., & Chen, K. (2017). DeepMusic: Generating Music from Visual Art. In Proceedings of the 8th International Conference on Multimedia Systems (pp. 99–107). ACM. 11. Hao, K. (2019). Google’s AI Wizard Unveils a New Twist on Neural Networks. MIT Technology Review. https://www.technologyreview.com/s/613630/googles-ai-wizard-unveils-a-new-twist-on-neural-networks/ 12. D. Harwell, “He used AI to win a fine-arts competition. Was it cheating?,” Washington Post, Sep. 02, 2022. Available: https://www.washingtonpost.com/technology/2022/09/02/midjourneyartificial-intelligence-state-fair-colorado/ 13. Ernst, Hayden, "Artificial: A Study on the use of Artificial Intelligence in Art" (2023). Theses/Capstones/Creative Projects. 208. https://digitalcommons.unomaha.edu/university_honors_program/208 14. Andrii Titov, (2022, August 8), Midjourney as an artificial intelligence system. [Online] Available at: https://stepico.com/blog/midjourney-as-an- artificial-intelligence-system/ , (accessed on 12 August, 2022). 15. https://tenten.co/learning/runway-motion-brush/ 16. De Beauvoir, S. (1949). Le Deuxième Sexe [The Second Sex]. Paris: Gallimard. 17. See David Levy, Love and Sex With Robots (New York: HarperCollins, 2007). 18. See David Levy, Love and Sex With Robots (New York: HarperCollins, 2007). 19. https://www.inside.com.tw/article/32895-chatgpt-can-see-hear-speak 20. Dr Ramani Durvasu-la . (2022-2). Should I Stay or Should I Go:Surviving A Relationship with a Narcissist 浙江： 浙江大學出版社 . 21. Cooley, C. H. (1902). Human nature and the social order. American Journal of Sociology. 22. Emmanuel Lévinas, "Time and the Other" (German: "Die Zeit und der Andere"), in the same work, page 56. 23. GEOＲＲGEG DawnofTheSexbots［ J］． VanityFair 2015 57(5) :154 24. truecompanion.com, accessed March 3, 2018. 25. Darling K (2016) Extending legal protection to social robots: the effects of anthropomorphism, empathy, and violent behavior towards robotic objects. In: Calo R, Froomkin AM, Kerr I (eds) Robot law. Edward Elgar Publishing, Cheltenham, pp 213–234 26. ARNDCADDIGANM.SherryTurkle:AloneTogether:WhyWeExpectMorefromTechnologyandLessfromEachOther［ J］． ClinicalSocialWorJournal 2014 20(1) :5 6 27. cf. Turkle 2011 on the “robotic moment” 28. 1 Danaher, John. 2018. “Embracing the Robot.” Aeon https://aeon.co/essays/programmed -to-love-is-a-human-robot-relationship-wrong Accessed March 30, 2018. 29. Wollstonecraft, Mary. 2009. A Vindication of the Rights of Woman. New York: Norton& Company. 30. WATKINSOND Sexwithrobotstobe‘thenorm’in50years expertclaims［ EB/OL］． ．(2015 08 04) ［ 2019 06 06］． https://www mirror co uk/news/uk news/sex robots the norm 50 6190575 31. PEAＲＲSONI TheFutureofSexＲＲeport:TheＲＲiseoftheＲＲobosexuals［Ｒ］．Bondara 2015 32. Jollimore, T. (2015). "This Endless Space between the Words": The Limits of Love in Spike Jonze's Her. Midwest Studies in Philosophy, 39(1), 73-91. 33. slacoj zizek:Events and Encounters Explain Our fear of Falling in Love,Big Think 34. Marsilio Ficino, Über die Liebe oder Platons Gastmahl, a.a.O., S.69. 35. Emmanuel Lévinas, Die Zeit und der Andere, a.a.O., S. 56. 36. Lee ,Owsianik 2020 37. Erikson, E. H. (1950). Childhood and society. New York: W. W. Norton & Company 38. Erikson, E. H. (1968). Identity: Youth and crisis. New York: W. W. Norton & Company. 39. De Beauvoir, S. (1949). Le Deuxième Sexe [The Second Sex]. Paris: Gallimard. 40. Cooley, C. H. (1902). Human nature and the social order. American Journal of Sociology. 41. H·Frankfurt,《愛的理由》（ The Reasons of Love））(Princeton:Princeton University Press,2004),p5。 42. E·Chowers,《現代自我的迷宮》（ The Modern self in the labyrinth Cambridge MA Harvard University Press,2003）。 43. Briefe Martin Heideggers an seine Frau Elfride 1915-1970,München 2005, S. 264. 44. Gilles Deleuze / Félix Guattari, Was ist Philosophie?, Frankfurt a.M. 1996, S. 7. 45. See David Levy, Love and Sex With Robots (New York: HarperCollins, 2007). 46. Martin Heidegger, “The Question Concerning Technology,” in The Question Concerning Technology and Other Essays, trans. William Levitt (New York: Harper Perennial, 1977). 47. Stanislaw Lem, Summa Technologiae, trans. Joanna Zylinska (University of Minnesota Press, 2014), 129. 48. Levy, Love and Sex With Robots, 120. 49. Kevin Warwick,“Alien Encounters,” in Views into the Chinese Room: New Essays on Searle and Artificial Intelligence, ed. John Preston and Mark Bishop (Oxford: Clarendon Press, 2002), 309. 50. Jollimore, T. (2015). "This Endless Space between the Words": The Limits of Love in Spike Jonze's Her. Midwest Studies in Philosophy, 39(1), 73-91. 51. Nozick, R. (1989). Love's bond. In The examined life: Philosophical meditations (pp. 74-80). Simon and Schuster. 52. Flisfeder, M., & Burnham, C. (2017). Love and Sex in the Age of Capitalist Realism: On Spike Jonze's Her. Cinema Journal, 57(1), 25-45. 53. Jollimore, T. (2015). "This Endless Space between the Words": The Limits of Love in Spike Jonze's Her. Midwest Studies in Philosophy, 39(1), 73-91. 54. Jokinen, J. P. P., & Silvennoinen, J. (2020). The Appraisal Theory of Emotion in Human–Computer Interaction. 55. Turkle, S. (2011). Alone Together: Why We Expect More from Technology and Less from Each Other. Basic Books. 56. John Searle, Mind: A Brief Introduction, New York: Oxford University Press, 2004, p.161. 57. García Márquez, G. (1985). El amor en los tiempos del cólera [Love in the Time of Cholera]. Alfred A. Knopf. 58. Descartes, R. (1641). Meditations on First Philosophy. 描述 碩士
國立政治大學
數位內容碩士學位學程
110462020資料來源 http://thesis.lib.nccu.edu.tw/record/#G0110462020 資料類型 thesis dc.contributor.advisor 陶亞倫<br>廖峻鋒 zh_TW dc.contributor.advisor Tao, Ya-Lun<br>Liao, Jun-Feng en_US dc.contributor.author (Authors) 沈思涵 zh_TW dc.contributor.author (Authors) SHEN, Si-Han en_US dc.creator (作者) 沈思涵 zh_TW dc.creator (作者) SHEN, Si-Han en_US dc.date (日期) 2024 en_US dc.date.accessioned 1-Feb-2024 11:48:54 (UTC+8) - dc.date.available 1-Feb-2024 11:48:54 (UTC+8) - dc.date.issued (上傳時間) 1-Feb-2024 11:48:54 (UTC+8) - dc.identifier (Other Identifiers) G0110462020 en_US dc.identifier.uri (URI) https://nccur.lib.nccu.edu.tw/handle/140.119/149673 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 數位內容碩士學位學程 zh_TW dc.description (描述) 110462020 zh_TW dc.description.abstract (摘要) 為什麼現代青年人不輕易愛了？今天的我們生活在一個肯定性的社會，我們渴望被認同、被讚揚、被接納。反感被否定、被說教、被規訓。人與人之間傾向尋找同一性的群體，用差異性分割彼此。同時隨著科技性愛的蓬勃發展，越來越多的人將親密關係的發展對像投射在科技物中。本文主要研究現代社會、文化、環境下形成的愛情觀念對現代青年人的愛情觀念產生了哪些影響？同時思考AI伴侶作為人類親密關係的另一種選擇會帶來怎樣的結果？使用推測設計創建一個未來可能發生的情境，運用AI生成工具進行影像創作，描繪在一個不太遙遠的未來，AI伴侶已經完全進入人類生活，成為人類社會的組成部分，政府為了保障人類與人類之間的關係發展頒布《AI伴侶沉浸值管理法》要求AI伴侶的製造廠商必須在AI伴侶上安裝沉浸值檢測，一旦檢測到用戶將情感完全投射在AI伴侶身上必須立刻發出警告，提醒用戶「sorry，I’m a robot」。通過此情境設計激發觀眾重新審視人類情感與AI伴侶機器人的情感對比。 zh_TW dc.description.abstract (摘要) Why do young people in today's world not fall in love so easily? Today we live in a society of certainty, where we long to be recognized, praised and accepted. We resent being denied, lectured and disciplined. People tend to look for homogeneous groups and divide each other with differences. At the same time, with the development of technological sex, more and more people are projecting the development of intimate relationships onto technological objects. This paper focuses on how the concepts of love formed in modern society, culture, and environment have affected the concepts of love of contemporary youth. It also considers the consequences of AI partners as an alternative to human intimacy. In the not-too-distant future, AI companions have fully entered human life and become an integral part of human society. In order to safeguard the development of human relationships, the government has promulgated the AI Companion Immersion Value Management Act, which requires AI companion manufacturers to install immersion value detection on their AI companions. The law requires AI companion manufacturers to install immersion value detection on their AI companions, and to issue a warning once they detect that the user is fully projecting emotions onto the AI companion, reminding the user that "Sorry, I'm a robot". Through this scenario design, the audience will be inspired to re-examine the emotional contrast between human emotions and the AI companion robot. en_US dc.description.tableofcontents 第一章 緒論 8 第一節 創作之研究動機與目的 8 第二節 研究方法與步驟 10 第三節 研究範圍與限制 12 第二章 學理基礎 14 第一節 理論基礎 14 第二節 現代青年人的愛欲困境 20 第三節 愛欲中的自我與他者 34 第四節「極端自我」的AI伴侶 46 第三章 創作計劃 52 第一節創作理念 52 第四章 創作執行 63 第一節 創作概述與流程 63 第二節創作方法與技巧 74 第三節創作成果呈現 79 第五章 結論 83 參考文獻 85 中文參考文獻 85 英文參考文獻： 86 附錄 89 zh_TW dc.format.extent 3580907 bytes - dc.format.mimetype application/pdf - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0110462020 en_US dc.subject (關鍵詞) AI伴侶 zh_TW dc.subject (關鍵詞) 愛慾 zh_TW dc.subject (關鍵詞) 他者 zh_TW dc.subject (關鍵詞) 自我 zh_TW dc.subject (關鍵詞) 生成式藝術 zh_TW dc.subject (關鍵詞) AI companion en_US dc.subject (關鍵詞) desire en_US dc.subject (關鍵詞) other en_US dc.subject (關鍵詞) self en_US dc.subject (關鍵詞) Generative Art en_US dc.title (題名) 在愛慾中消失的他者：媒體創作研究 zh_TW dc.title (題名) The Disappear of Andere in Eros : A Study of Media Creation en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) 中文參考文獻 1. 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