| dc.contributor | 政大中文學報 | - |
| dc.creator (作者) | 林香伶;江曉輝 | - |
| dc.creator (作者) | Lin, Hsiang-ling;Kong, Hiu-fai | - |
| dc.date (日期) | 2024-06 | - |
| dc.date.accessioned | 2-Jul-2024 10:09:13 (UTC+8) | - |
| dc.date.available | 2-Jul-2024 10:09:13 (UTC+8) | - |
| dc.date.issued (上傳時間) | 2-Jul-2024 10:09:13 (UTC+8) | - |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/152206 | - |
| dc.description.abstract (摘要) | 學界研究南社多集中在江、浙籍詩人群，於其他省分社員的關注相對不足。在廣東分社的唱和中，「蘇軾」是經常出現的文化符號。蘇軾被謫嶺南，對當地文化與文學影響深遠，致使在「標舉唐音」、「詩風雄直」的嶺南詩歌傳統外，形成清中葉開始流行的宗宋風氣，而南社廣東詩人正是在此脈絡下成長。緣此，要定位其文化立場和審美旨趣，探究蘇軾的影響，極為必要。本文從文學地理學角度探討嶺南地理與詩歌發展的關係，特別關注與蘇軾相關的文學景觀及壽蘇會，背後所體現以蘇軾為代表的宋型文化，更全面地掌握廣東詩人對風雅的堅持。本文除具有補充廣東詩人群研究不足的價值，更可使近代宗宋派的詩學脈絡更為完整，並重塑南社詩歌與審美風尚的多樣性。 | - |
| dc.description.abstract (摘要) | Nanshe is a modern society with complex members, but scholars mostly focus on the poets of Nanshe from Jiangsu and Zhejiang, and pay less attention to the members or branches of other provinces. Nanshe Guangdong Branch is extremely regional, and its cultural position and aesthetic purport were quite consistent and firm from the late Qing Dynasty to the early Republic of China, and even led to the differentiation of Nanshe organization. “Su Shi” is a common cultural symbol in the singing and chorus of poets in the Guangdong Branch. Su Shi’s relegation to Lingnan had a far-reaching impact on local culture and literature, resulting in the formation of the poetic style of Song-advocacy that became popular in the middle of the Qing Dynasty in addition to the Lingnan poetry tradition of advocating Tang poetry style and bold style, and it was in this context that the Guangdong poets of Nanshe grew up. Therefore, it is extremely necessary to locate the cultural position and aesthetic purport of Guangdong poets in Nanshe and explore its influence by Su Shi. This article delves into the intricate interplay between Guangdong geography and the evolution of poetry through the lens of literary geography. It places special emphasis on the literary landscape and the popular Su Shi birthday in the middle of the Qing Dynasty, intricately linked to the renowned figure Su Shi, thereby exemplifying the embodiment of Song-style culture. The primary objective is to gain a thorough understanding of the resolute pursuit of elegance and the stance towards new literature exhibited by Guangdong poets. By bridging the existing research gaps on Guangdong poets, this article not only enriches scholarly discourse but also fosters a more holistic grasp of the poetic backdrop within the modern Song-advocacy school. Simultaneously, it endeavors to reshape the multifaceted nature of Nanshe poetry and the prevailing aesthetic inclinations. | - |
| dc.format.extent | 3208527 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation (關聯) | 政大中文學報, 41, 133-172 | - |
| dc.subject (關鍵詞) | 蘇軾; 南社廣東分社; 文學景觀; 壽蘇會; 宋型文化 | - |
| dc.subject (關鍵詞) | Su Shi; Nanshe Guangdong Branch; literary landscape; Su Shi birthday party; Song style culture | - |
| dc.title (題名) | 「嶺南真願百東坡」――蘇軾文化對南社廣東分社詩人的影響 | - |
| dc.title (題名) | The Influence of Su Shi Culture on the Poets of Nanshe Guangdong Branch | - |
| dc.type (資料類型) | article | - |
| dc.identifier.doi (DOI) | 10.30407/BDCL.202406_(41).0005 | - |
| dc.doi.uri (DOI) | https://doi.org/10.30407/BDCL.202406_(41).0005 | - |
