| dc.creator (作者) | 蔡錚雲 | zh_TW |
| dc.creator (作者) | Tsai,Cheng-Yun | - |
| dc.date (日期) | 1998-05 | en_US |
| dc.date.accessioned | 17-Dec-2008 14:11:44 (UTC+8) | - |
| dc.date.available | 17-Dec-2008 14:11:44 (UTC+8) | - |
| dc.date.issued (上傳時間) | 17-Dec-2008 14:11:44 (UTC+8) | - |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/16253 | - |
| dc.description.abstract (摘要) | 本文是對詹明信《後現代主義，或後資本主義的文化邏輯》之哲學解讀，處理藝術與後現代之間錯綜複雜的關係，誠如此關係，是由他所宣稱的後資本主義之文化邏輯來彰顯，須由下列步驟作進一步的闡明： 一、它在美術作品的分析中象徵為主體的死亡。 二、此主體死亡在歷史終結懷舊的模仿中呈現為一種擬象。 三、而這正是我們將今日的現實捕捉為精神分裂文本之原由。 四、後者又源自於現代藝術的去現實化與後資本主義的科技複製。 五、這一切皆可由建築的後現代特徵所揭示。 六、以及我們將它理解為認知性的繪圖。 | - |
| dc.description.abstract (摘要) | This paper is dealt with the complicated relationship between arts and the post-modern by a philosophical reading of Fredric Jameson`s Postmodernism, or, The Cultural Logic of Later Capitalism. If is exposed by virtue of what he claimed as a cultural logic of late capitalism, it should be further elaborated in the following steps: 1.it is symbolized as the death of subject in the analysis of artworks; 2. such a death of subject presents itself in the simulacrum as the pastiche of nostalgia at the end of history; 3. this is exactly how we perceive today`s reality by taking it as the writings of schizophrenia; 4. the later comes from the derealization of the modern arts as well as from the technological reproducation of the late capitalism; 5. all of these can be viewed in the hyperspace of the postmodern architecture; 6. andour understanding of it is in terms of this cognitive mapping. | - |
| dc.format | application/ | en_US |
| dc.language | zh-TW | en_US |
| dc.language | en-US | en_US |
| dc.language.iso | en_US | - |
| dc.relation (關聯) | 視覺藝術, 1, 61-75 | en_US |
| dc.title (題名) | 後現代與藝術之間的文化邏輯--詹明信的文本解讀 | zh_TW |
| dc.title.alternative (其他題名) | The Cultural Logic between Postmodernism and Arts | - |
| dc.type (資料類型) | article | en |
