dc.contributor | 傳播學院 | |
dc.creator (作者) | 盧建誌 | |
dc.creator (作者) | Lu, Chien-Chih (Jesse) | |
dc.date (日期) | 2023-10 | |
dc.date.accessioned | 2024-12-12 | - |
dc.date.available | 2024-12-12 | - |
dc.date.issued (上傳時間) | 2024-12-12 | - |
dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/154641 | - |
dc.description.abstract (摘要) | Copyright provides music authors with economic incentives to deliver contributions that will benefit the cultural community. Technology has facilitated a digital breakthrough to make music content more accessible. Taiwan’s copyright expansion directly correlates to the development of the Mandarin music industry and case studies seem to illustrate that Taiwan’s copyright protection is the principal ignition and stimulation of the Mandarin music market’s evolution. Its licensing system is constructed on the basis that the music marketplace needs specific levels of government regulations and contractual restrictions, which are imposed through proper licensing provisions in the Taiwan Copyright Act. This chapter argues that modernizing the standards of what is deemed to be copyright infringement will further encourage the prosperity of music creativity and business in Taiwan’s market. Apart from conventional collective management, nonexclusive licensing arrangements in Taiwan’s marketplace will generate creative autonomy and business opportunities in a brand-new way. | |
dc.format.extent | 117 bytes | - |
dc.format.mimetype | text/html | - |
dc.relation (關聯) | The Oxford Handbook of Music Law and Policy, pp.1-30 | |
dc.subject (關鍵詞) | music; copyright; monopoly; copyright infringement; collective management; nonexclusive license; government regulation; contractual restriction | |
dc.title (題名) | Identifying New Juridical Sources and Business Practices in Taiwan ’ s Music Ecosystem | |
dc.type (資料類型) | book/chapter | |
dc.identifier.doi (DOI) | 10.1093/oxfordhb/9780190872243.013.39 | |
dc.doi.uri (DOI) | https://doi.org/10.1093/oxfordhb/9780190872243.013.39 | |