| dc.contributor | 社會系 | |
| dc.creator (作者) | 陳宗文 | |
| dc.date (日期) | 2018-10 | |
| dc.date.accessioned | 19-Jun-2025 11:59:06 (UTC+8) | - |
| dc.date.available | 19-Jun-2025 11:59:06 (UTC+8) | - |
| dc.date.issued (上傳時間) | 19-Jun-2025 11:59:06 (UTC+8) | - |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/157447 | - |
| dc.description.abstract (摘要) | 本計畫透過生醫專利中的圖像美學來理解技術創新的社會脈絡，並進而勾勒出台灣生醫技術與產業專有的形貌。生醫專利的圖式運用是在將技術導引朝向經濟的過程脈絡中，是行動者受到社會脈絡影響下的實作成果表現，亦相當程度反映出行動者對於技術的想像。本計畫因此追問三個主要問題，首先要追問的是生醫專利圖式的實作意義。其次是去瞭解生醫專利圖式的使用狀況與各種不同行動者的關係，最後要探討的是在生醫技術領域，專利的建構與對技術實踐的想像之間的關係。本專題研究計畫預期以三年完成，逐年以不同的研究設計與方法回應前述三問題。第一年投入到專利的圖像分析，第二年進行專利場域分析，第三年預期完成生醫產業的異質網絡分析。本計畫的實作觀點，不僅顛覆了指標性的評價邏輯和數量化的績效衡量理念，更透過對制度與慣習脈絡的理解，經由社會空間的分析，使得科研與產業相關行動者進入到深層的社會與歷史脈絡中，可以看出在地技術與經濟行動的特殊性，真確掌握技術產業化的在地過程，而避免落入單向直線的發展史觀。在學術方面，本計畫亦與主流產業經濟社會學分析斷裂，在概念與分析過程中的參考理論和研究方法，都有跨界與創新的作法，但亦皆連接到古典社會學的關懷。 | |
| dc.description.abstract (摘要) | This project aims at understanding innovations of biomedical technology in their social contexts by way of exploring iconic aesthetics in patents. Current situations of biomedical technology and industry in Taiwan can thus be characterized. Drawings and figures in biomedical patents are in the midst of the passage from technology to industry. They are practical outcomes produced by patent authors who engage socially in their particular working contexts. Also, they reflect patent authors’ imagination on practice of the technology. The project is in request of three major questions: what are senses of practice revealing in the figures of biomedical patents? How do the patent authors’ different social backgrounds, that is, different positions of actors in a social space, do to the use of different kinds of figures in the patent? What are the relations between patent construction networks and imaginations/imaginaries of technological practice in a society? The project, with duration of three years, is planned to be carried out in three phases, each of which is to answer one of the aforementioned questions. The first phase is to analyze figures in biomedical patents by methods developed from iconology. The second phase is to do positioning figure authors in a patent field, thus locating the figures in a social space. The third phase is to configuring heterogeneous networks that produce the patents by way of connecting the patent field to institutional contexts of a local society. The dispositional point of view in the project locates actors in their field that is formed socially and historically, thus avoiding a Whiggish or linear view on the biomedical technology and industry. The approach of the project is very different from conventional ways such as those that concern economic performance in the industrial and developmental sociology. Furthermore, the project provides interdisciplinary and innovative methods that are new to current sociology, whereas the interests are similar to those of classical sociology. | |
| dc.format.extent | 116 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | 科技部, MOST105-2410-H004-094-MY2, 105.08-107.07 | |
| dc.title (題名) | 圖像美學與技術想像：生醫專利的實作社會學 | |
| dc.title (題名) | Iconic Aesthetics and Technological Imaginaries: Sociology of Practice in Biomedical Patents | |
| dc.type (資料類型) | report | |
