| dc.contributor | 社會系 | |
| dc.creator (作者) | 高國魁 | |
| dc.date (日期) | 2021-11 | |
| dc.date.accessioned | 20-Jun-2025 13:08:12 (UTC+8) | - |
| dc.date.available | 20-Jun-2025 13:08:12 (UTC+8) | - |
| dc.date.issued (上傳時間) | 20-Jun-2025 13:08:12 (UTC+8) | - |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/157465 | - |
| dc.description.abstract (摘要) | 本計畫在耙梳布希亞晚期的跨政治觀察和武藝術視域。藉由川普興起和攝影危機的現象鋪陳，布希亞的宿命和象徵理論被推向絕境；該絕境顯示，影像世的消失同時表徵人類世的完結，而非其新生。我們透過布希亞反省科技化社會掀起的人類學革命，目的是要證成布希亞思想的未來指向神學和詩學研究的必要性。本計畫的理論性假說是，布希亞的形上學原則已自過度的物質轉為零和的形式，同時他的人類學規則也從逾越式滅絕化作秘密般消失。循此假說，本計畫首先澄清布希亞的宿命客體形上學或幻想科學為何不可被現實政治所化約（計畫動機），接著闡釋布希亞的象徵交換人類學或社會學如何已朝影像藝術作偏離（計畫旨趣）。最終，計畫展望布希亞基進思想中傳統與創新的奇異碰撞，從而規劃神學和詩學的比較研究（計畫主題）。 | |
| dc.description.abstract (摘要) | The proposal summarizes later Baudrillard’s transpolitical observations and his martial-artistic perspective. By way of elaborating phenomena like the rise of Trump and the crisis of photography, Baudrillard’s fatal and symbolic theories are push to a tight corner in order to show that the disappearance of the image-centric world also signifies the end of the anthropocentric world rather than man’s new beginning. Invoking Baudrillard to reflect on the anthropological revolution set off by the technological remaking of society, we aim to infer that the future of Baudrillard’s thought resides in the necessity of a research on his theology and poetics. The theoretical hypothesis of the proposal is that the principle of Baudrillard’s metaphysics has shifted from excessive matter toward zero-summed form while the rule of his anthropology has changed from transgressive annihilation into enigmatic disappearance. Following this hypothesis, the proposal first clarifies why Baudrillard’s metaphysics or pataphysics of fatal objects cannot be reduced to any politics in reality (motive of the proposal), and then explains how Baudrillard’s anthropology or sociology of symbolic exchange has swerved to an art of the image (interest of the proposal). Finally, the proposal expects strange collisions of tradition and innovation in Baudrillard’s radical thought, and outlines a comparative research of his theology and poetics (themes of the proposal). | |
| dc.format.extent | 116 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | 科技部, MOST107-2410-H004-069-MY3, 107.08-110.07 | |
| dc.subject (關鍵詞) | 跨政治; 武藝術; 川普; 攝影; 人類學革命; 傳統; 創新 | |
| dc.subject (關鍵詞) | Transpolitics; Martial Art; Trump; Photography; Anthropological Revolution; Tradition; Innovation | |
| dc.title (題名) | 人類學革命過後：尚布希亞思想的傳統與創新 | |
| dc.title (題名) | After Anthropological Revolution: Tradition and Innovation in Jean Baudrillard'S Thought | |
| dc.type (資料類型) | report | |
