| dc.contributor | 文山評論：文學與文化 | |
| dc.creator (作者) | Shih, Yi-chin | |
| dc.creator (作者) | 施懿芹 | |
| dc.date (日期) | 2025-06 | |
| dc.date.accessioned | 29-Jul-2025 09:35:53 (UTC+8) | - |
| dc.date.available | 29-Jul-2025 09:35:53 (UTC+8) | - |
| dc.date.issued (上傳時間) | 29-Jul-2025 09:35:53 (UTC+8) | - |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/158169 | - |
| dc.description.abstract (摘要) | Conscious of her gender identity, Susan Glaspell (1876-1948), an American female playwright, novelist, poet, and journalist, often presents feminist ideas in her works and offers a feminist critique of society. This paper aims to understand Glaspell’s philosophy of science through an analysis of two of her plays, Tickless Time (1918) and The Verge (1921). By focusing on the relationship between gender and science, this paper also seeks to propose a new interpretation of the two plays. The analysis first scrutinizes Tickless Time to expose its representation of gender bias in science and technology and then turns to The Verge to take a step further in suggesting the possibility of a new science. After a brief comparison between the two plays, the paper argues that due to Glaspell’s feminist assessment and the failure of this new science, she indicates multiple perspectives as the way to examine science and explore the potential of both science and women. | |
| dc.format.extent | 779662 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.relation (關聯) | 文山評論：文學與文化, 18(2), 1-21 | |
| dc.subject (關鍵詞) | Susan Glaspell; Tickless Time; The Verge; gender and science | |
| dc.subject (關鍵詞) | 蘇珊．葛列絲貝; 《沒有滴答聲的鐘》; 《邊緣》; 性別與科學 | |
| dc.title (題名) | A Sundial and a Flower: Susan Glaspell’s Philosophy of Science in Tickless Time and The Verge | |
| dc.title (題名) | 日晷與花：蘇珊．葛列絲貝在《沒有滴答聲的鐘》與《邊緣》中的科學哲學 | |
| dc.type (資料類型) | article | |
| dc.identifier.doi (DOI) | 10.30395/WSR.202506_18(2).0001 | |
| dc.doi.uri (DOI) | https://doi.org/10.30395/WSR.202506_18(2).0001 | |
