| dc.contributor | 英文系 | - |
| dc.creator (作者) | 趙順良 | - |
| dc.creator (作者) | Chao, Shun-Liang | - |
| dc.date (日期) | 2025-07 | - |
| dc.date.accessioned | 5-Aug-2025 11:20:32 (UTC+8) | - |
| dc.date.available | 5-Aug-2025 11:20:32 (UTC+8) | - |
| dc.date.issued (上傳時間) | 5-Aug-2025 11:20:32 (UTC+8) | - |
| dc.identifier.isbn (ISBN) | 9780367208769 | - |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/158812 | - |
| dc.description.abstract (摘要) | For me, the “leave art alone, leave politics alone” (藝術歸藝術, 政治歸政治) thesis is a false statement, one that some people make when they would like to manipulate you. What they really mean by that is, leave art alone, but politics controls art—which is the outcome they really want. | - |
| dc.format.extent | 178 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | Humour in Times of Confrontation, 1901 to the Present, Routledge, pp.186-204 | - |
| dc.title (題名) | Confronting China’s “Little Pinks”: Political Humour in Namewee’s Love Song “Fragile” | - |
| dc.type (資料類型) | book/chapter | - |
| dc.identifier.doi (DOI) | 10.4324/9780429263866-10 | - |
| dc.doi.uri (DOI) | https://doi.org/10.4324/9780429263866-10 | - |
