| dc.contributor.advisor | 林玲遠 | zh_TW |
| dc.contributor.author (Authors) | 曾珮玟 | zh_TW |
| dc.contributor.author (Authors) | Tseng, pei-wen | en_US |
| dc.creator (作者) | 曾珮玟 | zh_TW |
| dc.creator (作者) | Tseng, pei-wen | en_US |
| dc.date (日期) | 2026 | en_US |
| dc.date.accessioned | 2-Mar-2026 11:40:33 (UTC+8) | - |
| dc.date.available | 2-Mar-2026 11:40:33 (UTC+8) | - |
| dc.date.issued (上傳時間) | 2-Mar-2026 11:40:33 (UTC+8) | - |
| dc.identifier (Other Identifiers) | G0107941023 | en_US |
| dc.identifier.uri (URI) | https://nccur.lib.nccu.edu.tw/handle/140.119/161807 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 傳播學院碩士在職專班 | zh_TW |
| dc.description (描述) | 107941023 | zh_TW |
| dc.description.abstract (摘要) | 這份創作型論文以作者自身從媒體人轉職為節目製作人，進而投入影視創業的生命歷程為核心，採取第一人稱視角，結合自我揭露敘事研究法與紀實散文書寫，嘗試以「實境節目式人生書寫」的形式，記錄一位女性創業者在產業轉換、創作實踐與家庭角色之間反覆協商與調適的真實經驗。創作內容橫跨職涯轉換、創業風險、節目製作實務、資金壓力、人際關係變動，以及身為女性與母親所承受的性別與家庭期待，呈現傳播產業中少被完整述說的創業日常與心理過程。
本論文以實際製作之實境節目《極島森林》與《出去一下》為重要創作與反思節點，透過具體事件回放，描繪影像創作在理想、現實與市場機制之間的拉鋸，並檢視創業者在高度不確定情境中，如何透過信用、人際支持與自我調適，持續推動創作與組織運作。形式上，本創作借鏡實境節目之敘事結構，將人生歷程視為一季節目的分集展演，使文本兼具紀實性、戲劇感與情感厚度。
本研究期望透過誠實而貼近日常的書寫，回應創作型論文在學術體制中的可能性，並為有志投入影視產業或創業實踐者，特別是女性創作者，提供一份來自現場的經驗紀錄與情感陪伴。 | zh_TW |
| dc.description.abstract (摘要) | This creative thesis centers on the author’s life trajectory from a media professional to a television program producer and, subsequently, an entrepreneur in the film and television industry. Written from a first-person perspective, it integrates autoethnographic self-disclosure with documentary-style prose, adopting a form of “reality-program-inspired life writing” to record the lived experiences of a female entrepreneur as she continually negotiates and adapts across industry transitions, creative practice, and family roles. The narrative spans career transformation, entrepreneurial risk, program production practices, financial pressure, shifts in interpersonal relationships, and the gendered and familial expectations encountered as both a woman and a mother, thereby revealing the everyday realities and psychological processes of entrepreneurship that are seldom fully articulated within the media and communication industries.
This thesis takes the author’s produced reality programs Island Forest and Step Outside as key creative and reflective milestones. Through detailed event-based retrospection, it depicts the tensions inherent in audiovisual creation among ideals, practical constraints, and market mechanisms, while examining how an entrepreneur sustains creative work and organizational operations amid high uncertainty through credibility, interpersonal support, and self-adjustment. Formally, the work draws on the narrative structure of reality television, framing life experiences as episodic segments within a season, thereby imbuing the text with documentary realism, dramatic intensity, and emotional depth.
Through candid and everyday-oriented writing, this study seeks to respond to the possibilities of creative theses within academic institutions and to offer a grounded record of experience and emotional companionship for those aspiring to enter the film and television industry or entrepreneurial practice, particularly women creators.
Keywords: Entrepreneurship; Program Production; Self-narrative; Lived Experience; Reality Television | en_US |
| dc.description.tableofcontents | 謝辭 i
摘要 ii
Abstract iii
目次 iv
第一章 創作動機與目的 6
第一節 創作動機 6
第二節 創作目的 12
第二章 創作規劃與寫作發想 14
第一節 創作規劃 14
第二節 創作發想：向此生最愛的作家「向田邦子」致敬 15
第三章 一位創業者的實境人生書寫 18
第一節 登出舒適圈，創業實境人生正式開拍 18
第二節 從「極島森林」到「出去一下」，體驗大魔王等極的痛擊 24
第三節 來自祖靈的召喚，讓事業回歸正軌 26
第四節 節目初登場與商務置入安排 40
第四章 劇裡劇外皆為人生，回顧創業的心路過程 46
第一節 必須擁護的信用 46
第二節 潮來潮去的人情債 58
第三節 輾轉於創業者與女性家庭角色間的糾葛 62
第五章 未完的續集，我還想「再玩一下」 70
參考文獻 78
附錄一 論文試寫初稿一 80
附錄二 論文試寫初稿二 100 | zh_TW |
| dc.format.extent | 1351527 bytes | - |
| dc.format.mimetype | application/pdf | - |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#G0107941023 | en_US |
| dc.subject (關鍵詞) | 創業 | zh_TW |
| dc.subject (關鍵詞) | 節目製作 | zh_TW |
| dc.subject (關鍵詞) | 自我敘事 | zh_TW |
| dc.subject (關鍵詞) | 生命經驗 | zh_TW |
| dc.subject (關鍵詞) | 實境節目 | zh_TW |
| dc.subject (關鍵詞) | Entrepreneurship | en_US |
| dc.subject (關鍵詞) | Program Production | en_US |
| dc.subject (關鍵詞) | Self-narrative | en_US |
| dc.subject (關鍵詞) | Lived Experience | en_US |
| dc.subject (關鍵詞) | Reality Television | en_US |
| dc.title (題名) | 從媒體人到節目製作人：一位創業者的實境人生書寫 | zh_TW |
| dc.title (題名) | Living Reality: The Entrepreneurial Narrative and Self-Construction of a Former Media Practitioner | en_US |
| dc.type (資料類型) | thesis | en_US |
| dc.relation.reference (參考文獻) | 李宗怡（2013）。幸福的追尋─試論向田邦子短篇小說創作之意識與社會關懷。國立臺灣師範大學碩士論文，臺北市。
Rudner, R. S. (1966). Philosophy of social science. Prentice-Hall. | zh_TW |
