| dc.contributor | 外文中心 | |
| dc.creator (作者) | 蘇靖棻 | |
| dc.date (日期) | 2016-10 | |
| dc.date.accessioned | 27-Jul-2026 16:08:41 (UTC+8) | - |
| dc.date.available | 27-Jul-2026 16:08:41 (UTC+8) | - |
| dc.date.issued (上傳時間) | 27-Jul-2026 16:08:41 (UTC+8) | - |
| dc.identifier.uri (URI) | https://ah.lib.nccu.edu.tw/item?item_id=183502 | - |
| dc.description.abstract (摘要) | 本研究計畫旨在探討十七世紀女性作家瑪格麗特·柯芬蒂詩（1623-1673）的科學論述和 文學創作與文藝復興時期神秘學傳統之間的關係，此傳統所涵蓋的領域包括：魔法、巫術、 煉金術、自然哲學、宗教與現代科學。在歐洲文藝復興與科學革命時期，現代科學的興起 與中古時期流傳下來的神秘學文獻傳統有時同時並存，具有密不可分的關係，許多理性的 科學家背後可能仍隱藏著對古老神秘學的信仰。儘管已有不少學者論及柯芬蒂詩身為科學 家與自然哲學家在十七世紀科學革命時期之地位，以及她對當代科學與自然哲學論述之重 要貢獻，卻很少有學者進一步探究柯芬蒂詩受到文藝復興神秘學傳統影響之程度。本計畫 將透過深入閱讀柯芬蒂詩科學論述中與神秘學相關的議題，並將之放在文藝復興神秘學傳 統的脈絡下進行比較與對照，最後藉此剖析柯芬蒂詩在其文學創作如《詩歌和奇想》詩作、 短篇小說〈旅行的靈體〉以及科幻小說《炫麗異世界》文本中對巫術、魔法、煉金術、靈 體等神秘學主題的呈現。本研究計畫之成果將對於促進我們了解十七世紀科學革命時期現 代科學的興起與文藝復興神秘學間的交互關係有所貢獻。 | |
| dc.description.abstract (摘要) | This study aims at exploring seventeenth-century female writer Margaret Cavendish’s scientific treaties and literary creations in relation to the Renaissance occult tradition, which includes fields such as theurgy or magic, witchcraft, alchemy, natural philosophy, religion, and modern sciences. During the European Renaissance and scientific revolution, the emergence of modern sciences and the occult literature passed down from the Middle Ages to the Renaissance were closely interrelated, sometimes even co-existent; thus an enlightened scientist in this period might still retain hidden belief in ancient occult theories and practices. Although scholars have reclaimed Cavendish’s position as an important scientist and natural philosopher during the scientific revolution in the seventeenth century, and confirmed her contribution to contemporary studies of science and natural philosophy, very few scholars further investigate the potential influence of the Renaissance occult tradition on Cavendish’s writings. In this study, I will first delve into the key issues relevant to occultism in Cavendish’s scientific oeuvre in the greater context of the Renaissance occult tradition, and then analyze Cavendish’s representation of occult themes such as witchcraft, magic, alchemy, and spirits in her literary works, including Poems and Fancies, the short story “The Travelling Spirits” in Natures Pictures, and the science fiction The Blazing World. The result of this study will contribute to our better understanding of the intriguing relationship between the emergence of modern sciences in seventeenth-century scientific revolution and the Renaissance occult tradition. | |
| dc.format.extent | 116 bytes | - |
| dc.format.mimetype | text/html | - |
| dc.relation (關聯) | 科技部, MOST104-2410-H004-124, 104.08-105.07 | |
| dc.subject (關鍵詞) | 瑪格麗特·柯芬蒂詩; 文藝復興神秘學; 科學; 魔法; 巫術; 靈體 | |
| dc.subject (關鍵詞) | Margaret Cavendish; Renaissance occult tradition; science; theurgy; witchcraft; spirits | |
| dc.title (題名) | 靈體、天使或魔鬼？瑪格麗特•柯芬蒂詩與文藝復興神秘學傳統 | |
| dc.title (題名) | Spirits, Angels, or Demons? Margaret Cavendish and the Renaissance Occult Tradition | |
| dc.type (資料類型) | report | |
